Author: Howard Phillips Lovecraft
Publisher: DigiCat
ISBN:
Category : Art
Languages : en
Pages : 39
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Book Description
This horror story has a man unable to distinguish between what is real and not real in a museum and finding out in a very horrific way. Stephen King said "H. P. Lovecraft has yet to be surpassed as the twentieth century's greatest practitioner of the classic horror tale."
Author: R. L. Stine
Publisher: Apple
ISBN: 9780590485562
Category : Juvenile Fiction
Languages : en
Pages : 93
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Book Description
The reader determines the course of the story of frightening adventures in an old museum full of terrifying ghosts.
Author: Junji Ito
Publisher: Dark Horse Manga
ISBN:
Category : Comics & Graphic Novels
Languages : en
Pages : 404
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Book Description
Museum of Terror volumes one and two introduced readers to the horrific, beautiful creature Tomie... the woman no man could resist. Now Junji Ito, creator and curator of this horrible museum, brings a new type of exhibit to thrill and chill your senses! First, his lovely violinists will escort you to dinner in a vampire den. Next, in a classroom full of grotesquely masked students, which one is a demon in disguise? A musician's possessed arm attacks a schoolgirl by way of his mouth, and another young man listens to the tape recording left behind by a suicide victim. Why did she kill herself, and is he safe from its influence? Swordplay, monk-ridden ruins, halls of upright corpses, infectious radio broadcasts, and murderous ceiling hair are among Ito's beastly offerings in this volume! Find out why Junji Ito is Japan's foremost creator of horror manga!
Author: H. P. Lovecraft
Publisher:
ISBN: 9780870540264
Category :
Languages : en
Pages :
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Book Description
Author: Howard Phillips Lovecraft
Publisher:
ISBN:
Category : Fiction
Languages : en
Pages : 472
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Book Description
Every tale in this engrossing collection bears the unmistakable mark of the genius who inspired it--the creator of the Cthulhu Mythos, H. P. Lovecraft. For Lovecraft not only revised the stories of his fellow adventurers in the haunting and haunted worlds of legend and lore, he more often entirely rewrote them or collaborated extensively in their creation. As in all of Lovecraft's fiction, then, these startlingly original tales explore the farthest reaches of the imagination, the cosmic realms of myth and mystery, and unutterable terrors in arcane domains as they lure the reader out of a familiar but precarious everyday reality. Copyright © Libri GmbH. All rights reserved.
Author: Howard Phillips Lovecraft
Publisher: Lulu.com
ISBN: 1291313265
Category : Fiction
Languages : en
Pages : 48
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Book Description
Every tale in this engrossing collection bears the unmistakable mark of the genius who inspired it--the creator of the Cthulhu Mythos, H.P. Lovecraft.
Author: Peter Hutchings
Publisher: Routledge
ISBN: 1317874102
Category : Performing Arts
Languages : en
Pages : 255
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Book Description
The Horror Film is an in-depth exploration of one of the most consistently popular, but also most disreputable, of all the mainstream film genres. Since the early 1930s there has never been a time when horror films were not being produced in substantial numbers somewhere in the world and never a time when they were not being criticised, censored or banned. The Horror Film engages with the key issues raised by this most contentious of genres. It considers the reasons for horror's disreputability and seeks to explain why despite this horror has been so successful. Where precisely does the appeal of horror lie? An extended introductory chapter identifies what it is about horror that makes the genre so difficult to define. The chapter then maps out the historical development of the horror genre, paying particular attention to the international breadth and variety of horror production, with reference to films made in the United States, Britain, Italy, Spain and elsewhere. Subsequent chapters explore: The role of monsters, focusing on the vampire and the serial killer. The usefulness (and limitations) of psychological approaches to horror. The horror audience: what kind of people like horror (and what do other people think of them)? Gender, race and class in horror: how do horror films such as Bride of Frankenstein, The Texas Chainsaw Massacre and Blade relate to the social and political realities within which they are produced? Sound and horror: in what ways has sound contributed to the development of horror? Performance in horror: how have performers conveyed fear and terror throughout horror's history? 1970s horror: was this the golden age of horror production? Slashers and post-slashers: from Halloween to Scream and beyond. The Horror Film throws new light on some well-known horror films but also introduces the reader to examples of noteworthy but more obscure horror work. A final section provides a guide to further reading and an extensive bibliography. Accessibly written, The Horror Film is a lively and informative account of the genre that will appeal to students of cinema, film teachers and researchers, and horror lovers everywhere.
Author: Bruce F. Kawin
Publisher: Anthem Press
ISBN: 0857282417
Category : Performing Arts
Languages : en
Pages : 269
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Book Description
Horror films can be profound fables of human nature and important works of art, yet many people dismiss them out of hand. ‘Horror and the Horror Film’ conveys a mature appreciation for horror films along with a comprehensive view of their narrative strategies, their relations to reality and fantasy and their cinematic power. The volume covers the horror film and its subgenres – such as the vampire movie – from 1896 to the present. It covers the entire genre by considering every kind of monster in it, including the human.
Author: University of Pennsylvania. University Museum
Publisher:
ISBN:
Category : Archaeology
Languages : en
Pages : 954
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Book Description
Author: Alice Stevenson
Publisher: Oxford University Press
ISBN: 0198847521
Category : Art
Languages : en
Pages : 625
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Book Description
This Handbook provides a transnational reference point for critical engagements with the legacies of, and futures for, global archaeological collections. It challenges the common misconception that museum archaeology is simply a set of procedures for managing and exhibiting assemblages. Instead, this volume advances museum archaeology as an area of reflexive research and practice addressing the critical issues of what gets prioritized by and researched in museums, by whom, how, and why. Through twenty-eight chapters, authors problematize and suggest new ways of thinking about historic, contemporary, and future relationships between archaeological fieldwork and museums, as well as the array of institutional and cultural paradigms through which archaeological enquiries are mediated. Case studies embrace not just archaeological finds, but also archival field notes, photographic media, archaeological samples, and replicas. Throughout, museum activities are put into dialogue with other aspects of archaeological practice, with the aim of situating museum work within a more holistic archaeology that does not privilege excavation or field survey above other aspects of disciplinary engagement. These concerns will be grounded in the realities of museums internationally, including Latin America, Africa, Asia, Oceania, North America, and Europe. In so doing, the common heritage sector refrain 'best practice' is not assumed to solely emanate from developed countries or European philosophies, but instead is considered as emerging from and accommodated within local concerns and diverse museum cultures.
