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Author: Ding Choo Ming
Publisher: Flipside Digital Content Company Inc.
ISBN: 9814786594
Category : History
Languages : en
Pages : 206
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Book Description
Local renderings of the two Indian epics Ramayana and Mahabharata in Malay and Javanese literature have existed since around the ninth and tenth centuries. In the following centuries new versions were created alongside the old ones, and these opened up interesting new directions. They questioned the views of previous versions and laid different accents, in a continuous process of modernization and adaptation, successfully satisfying the curiosity of their audiences for more than a thousand years. Much of this history is still unclear. For a long time, scholarly research made little progress, due to its preoccupation with problems of origin. The present volume, going beyond identifying sources, analyses the socio-literary contexts and ideological foundations of seemingly similar contents and concepts in different periods; it examines the literary functions of borrowing and intertextual referencing, and calls upon the visual arts to illustrate the independent character of the epic tradition in Southeast Asia.
Author: Ding Choo Ming
Publisher: Flipside Digital Content Company Inc.
ISBN: 9814786594
Category : History
Languages : en
Pages : 206
Get Book Here
Book Description
Local renderings of the two Indian epics Ramayana and Mahabharata in Malay and Javanese literature have existed since around the ninth and tenth centuries. In the following centuries new versions were created alongside the old ones, and these opened up interesting new directions. They questioned the views of previous versions and laid different accents, in a continuous process of modernization and adaptation, successfully satisfying the curiosity of their audiences for more than a thousand years. Much of this history is still unclear. For a long time, scholarly research made little progress, due to its preoccupation with problems of origin. The present volume, going beyond identifying sources, analyses the socio-literary contexts and ideological foundations of seemingly similar contents and concepts in different periods; it examines the literary functions of borrowing and intertextual referencing, and calls upon the visual arts to illustrate the independent character of the epic tradition in Southeast Asia.
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ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: International Academy of Indian Culture
Publisher:
ISBN: 9788185689968
Category : Literary Collections
Languages : en
Pages : 360
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Book Description
The classical Indonesian Udyogaparva was composed sometime during the period AD 991 to AD 1016.It has been translated into English for the first time.
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Category : Kawi literature
Languages : en
Pages : 320
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Book Description
Author:
Publisher:
ISBN:
Category : Mahābhārata
Languages : en
Pages : 360
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Book Description
Author: Santo Saba Piliang
Publisher: Santo Saba Piliang
ISBN:
Category : Art
Languages : en
Pages : 263
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Book Description
All Chinese "Students / Pilgrims" who come to the Archipelago are for "Studying" noted that copying books and knowledge brought back to their country, the teachings of "Original Dharmic" until now are perfectly preserved in Bali and Palembang is not the center of Buddhist teaching .... understand this VHWÃNA ÇAKĀ PHALÃ Sanghăramā Mahăvihariyā The Therrā Aryā , Vhwănā Çakā Phalā ● Sanghāramā is a place study / study "Original Dharmic" in the past long before the 5th century BC ● Măha Thupă, Măha or Mahe means Great or Great ● Thupă is the beginning of the literacy of the word "Stupa", Chinese pilgrims to the archipelago call this word "Tope" ● Aryā is the Cakya / Saka clan, the ancestor of the Indonesian archipelago earlier Mahăvihariyā is a place of practice and spiritual contemplation procession made big and majestic, Mahă and Vihariyā combined to become Mahăvihariyā, the word "Vihara" originates from this word ● Therras are people who study or are already "Masters" at "Original Dharmic" teachings, are called Therrāns ● Vhwănā Çakā Phalā is a name the building, Literacy said Vhwănā / Buana, the 3 stages of the building form Vhwănā Çhaķâ Phalā is a description of the 3 planes of existence in this universe, namely "Tri Laksana" also called "Bhawanatraya": 1.Bhawana Lasting / Eternal Realm 2. Bhawana Driyo / Outward Nature 3. Bhawana Triya / Alam Rohaniyah "Bhawanatraya" are 3 planes of existence in this universe, not kama visual arupa datu in India, when did they come here ....? "Moksartham jagadhita ya ca iti dharma" "Moksa" .. his contemplation is with the practice of "Tapa" or Topo ", restraint to reach the spiritual level of" Brata "discipline / procedures are done to improve the quality of humanity In Sundanese Wiwitan it is called Buwana Niskala, Buwana Alam Tengah and Buwana Nyungcung, Sasaka Domas The Parmalim Batak culture divides the 3 major patterns of the Natural Buana Batak term "Banua" 1. Banua Ginjang, heavenly realm 2.Banua Tonga, Our dimension Nature 3. Banua Toru, Hell "Moksartham Jagaddhitaya" the happiness of the afterlife, Moksa ... the contemplation of Tapa / Topo / Tapo or "Samadhi" self-restraint to reach the spiritual level of "Brata" The discipline / procedures in this archipelago are called: ○ Tapa-brata Parahyangan term ○ Topobroto, Java ○ Upasana, Bali calls it ○ Tapo / Can-Yago, in Svarnadvipa ○ Kammala in Sulawesi Details of this spiritual contemplation procession appearing with a statue of a cross-legged sitting position on top of the Vhwănā Çhaķâ Phalā building: 1.Toponing bodies 2.Toponing Lust 3.Toponing Budi 4.Toponing Suksmao 5. Toponing Cahyo 6.Toponing Gesang The ancestors of the Archipelago were the "Saka" recorded in the word "Maheçakya" of the "Çakya" / Çaka / Saka, the original teachings of the archipelago's ancestors "Dharma" appeared in the literacy of the word .... "Kųsãlädhãrmãbæjănā" ... it's closed "Original Dharmic" originated in Svarnadvipa Nusantara Indonesia, depicted in Vhwănā Çhaķâ Phalā was perfectly recorded in Bali, underlying the growth of 3 teachings of Hindu Buddhism and Jaina in India ... INDONËSIARYĀ By: Saint Saba (Exploration & Research) Info eBook pdf: WA +62813 2132 9787 https://wa.me/message/OO5THVF7RNNDO1
Author: RAVI KUMAR
Publisher: Suruchi Prakashan
ISBN: 9381500479
Category :
Languages : en
Pages : 81
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Book Description
This is the astonishing and inspiring story of millions of Muslims returning to their ancestral faith of Hinduism. A country with the largest Muslims population of the world, Indonesia where majority of the Indonesian Hindus are located in Bali Island, Java, Sumatra, Lombok, Kalimantan and Sulawesi. Hinduism in Indonesia is conspicuously different from India as they never apply the Indian caste system rigidly. The Balinese caste system is a system social organization similar to and yet different from the Indian caste system. In recent years, the resurgence of Hinduism in Indonesia is occurring in all parts of the country. Inspirations from Hindu Majapahit Empire, influence of Ramayana, Mahabharat, and Sanskrit are few reasons for resurgence among Muslims. The author has presented this book in a meticulous way for all the readers.
Author: Chakravarthi V. Narasimhan
Publisher: Motilal Banarsidass Publ.
ISBN: 9788120816732
Category : Poetry
Languages : en
Pages : 288
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Book Description
Intended to be a treatise on life itself, this epic poem embraces religion and ethics, polity and government, philosophy and the pursuit of salvation. This collection of more than 4,000 verses is supplemented by a glossary, genealogical tables, and an index correlating the verses with the original Sanskrit text.
Author: Eka Kurniawan
Publisher: New Directions Publishing
ISBN: 0811223647
Category : Fiction
Languages : en
Pages : 377
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Book Description
The English-language debut of Indonesia's rising star. The epic novel Beauty Is a Wound combines history, satire, family tragedy, legend, humor, and romance in a sweeping polyphony. The beautiful Indo prostitute Dewi Ayu and her four daughters are beset by incest, murder, bestiality, rape, insanity, monstrosity, and the often vengeful undead. Kurniawan’s gleefully grotesque hyperbole functions as a scathing critique of his young nation’s troubled past:the rapacious offhand greed of colonialism; the chaotic struggle for independence; the 1965 mass murders of perhaps a million “Communists,” followed by three decades of Suharto’s despotic rule. Beauty Is a Wound astonishes from its opening line: One afternoon on a weekend in May, Dewi Ayu rose from her grave after being dead for twenty-one years.... Drawing on local sources—folk tales and the all-night shadow puppet plays, with their bawdy wit and epic scope—and inspired by Melville and Gogol, Kurniawan’s distinctive voice brings something luscious yet astringent to contemporary literature.
Author: Mary S. Zurbuchen
Publisher: University of Washington Press
ISBN: 0295998768
Category : Social Science
Languages : en
Pages : 368
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Book Description
Beginning to Remember charts Indonesia's turbulent decades of cultural repression and renewal amid the rise and fall of Suharto's New Order regime. These cross-disciplinary pieces illuminate Indonesia�s current efforts to reexamine and understand its past in order to shape new civic and cultural arrangements. In 1998, "reformasi" brought a wave of relief and euphoria. But Suharto's removal did not dispel persistent corruption, official secrecy and denial, religious and ethnic violence, and security policies leading to tragedy in East Timor, Aceh, and other regions. But the reformasi did open up new possibilities for seeing the past. What followed was a surge of discourse that challenged officially codified national history in mass media and publishing, in public policy debate, in the arts, and in popular mobilization and politics. This volume is an exploration of some of the expressions, narratives, and interpretations of the past found in Indonesia today. The authors illustrate ways in which the dissolution of the Indonesian state's monopoly on history is now permitting new national, local, and individual accounts and representations of the past to emerge. The book covers fields from performing arts and literature to anthropology, history, and transitional justice. The book opens with Goenawan Mohamad's dramatic poem Kali, the first publication of this important work by one of Indonesia�s leading intellectuals, which has become the libretto for an international opera production. Another chapter is a personal memoir by one of Java�s famous shadow-play masters, Tristuti Rachmadi, for years imprisoned under the New Order. Leading historian Anthony Reid commemorates the national struggle at the regional level, while South African lawyer Paul van Zyl compares efforts in transitional justice in Indonesia, East Timor, and South Africa.
