The History and Technique of the Counter-tenor PDF Download
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Author: Peter Giles
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 496
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Book Description
In two parts, the first covering the history of the voice and the second part describes the mechanism and techniques of the counter-tenor.
Author: Peter Giles
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 496
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Book Description
In two parts, the first covering the history of the voice and the second part describes the mechanism and techniques of the counter-tenor.
Author: Peter Giles
Publisher: London [Angleterre] : Muller
ISBN:
Category : Biography & Autobiography
Languages : la
Pages : 496
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Book Description
Author: Peter Giles
Publisher:
ISBN: 9780859679756
Category : Countertenors
Languages : en
Pages : 459
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Book Description
The author adopts something of an alternative approach to a controversial subject. Though championing and celebrating the counter-tenor voice range, he is by no means uncritical of some aspects of it as heard today. In this work, in some respects, standard musicology is complemented rather than complimented. The breadth of perception of this book make it invaluable reading for all those who are involved or interested in the counter-tenor voice, in historical singing techniques and in pre-baroque and baroque music generally.
Author: Steven L. Rickards
Publisher: Scarecrow Press
ISBN: 9780810861039
Category : Music
Languages : en
Pages : 416
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Book Description
This significant reference of over 600 entries compiles and catalogues information about repertoire composed specifically for the countertenor from 1950 to 2000. Representing more than 350 composers, it provides a resource for countertenors and voice teachers to identify and become more familiar with contemporary works for countertenor.
Author: Maxine Handy
Publisher: Lulu.com
ISBN: 1446670317
Category : Biography & Autobiography
Languages : en
Pages : 275
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Book Description
Burning in Blueness is a haunting memoir of the world's foremost countertenor James Bowman. The author lyrically portrays and interprets her affinity with the great man and his music. The text is in three parts covering a total of three decades, to include James' work with David Munrow, Britten and Pears, and as the voice of Robert King's five-year Purcell series. The account is not chronological, but traces the creative contact between the author's literary interests and James Bowman's musical genius. The book makes a valuable contribution to musical history, as the famous and intensely private countertenor himself, has always resisted the suggestion of a conventional biography. Burning in Blueness is part of James' legacy as he approaches his 70th birthday in 2011.
Author: Frank Abrahams
Publisher: Oxford University Press
ISBN: 0199373361
Category : Music
Languages : en
Pages : 569
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Book Description
Where, in the digitizing world, is the field of choral pedagogy moving? Editors Frank Abrahams and Paul D. Head, both experienced choral conductors and teachers, offer here a comprehensive handbook of newly-commissioned chapters that provide key scholarly-critical perspectives on teaching and learning in the field of choral music, written by academic scholars and researchers in tandem with active choral conductors.
Author: Elizabeth Eger
Publisher: Cambridge University Press
ISBN: 0521768802
Category : Art
Languages : en
Pages : 327
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Book Description
The first academic and interdisciplinary volume exploring bluestocking portraiture, performance and patronage in eighteenth-century Britain, opening vistas for future scholarship.
Author: Peter Giles
Publisher: Kahn & Averill
ISBN:
Category : Music
Languages : en
Pages : 132
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Book Description
Designed for both the teacher and student, this guide provides a complete review of techniques used in countertenor singing. With illustrated diagrams and exercises, the vital aspects of resonance, different registers, breathing, and vocal agility are explored.
Author: Anna Maria Busse Berger
Publisher: Cambridge University Press
ISBN: 1316298299
Category : Music
Languages : en
Pages : 1058
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Book Description
Through forty-five creative and concise essays by an international team of authors, this Cambridge History brings the fifteenth century to life for both specialists and general readers. Combining the best qualities of survey texts and scholarly literature, the book offers authoritative overviews of central composers, genres, and musical institutions as well as new and provocative reassessments of the work concept, the boundaries between improvisation and composition, the practice of listening, humanism, musical borrowing, and other topics. Multidisciplinary studies of music and architecture, feasting, poetry, politics, liturgy, and religious devotion rub shoulders with studies of compositional techniques, musical notation, music manuscripts, and reception history. Generously illustrated with figures and examples, this volume paints a vibrant picture of musical life in a period characterized by extraordinary innovation and artistic achievement.
Author: Simon Ravens
Publisher: Boydell & Brewer Ltd
ISBN: 1843839628
Category : Music
Languages : en
Pages : 256
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Book Description
The use of high male voices in the past has long been one of the most seriously misunderstood areas of musical scholarship and practice. In opening up this rich subject (to readers of all sorts) with refreshingly clear perspectives and plenty of new material, Simon Ravens' well-researched book goes a very long way to rectifying matters. Ravens writes damnably well, and if the story that emerges is necessarily a complex one, his treatment of it is always engagingly comprehensible.' ANDREW PARROTT Tracing the origins, influences and development of falsetto singing in Western music, Simon Ravens offers a revisionist history of high male singing from the Ancient Greeks to Michael Jackson. This history embraces not just singers of counter-tenor and alto parts up to and including our own time but the castrati of the Ancient world, the male sopranists of late Medieval and Renaissance Europe, and the dual-register tenors of the Baroque and Classical periods. Musical aesthetics aside, to understand the changing ways men have sung high, it is also vital to address extra-musical factors - which are themselves in a state of flux. To this end, Ravens illuminates his chronological survey by exploring topics as diverse as human physiology, the stereotyping of national characters, gender identity, and the changing of boys' voices. The result is a complex and fascinating history sure to appeal not only to music scholars but to performers and all those with an interest particularly in early music. Simon Ravens is a performer, writer, and director of Musica Contexta, with whom he has performed in Britain and Europe, regularly broadcast, and made numerous acclaimed recordings. Ravens had previously founded and directed Australasia's foremost early music choir, the Tudor Consort. Between 2002 and 2007 his regular monthly column Ravens View appeared in the Early Music Review, to which he still regularly contributes.
