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Author: Georgios Vazeos
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Author: Georgios Vazeos
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Author: Sebastian Just
Publisher: GRIN Verlag
ISBN: 3346813789
Category : Computers
Languages : en
Pages : 32
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Book Description
Seminar paper from the year 2020 in the subject Communications - Multimedia, Internet, New Technologies, grade: 2,3, Humboldt-University of Berlin (Institut für Musikwissenschaft und Medienwissenschaft), language: English, abstract: The objective of this paper is to take a closer look at the development and behavior of Peer-to-Peer based file sharing networks while especially considering intellectual property law to assess the impact this disruptive technology had on the music industry. To do that this paper will first look at the shift from analogue to digital audio, which entailed significant changes for both the music industry and the consumer. Then it will focus on the first real Peer-to-Peer file sharing network "Napster", especially on why it came into being, how it worked and to what extend it interfered with copyright law. Afterwards it takes the period after "Napster's" shutdown in 2001 in consideration, in which various new Peer-to-Peer networks even more copyright-resistant emerged. It will be examined how these networks functioned compared to their predecessor, how the music industry and the state tried to take on these “digital enemies” and how Peer-to-Peer affected the music business. Eventually we will take a look at how the industry managed to adapt to the internet, treating it as a profitable platform rather than a dystopian technology. On the 3rd of April 1993, the World Wide Web was made available to the public. By connecting people all over the world, this technological milestone initiated drastic changes to how we are able to consume visual and acoustical entertainment. In 1999, the first ever file sharing network called "Napster" launched and illicitly enabled users to exchange copyrighted music for free. This was accomplished by using a peer-to-peer system, which takes advantage of the vast availability of the internet and the resultant high number of “peers”. Users register to the network and declare which files from their computer they are willing to share, enabling others to download the files directly from them rather than through a central sever. This sort of file transfer posed a challenge for the music industry, as their music was made publicly available with no one paying for it. In addition, Peer-to-Peer systems conflicted with the idea of intellectual property, which grants an author certain rights over his or her work in form of a copyright.
Author: Daniel Wiechmann
Publisher: GRIN Verlag
ISBN: 3640423879
Category : Business & Economics
Languages : en
Pages : 93
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Master's Thesis from the year 2009 in the subject Communications - Multimedia, Internet, New Technologies, grade: B1, University of Glasgow, course: Media Management, language: English, abstract: The music business is one of the few industries that has trouble growing profits in its transition to digital. Digital media, downloads, mobile music streams, music flat rates, peer-to-peer networks and the rise of 'freeconomics' on the Internet are partly responsible for the reduction in CD sales in recent years. The question that is most important for the industry is how the widespread of freely available content and illegal downloading can be monetised. One approach to model around the main threats to the music industry is the development of online music services. Thus, this study is an attempt to address the issue of 'what are the opportunities and challenges posed by online music services for the music recording industry?' Referring to empirical findings of a consumer survey and expert interviews, both opportunities and challenges can be identified for the music recording industry. The opportunities surrounding the development of these services are encouraging. Deriving from the challenges, the music recording industry must ensure that online music services are a supplement to traditional ways of consumption and do not turn into a replacement of physical music consumption. Concluding online music services have a small impact on the recording industry. The industry might benefit from closely cooperating with online music services by learning more about consumers' tastes. Nevertheless, the online businesses are struggling to break even and revenues from streaming will not overcome legal downloads or CD sales as major revenue stream anytime soon.
Author:
Publisher: SUNY Press
ISBN: 0791483800
Category :
Languages : en
Pages : 260
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Author: Paolo Nesi
Publisher: Firenze University Press
ISBN: 8884533554
Category : Computers
Languages : en
Pages : 212
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Author: Steve Gordon
Publisher: backbeat books
ISBN: 9780879308445
Category : Business & Economics
Languages : en
Pages : 296
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Book Description
Aimed at songwriters, recording artists, and music entrepreneurs, this text explains the basics of digital music law. Entertainment attorney Gordon offers practical tips for online endeavors such as selling song downloads or creating an Internet radio station. Other topics include (for example) web site building, promoting through peer-to-peer networks, etc.
Author: Andrew Leyshon
Publisher: OUP Oxford
ISBN: 0191024740
Category : Political Science
Languages : en
Pages : 225
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Book Description
The impact of digital technology on the musical economy has been profound. From its production, reproduction, distribution, and consumption, the advent of MP3 and the use of the Internet as a medium of distribution has brought about a significant transformation in the way that music is made, how it is purchased and listened to, and, significantly, how the musical economy itself is able to reproduce itself. In the late 1990s the obscure practice of 'ripping' tracks from CDs through the use of compression programmes was transformed from the illegal hobby of a few thousand computer specialists to a practice available to millions of people worldwide through the development of peer-to-peer computer networks. This continues to have important implications for the viability of the musical economy. At the same time, the production of music has become more accessible and the role of key gatekeepers in the industry—such as record companies and recording studios— has been undermined, whilst the increased accessibility of music at reduced cost via the Internet has revalorised live performance, and now generates revenues higher than recorded music. The early 21st century has provided an extraordinary case study of an industry in flux, and one that throws light on the relationship between culture and economy, between passion and calculation. This book provides a theoretically grounded account of the implications of digital technology on the musical economy, and develops the concept of the musical network to understand the transformation of this economy over space and through time.
Author: James E. Perone
Publisher: Bloomsbury Publishing USA
ISBN: 1440878307
Category : Music
Languages : en
Pages : 352
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Book Description
This book introduces readers to the most significant technological developments in music making and listening, including such topics as metronomes and the development of music notation as well as synthesizers, the latest music collaboration apps, and other 21st-century technologies. Rather than focusing on technical and mechanical details, Music and Technology: A Historical Encyclopedia features the sociological role of technological developments by highlighting the roles they have played in society throughout time. Students and music fans alike will gain valuable insight from this alphabetized encyclopedia of the most significant examples of technological changes that have impacted the creation, production, dissemination, recording, and/or consumption of music. The book also contains a chronology of milestone events in the history of music and technology as well as sidebars that focus on several key individual musicians and inventors.
Author: United States. Congress. Senate. Committee on Governmental Affairs. Permanent Subcommittee on Investigations
Publisher:
ISBN:
Category : Intellectual property
Languages : en
Pages : 172
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Author: Tiziano Bonini
Publisher: Springer Nature
ISBN: 3031439651
Category : Music
Languages : en
Pages : 168
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Grounded in more than a decade of field research, this book uses empirical examples, quantitative data, and qualitative interviews with young music consumers as well as music industry professionals to understand how the platforms behind music production, distribution and listening work in our digital society. Bringing together the perspectives from science and technology studies, media studies, and the political economy of digital platforms, the book outlines the process of mutual construction between music digital platforms and the cultural value of music in today’s society, and also reflects on the complicated relationship between the power of platforms and the agency of listeners.
