The History of Ancient Mexican Art PDF Download
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Author: Walter Lehmann
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 92
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Book Description
Author: Walter Lehmann
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 92
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Book Description
Author: Walter 1878-1939 Lehmann
Publisher:
ISBN: 9781363322602
Category : History
Languages : en
Pages : 88
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Book Description
Author: Walter Lehmann
Publisher:
ISBN: 9781462239634
Category :
Languages : en
Pages : 81
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Book Description
Hardcover reprint of the original 1922 edition - beautifully bound in brown cloth covers featuring titles stamped in gold, 8vo - 6x9". No adjustments have been made to the original text, giving readers the full antiquarian experience. for quality purposes, all text and images are printed as black and white. This item is printed on demand. Book Information: Lehmann, Walter. the History of Ancient Mexican Art; An Essay In Outline. Indiana: Repressed Publishing LLC, 2012. Original Publishing: Lehmann, Walter. the History of Ancient Mexican Art; An Essay In Outline, . New-York, Brentano's, 1922. Subject: Art
Author: Walter 1878-1939 Lehmann
Publisher:
ISBN: 9781363323104
Category : History
Languages : en
Pages : 84
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Book Description
Author: Walter Lehmann
Publisher: Forgotten Books
ISBN: 9780267794171
Category : Social Science
Languages : en
Pages : 32
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Book Description
Excerpt from The History of Ancient Mexican Art, Vol. 8: An Essay in Outline The final approach must be the task of philosophy beyond historical and ethnographical investigation. The enigma is rooted in the soul. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Walter Lehmann
Publisher: Forgotten Books
ISBN: 9781331127765
Category : Social Science
Languages : en
Pages : 33
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Book Description
Excerpt from The History of Ancient Mexican Art, Vol. 8: An Essay in Outline It is incumbent on the history of art to work upon fixed basic principles applicable to the manifestations of many peoples. Culture is creative. Civilization is exhausted. The former is productive. The latter paramountly reproductive. Thus civilization tends both to syncretism and archaism. The creative part of culture is inherent in that which is artistic. The essence of art raises both the question of generalities and particularities. All art should be judged, examined and comprehended simultaneously from the point of view of humanity, as well as of a people and its representative, the creative artist. No matter the art of which people be examined, it will always be found on closer investigation of phenomena, either similar or dissimilar, that the path leads to something common and superior to both: the enigma of art manifestation per se. The final approach must be the task of philosophy beyond historical and ethnographical investigation. The enigma is rooted in the soul. Indeed, every form of art is the expression of either the individual soul, or that of a generality. And here we discover a very peculiar reciprocity between both. The individual artist is able to move the masses. On the other hand the indistinct sentient life of a nation crystalizes in the artist Though it is not necessary that his name be handed down to posterity. Nor is this the case with folk-songs for instance. Personal art is always imbued with the impersonal. For the genius of the artist and that of a people, if united, always finds its ultimate human expression in creations which, as something eternal, outlasts the mutation of time. What is eternal? - The ideas which are the foundation of all universal phenomena, and therefore evolve the form problems of art. Art is the power to embody ideas in a creative form, and to erect something permanent, though perishable in its exterior in the ever-flowing course of time. A general view of man's multifarious art expression shows, in spite of all the peculiarities of peoples, that there are certain characteristics which permit us to speak of art styles, and great periods in the history of art. It is perhaps a moot question as to how far it is permissible to speak here of a history of development, although an irrefutable sequence is recognizable, showing an historical course in a given movement which we term time. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Marshall Howard Saville
Publisher:
ISBN:
Category : Indian wood-carving
Languages : en
Pages : 272
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Book Description
Author: Marshall H. Saville
Publisher: BoD – Books on Demand
ISBN: 3368263005
Category : Fiction
Languages : en
Pages : 242
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Book Description
Reprint of the original, first published in 1925.
Author: Andrew D. Turner
Publisher: Getty Publications
ISBN: 1606068733
Category : Art
Languages : en
Pages : 354
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Book Description
The untold chronicles of the looting and collecting of ancient Mesoamerican objects. This book traces the fascinating history of how and why ancient Mesoamerican objects have been collected. It begins with the pre-Hispanic antiquities that first entered European collections in the sixteenth century as gifts or seizures, continues through the rise of systematic collecting in Europe and the Americas during the nineteenth and twentieth centuries, and ends in 1940—the start of Europe’s art market collapse at the outbreak of World War II and the coinciding genesis of the large-scale art market for pre-Hispanic antiquities in the United States. Drawing upon archival resources and international museum collections, the contributors analyze the ways shifting patterns of collecting and taste—including how pre-Hispanic objects changed from being viewed as anthropological and scientific curiosities to collectible artworks—have shaped modern academic disciplines as well as public, private, institutional, and nationalistic attitudes toward Mesoamerican art. As many nations across the world demand the return of their cultural patrimony and ancestral heritage, it is essential to examine the historical processes, events, and actors that initially removed so many objects from their countries of origin.
Author: Octavio Paz
Publisher: Houghton Mifflin Harcourt P
ISBN:
Category : Art
Languages : en
Pages : 344
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Book Description
"Octavio Paz probes the mystery of pre-Columbian art--it's 'otherness', its unique concept of time--and connects it to the ideas of Baudelaire and Nietzsche. He tells the estory of Hermenegildo Bustos, a self-taught painter in a remote Mexican village, and compares his work to the sarcophagi portraits of the Egyptian Fayum. He demonstrates how the Mexican muralists--Rivera, Siqueiros, Orozco--were influenced by European Cubism, Fauvism, Expressionism, and how they in turn influenced American painters, Gorky, Rothko, Pollock. The abstract art of Tamayo evokes for him the music of Bela Bartók, and the canvases of María Izquierdo suggest the poetry of Apollinaire. In these fourteen wide-ranging essays, Paz makes art, philosophy, religion, and the history of the world converge as he celebrates the richness of Mexico"--Publisher's description, p. [2] of dust jacket.
