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Author: Stephen Apkon
Publisher: Macmillan
ISBN: 0374102430
Category : Art
Languages : en
Pages : 290
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Book Description
This book describes the history of storytelling, including how each form, from scrolls to printing presses to film and social media, works on the human brain, and discusses the rules of effective visual storytelling.
Author: Stephen Apkon
Publisher: Macmillan
ISBN: 0374102430
Category : Art
Languages : en
Pages : 290
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Book Description
This book describes the history of storytelling, including how each form, from scrolls to printing presses to film and social media, works on the human brain, and discusses the rules of effective visual storytelling.
Author: Marc A. Ronert
Publisher:
ISBN: 9781732676206
Category :
Languages : en
Pages :
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Book Description
Author: Beth Felker Jones
Publisher: InterVarsity Press
ISBN: 0830851208
Category : Religion
Languages : en
Pages : 276
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Book Description
Humans are created in the image of God, yet by choosing to rebel against God we become unfaithful bearers of his image. But Jesus, who is the image of God, restores the divine image in us. At the intersection of theology and culture, these essays offer a unified vision of what it means to be truly human and created in the divine image in the world today.
Author: Mary E. Hocks
Publisher: Mit Press
ISBN:
Category : Art
Languages : en
Pages : 332
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Book Description
Essays on the enduring complex relationship between word and image, from hieroglyphics to new media.
Author: David Bindman
Publisher: Belknap Press
ISBN: 9780674052635
Category : Art
Languages : en
Pages : 0
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Book Description
Presents a collection of art that showcases visual tropes of masters with their adoring slaves and Africans as victims and individuals.
Author: Daniel Rubinstein
Publisher: Routledge
ISBN: 100069920X
Category : Art
Languages : en
Pages : 230
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Book Description
Fragmentation of the Photographic Image in the Digital Age challenges orthodoxies of photographic theory and practice. Beyond understanding the image as a static representation of reality, it shows photography as a linchpin of dynamic developments in augmented intelligence, neuroscience, critical theory, and cybernetic cultures. Through essays by leading philosophers, political theorists, software artists, media researchers, curators, and experimental programmers, photography emerges not as a mimetic or a recording device but simultaneously as a new type of critical discipline and a new art form that stands at the crossroads of visual art, contemporary philosophy, and digital technologies.
Author: Beth Felker Jones
Publisher: InterVarsity Press
ISBN: 083089960X
Category : Religion
Languages : en
Pages : 276
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Book Description
Humans are created in the image of God, yet by choosing to rebel against God we become unfaithful bearers of his image. But Jesus, who is the image of God, restores the divine image in us. At the intersection of theology and culture, these essays offer a unified vision of what it means to be truly human and created in the divine image in the world today.
Author: Gerhart B. Ladner
Publisher: Ed. di Storia e Letteratura
ISBN:
Category : Art
Languages : en
Pages : 524
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Book Description
Author: Sabine Ammon
Publisher: Springer
ISBN: 3319564668
Category : Philosophy
Languages : en
Pages : 322
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Book Description
The “active image” refers to the operative nature of images, thus capturing the vast array of “actions” that images perform. This volume features essays that present a new approach to image theory. It explores the many ways images become active in architecture and engineering design processes and how, in the age of computer-based modeling, images play an indispensable role. The contributors examine different types of images, be they pictures, sketches, renderings, maps, plans, and photographs; be they analog or digital, planar or three-dimensional, ephemeral, realistic or imaginary. Their essays investigate how images serve as means of representing, as tools for thinking and reasoning, as ways of imagining the inexistent, as means of communicating and conveying information and how images may also perform functions and have an agency in their own. The essays discuss the role of images from the perspective of philosophy, theory and history of architecture, history of science, media theory, cognitive sciences, design studies, and visual studies, offering a multidisciplinary approach to imagery and showing the various methodologies and interpretations in current research. In addition, they offer valuable insight to better understand how images operate and function in the arts and sciences in general.
Author: Boris Groys
Publisher: MIT Press
ISBN: 0262518686
Category : Art
Languages : en
Pages : 197
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Book Description
A new book by Boris Groys acknowledges the problem and potential of art's complex relationship to power. Art has its own power in the world, and is as much a force in the power play of global politics today as it once was in the arena of cold war politics. Art, argues the distinguished theoretician Boris Groys, is hardly a powerless commodity subject to the art market's fiats of inclusion and exclusion. In Art Power, Groys examines modern and contemporary art according to its ideological function. Art, Groys writes, is produced and brought before the public in two ways—as a commodity and as a tool of political propaganda. In the contemporary art scene, very little attention is paid to the latter function. Arguing for the inclusion of politically motivated art in contemporary art discourse, Groys considers art produced under totalitarianism, Socialism, and post-Communism. He also considers today's mainstream Western art—which he finds behaving more and more according the norms of ideological propaganda: produced and exhibited for the masses at international exhibitions, biennials, and festivals. Contemporary art, Groys argues, demonstrates its power by appropriating the iconoclastic gestures directed against itself—by positioning itself simultaneously as an image and as a critique of the image. In Art Power, Groys examines this fundamental appropriation that produces the paradoxical object of the modern artwork.
