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Languages : en
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Languages : en
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Author: Charles Reginald Dodwell
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Category :
Languages : en
Pages : 38
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![The Great Lambeth Bible. With an Introduction and Notes by C.R. Dodwell. [Containing Illustrations from the First Volume, Together with Two Avesnes Leaves.]. PDF](https://books.google.com/books/content/images/frontcover/vlkYMwEACAAJ?fife=w80-h100)
Author: Charles Reginald DODWELL
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Category :
Languages : en
Pages : 38
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Author: Sara Lipton
Publisher: Metropolitan Books
ISBN: 0805096019
Category : Art
Languages : en
Pages : 416
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In Dark Mirror, Sara Lipton offers a fascinating examination of the emergence of anti-Semitic iconography in the Middle Ages The straggly beard, the hooked nose, the bag of coins, and gaudy apparel—the religious artists of medieval Christendom had no shortage of virulent symbols for identifying Jews. Yet, hateful as these depictions were, the story they tell is not as simple as it first appears. Drawing on a wide range of primary sources, Lipton argues that these visual stereotypes were neither an inevitable outgrowth of Christian theology nor a simple reflection of medieval prejudices. Instead, she maps out the complex relationship between medieval Christians' religious ideas, social experience, and developing artistic practices that drove their depiction of Jews from benign, if exoticized, figures connoting ancient wisdom to increasingly vicious portrayals inspired by (and designed to provoke) fear and hostility. At the heart of this lushly illustrated and meticulously researched work are questions that have occupied scholars for ages—why did Jews becomes such powerful and poisonous symbols in medieval art? Why were Jews associated with certain objects, symbols, actions, and deficiencies? And what were the effects of such portrayals—not only in medieval society, but throughout Western history? What we find is that the image of the Jew in medieval art was not a portrait of actual neighbors or even imagined others, but a cloudy glass into which Christendom gazed to find a distorted, phantasmagoric rendering of itself.
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Category : Bibliography
Languages : en
Pages : 1364
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Author: Thomas Hartwell Horne
Publisher:
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Category : Bible
Languages : en
Pages : 851
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Author: Thomas Hartwell Horne
Publisher:
ISBN:
Category : Bible
Languages : en
Pages : 1202
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Author: Charles Reginald Dodwell
Publisher: Yale University Press
ISBN: 9780300064933
Category : Art
Languages : en
Pages : 484
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Between the ninth and thirteenth centuries the Western world witnessed a glorious flowering of the pictorial arts. In this lavishly illustrated book, C.R. Dodwell provides a comprehensive guide to all forms of this art--from wall and panel paintings to stained glass windows, mosaics, and embroidery--and sets them against the historical and theological influences of the age. Dodwell describes the rise and development of some of the great styles of the Middle Ages: Carolingian art, which ranged from the splendid illuminations appropriate to an emperor's court to drawings of great delicacy; Anglo-Saxon art, which had a rare vitality and finesse; Ottonian art with its political and spiritual messages; the colorful Mozarabic art of Spain, which had added vigor through its interaction with the barbaric Visigoths; and the art of Italy, influenced by the styles of Byzantium and the West. Dodwell concludes with an examination of the universal Romanesque style of the twelfth century that extended from the Scandinavian countries in the north to Jerusalem in the south. His book--which includes the first exhaustive discussion of the painters and craftsmen of the time, incorporates the latest research, and is filled with new ideas about the relations among the arts, history, and theology of the period--will be an invaluable resource for both art historians and students of the Middle Ages.
Author: Thomas Hartwell Horne
Publisher:
ISBN:
Category : Bible
Languages : en
Pages : 700
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Author: Thomas Hartwell HORNE
Publisher:
ISBN:
Category :
Languages : en
Pages : 864
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