Author: Paul Huys Janssen
Publisher:
ISBN:
Category : Painting, Dutch
Languages : en
Pages : 318
Book Description
The Hoogsteder Exhibition of Rembrandt's Academy
Author: Paul Huys Janssen
Publisher:
ISBN:
Category : Painting, Dutch
Languages : en
Pages : 318
Book Description
Publisher:
ISBN:
Category : Painting, Dutch
Languages : en
Pages : 318
Book Description
The Hoogsteder Exhibition of Rembrandt's Academy
Author: Paul Huys Janssen
Publisher: Hoosgteder & Hoogsteder
ISBN:
Category : Art
Languages : en
Pages : 316
Book Description
This extensive catalogue accompanied the exhibition on Rembrandt’s pupils organized by Hoogsteder & Hoogsteder in 1992. In his introductory essay Professor Werner Sumowski describes the beauty of Rembrandt’s art and that of his pupils. Paul Huys Janssen shows that the term ‘School of Rembrandt’ does little justice to the excellence of the work of Rembrandt’s pupils.
Publisher: Hoosgteder & Hoogsteder
ISBN:
Category : Art
Languages : en
Pages : 316
Book Description
This extensive catalogue accompanied the exhibition on Rembrandt’s pupils organized by Hoogsteder & Hoogsteder in 1992. In his introductory essay Professor Werner Sumowski describes the beauty of Rembrandt’s art and that of his pupils. Paul Huys Janssen shows that the term ‘School of Rembrandt’ does little justice to the excellence of the work of Rembrandt’s pupils.
Urban Achievement in Early Modern Europe
Author: Patrick O'Brien
Publisher: Cambridge University Press
ISBN: 9780521594080
Category : Business & Economics
Languages : en
Pages : 388
Book Description
Comparative urban history examines early modern economic and cultural achievements in Antwerp, Amsterdam, and London.
Publisher: Cambridge University Press
ISBN: 9780521594080
Category : Business & Economics
Languages : en
Pages : 388
Book Description
Comparative urban history examines early modern economic and cultural achievements in Antwerp, Amsterdam, and London.
The Hoogsteder Journal
Author:
Publisher:
ISBN:
Category : Painting, Dutch
Languages : en
Pages : 72
Book Description
Publisher:
ISBN:
Category : Painting, Dutch
Languages : en
Pages : 72
Book Description
Rembrandt's Passion Series
Author: Simon McNamara
Publisher: Cambridge Scholars Publishing
ISBN: 144387776X
Category : Art
Languages : en
Pages : 230
Book Description
Rembrandt’s Passion Series is the name given to five paintings of similar size and format executed over a six year time-frame, 1633–39. The works were commissioned by Frederick Hendrick, Prince of Orange and Stadtholder of the United Provinces, for his gallery at The Hague. Although each of the paintings depicts a traditional scene from the Passion of Christ, they do not form anything like a complete Passion Cycle. Seven years later, Hendrick ordered a further two works of the same size and format of subjects from the Nativity of Christ. Six of the seven paintings now hang in the Alte Pinakothek, Munich. As the works were executed between Rembrandt’s well-documented early Leiden period and his rapid rise to prominence as a portraitist in Amsterdam, the works have not attracted the scholarly attention they might, although the commission was undoubtedly the most prestigious of the young Rembrandt’s career. Rembrandt’s Passion Series is the first monograph to focus solely on this important group of paintings by the most famous artist of the Dutch Golden Age. In it, Simon McNamara traces the history of the commission by way of extant documentation, places the works in a seventeenth-century Dutch religious milieu, and shows how the series is both reflective of contemporary theological exegesis and embedded in theoretical artistic debates of the age. The book also highlights the extraordinary nature of the self-images seen in three of the paintings and discusses the legacy of the series in later graphic works by Rembrandt and in paintings by his pupils. In doing so, Rembrandt’s Passion Series presents a series of unifying factors, both stylistically and thematically, for the works that allows the Passion Series to be properly, and finally, called a “series”.
Publisher: Cambridge Scholars Publishing
ISBN: 144387776X
Category : Art
Languages : en
Pages : 230
Book Description
Rembrandt’s Passion Series is the name given to five paintings of similar size and format executed over a six year time-frame, 1633–39. The works were commissioned by Frederick Hendrick, Prince of Orange and Stadtholder of the United Provinces, for his gallery at The Hague. Although each of the paintings depicts a traditional scene from the Passion of Christ, they do not form anything like a complete Passion Cycle. Seven years later, Hendrick ordered a further two works of the same size and format of subjects from the Nativity of Christ. Six of the seven paintings now hang in the Alte Pinakothek, Munich. As the works were executed between Rembrandt’s well-documented early Leiden period and his rapid rise to prominence as a portraitist in Amsterdam, the works have not attracted the scholarly attention they might, although the commission was undoubtedly the most prestigious of the young Rembrandt’s career. Rembrandt’s Passion Series is the first monograph to focus solely on this important group of paintings by the most famous artist of the Dutch Golden Age. In it, Simon McNamara traces the history of the commission by way of extant documentation, places the works in a seventeenth-century Dutch religious milieu, and shows how the series is both reflective of contemporary theological exegesis and embedded in theoretical artistic debates of the age. The book also highlights the extraordinary nature of the self-images seen in three of the paintings and discusses the legacy of the series in later graphic works by Rembrandt and in paintings by his pupils. In doing so, Rembrandt’s Passion Series presents a series of unifying factors, both stylistically and thematically, for the works that allows the Passion Series to be properly, and finally, called a “series”.
The Ashgate Research Companion to Dutch Art of the Seventeenth Century
Author: Wayne Franits
Publisher: Routledge
ISBN: 1351546228
Category : Art
Languages : en
Pages : 499
Book Description
Despite the tremendous number of studies produced annually in the field of Dutch art over the last 30 years or so, and the strong contemporary market for works by Dutch masters of the period as well as the public's ongoing fascination with some of its most beloved painters, until now there has been no comprehensive study assessing the state of research in the field. As the first study of its kind, this book is a useful resource for scholars and advanced students of seventeenth-century Dutch art, and also serves as a springboard for further research. Its 19 chapters, divided into three sections and written by a team of internationally renowned art historians, address a wide variety of topics, ranging from those that might be considered "traditional" to others that have only drawn scholarly attention comparatively recently.
Publisher: Routledge
ISBN: 1351546228
Category : Art
Languages : en
Pages : 499
Book Description
Despite the tremendous number of studies produced annually in the field of Dutch art over the last 30 years or so, and the strong contemporary market for works by Dutch masters of the period as well as the public's ongoing fascination with some of its most beloved painters, until now there has been no comprehensive study assessing the state of research in the field. As the first study of its kind, this book is a useful resource for scholars and advanced students of seventeenth-century Dutch art, and also serves as a springboard for further research. Its 19 chapters, divided into three sections and written by a team of internationally renowned art historians, address a wide variety of topics, ranging from those that might be considered "traditional" to others that have only drawn scholarly attention comparatively recently.
Dutch Art
Author: Sheila D. Muller
Publisher: Routledge
ISBN: 1135495815
Category : Social Science
Languages : en
Pages : 1505
Book Description
An illustrated feast for the eye and intellect Dutch Art explores developments in art, art history, art criticism, and cultural history of the Netherlands from the artists' workshops for the Utrecht Dom in 1475 to the latest movements of the 1990s. it is lavishly illustrated with 147 black-and-white photographs and 16 pages in full color. More than 100 internationally recognized scholars, museum professionals, artists, and art critics contributed signed essays to this monumental work, including historians, sociologists, and literary historians.
Publisher: Routledge
ISBN: 1135495815
Category : Social Science
Languages : en
Pages : 1505
Book Description
An illustrated feast for the eye and intellect Dutch Art explores developments in art, art history, art criticism, and cultural history of the Netherlands from the artists' workshops for the Utrecht Dom in 1475 to the latest movements of the 1990s. it is lavishly illustrated with 147 black-and-white photographs and 16 pages in full color. More than 100 internationally recognized scholars, museum professionals, artists, and art critics contributed signed essays to this monumental work, including historians, sociologists, and literary historians.
Thinking Bodies – Shaping Hands
Author: Yannis Hadjinicolaou
Publisher: BRILL
ISBN: 9004407723
Category : Art
Languages : en
Pages : 377
Book Description
Thinking Bodies - Shaping Hands focuses on the critical as well as historical dimension of the handling of the brush and of the resulting appearance of colour on the painted surface in art and art theory from the middle of the 17th (above all from 1660) to the dawn of the 18th century in the Netherlands. More specifically, it deals with Rembrandt’s last pupils such as Arent de Gelder. „Handeling” describes an active, embodied process that is connected to the motion of the hand with the brush or with any other kind of tool. This term, up to now not sufficiently appreciated in scholarly literature, seems to be fruitful in this context. It is not so much connected with the term „style”, as with a prior step, which is equivalent to „manner”. At the same time, its meaning in Dutch till today is „action”. „Handeling” is an act that could be described as a „form-act”. It focuses on Formgestaltung, in which these actions themselves are understood as processes. Examining the „Rembrandtist ideology of painting”, this study attempts to reveal the embodied process of painting in the sense of a bodily articulation during the application of colour. This occurs within the productive tension between theory and practice.
Publisher: BRILL
ISBN: 9004407723
Category : Art
Languages : en
Pages : 377
Book Description
Thinking Bodies - Shaping Hands focuses on the critical as well as historical dimension of the handling of the brush and of the resulting appearance of colour on the painted surface in art and art theory from the middle of the 17th (above all from 1660) to the dawn of the 18th century in the Netherlands. More specifically, it deals with Rembrandt’s last pupils such as Arent de Gelder. „Handeling” describes an active, embodied process that is connected to the motion of the hand with the brush or with any other kind of tool. This term, up to now not sufficiently appreciated in scholarly literature, seems to be fruitful in this context. It is not so much connected with the term „style”, as with a prior step, which is equivalent to „manner”. At the same time, its meaning in Dutch till today is „action”. „Handeling” is an act that could be described as a „form-act”. It focuses on Formgestaltung, in which these actions themselves are understood as processes. Examining the „Rembrandtist ideology of painting”, this study attempts to reveal the embodied process of painting in the sense of a bodily articulation during the application of colour. This occurs within the productive tension between theory and practice.
Jan van Noordt
Author: David de Witt
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773575642
Category : Art
Languages : en
Pages : 409
Book Description
De Witt offers a detailed biography based on a thorough review of the documentary evidence. He traces Van Noordt's origins back to a prominent musical family, details his artistic development under the guidance of prominent Amsterdam painter Jacob Adriaensz Backer, and reveals his synthesis of the styles of the two dominant Netherlandish artists, Rubens and Rembrandt. Using a systematic analysis of technique, manner, and approach to form, de Witt proves that over half the paintings and drawings presently attributed to Van Noordt are not his work - virtually recasting the accomplishments of an artist whose vibrant, often daring works challenge our concept of seventeenth-century Dutch art.
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773575642
Category : Art
Languages : en
Pages : 409
Book Description
De Witt offers a detailed biography based on a thorough review of the documentary evidence. He traces Van Noordt's origins back to a prominent musical family, details his artistic development under the guidance of prominent Amsterdam painter Jacob Adriaensz Backer, and reveals his synthesis of the styles of the two dominant Netherlandish artists, Rubens and Rembrandt. Using a systematic analysis of technique, manner, and approach to form, de Witt proves that over half the paintings and drawings presently attributed to Van Noordt are not his work - virtually recasting the accomplishments of an artist whose vibrant, often daring works challenge our concept of seventeenth-century Dutch art.
Rembrandt/not Rembrandt in the Metropolitan Museum of Art: Paintings, drawings, and prints: art-historical perspectives
Author: Hubertus von Sonnenburg
Publisher: Metropolitan Museum of Art
ISBN: 0870997548
Category : Art
Languages : en
Pages : 435
Book Description
Publisher: Metropolitan Museum of Art
ISBN: 0870997548
Category : Art
Languages : en
Pages : 435
Book Description