The Great Hollywood Musical Pictures PDF Download
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Author: James Robert Parish
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 824
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Book Description
Takes a lively look at some 340 motion pictures from Hollywood's most distinctive genre.
Author: James Robert Parish
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 824
Get Book Here
Book Description
Takes a lively look at some 340 motion pictures from Hollywood's most distinctive genre.
Author: James McKay
Publisher: McFarland
ISBN: 0786456760
Category : Performing Arts
Languages : en
Pages : 256
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Book Description
Dana Andrews, arguably the finest minimalist actor of his generation, as one critic commented, could convey more with one look than many actors could with a soliloquy. In a film career spanning nearly five decades, Andrews appeared in some of Hollywood's most prestigious productions, including The Ox-Bow Incident (1943) and The Best Years of Our Lives (1946). His unique screen presence was shown at its best in such film noir classics as Laura (1944) and Where the Sidewalk Ends (1950). Beginning with an absorbing biographical chapter, this critical survey of Dana Andrews' screen career features a complete filmography with synopses, reviews, behind-the-scenes anecdotes and insightful comments from Andrews and his coworkers. A chronological list of television, radio and theater credits is included.
Author: Nicole Hahn Rafter
Publisher: Oxford University Press, USA
ISBN: 9780195175066
Category : Performing Arts
Languages : en
Pages : 292
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Book Description
Criminologist Nicole Rafter analyses the source of the appeal of crime films, and their role in popular culture. She argues that crime films both reflect and shape our ideas about fundamental social, economic and political issues.
Author: Barry Keith Grant
Publisher: University of Texas Press
ISBN: 0292745745
Category : Performing Arts
Languages : en
Pages : 785
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Book Description
From reviews of the third edition: “Film Genre Reader III lives up to the high expectations set by its predecessors, providing an accessible and relatively comprehensive look at genre studies. The anthology’s consideration of the advantages and challenges of genre studies, as well as its inclusion of various film genres and methodological approaches, presents a pedagogically useful overview.” —Scope Since 1986, Film Genre Reader has been the standard reference and classroom text for the study of genre in film, with more than 25,000 copies sold. Barry Keith Grant has again revised and updated the book to reflect the most recent developments in genre study. This fourth edition adds new essays on genre definition and cycles, action movies, science fiction, and heritage films, along with a comprehensive and updated bibliography. The volume includes more than thirty essays by some of film’s most distinguished critics and scholars of popular cinema, including Charles Ramírez Berg, John G. Cawelti, Celestino Deleyto, David Desser, Thomas Elsaesser, Steve Neale, Thomas Schatz, Paul Schrader, Vivian Sobchack, Janet Staiger, Linda Williams, and Robin Wood.
Author: Laurence E. MacDonald
Publisher: Dorrance Publishing
ISBN:
Category : Education
Languages : en
Pages : 429
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Book Description
About the Book This book is a fascinating look at the history of the Oscars that dates back to 1927. Every Best Picture winner is profiled in the book. Although there have been many books listing the Oscar winners, there has never been one like this that looks in depth at every film that has been awarded the Oscar for Best Picture. The author evaluates each film and then presents at the end of each article his personal choice for the year's best film. In about two-third of the films, he selects a Best Picture that is different from the Academy Award-winner. He also includes sections of “Memorable Moments” that make each film special. The book will be of great value to movie fans, but it will also be enjoyable to anyone who has ever wondered what the fuss is about when a film is awarded Best Picture. About the Author Laurence E. MacDonald is a Professor Emeritus from Mott Community College in Flint, Michigan, where he taught music history, literature, appreciation, film music, and private piano study. He is also a former church choir director and author of several books, including The Invisible Art of Film Music and 100 Greatest Film Scores. MacDonald is a performing member and newsletter editor of the St. Cecilia Society of Flint. He is also former music critic of the Flint Journal and film reviewer of Michael Moore’s newspaper the Flint Voice. For over twenty years he hosted Music from Movies, which ran weekly on Flint’s public radio station WFBE. MacDonald has six children, three of whom are Catholic priests and avid movie fans. He has been married to Carolyn McDonough since 2013. Together they have worked to update an old colonial home in Flint’s East Village neighborhood, and have recently adopted a fun-loving beagle named Emmy, who also likes old movies.
Author: Peggy Rathmann
Publisher: Penguin
ISBN: 0399226168
Category : Juvenile Fiction
Languages : en
Pages : 41
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Book Description
"Besides the beguiling story, the affable illustrations of the smiling Gloria, the accidental mayhem in the background, and the myriad safety tips -- such as 'always pull the toothpick out of your sandwhich' and 'never lick a stop sign in the winter' -- add to the enjoyment. A glorious picture book." -- The Horn Book"Rathmann is a quick rising star in the world of chidren's books. In this book, she again shows her flair for creating real characters, dramatic situations and for knowing what will make young audiences giggle and think." -- Children's Book Review Magazine"Rathman brings a lighter-than-air comic touch to this outstanding, solid-as-a-brick picture book." -- Publisher's Weekly"A five-star performance." -- School Library Journal
Author: James Robert Parish
Publisher: Turner Publishing Company
ISBN: 162045887X
Category : Biography & Autobiography
Languages : en
Pages : 303
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Book Description
This book traces the extraordinary life and career of Mel Brooks, who has ridden a wave of show business success perhaps unsurpassed by anyone of his generation. Offering many insights into the wacky world of Brooks and his many collaborators, as well as an intimate look into his successful marriage to the brilliant and beautiful actress Anne Bancroft, It's Good to Be the King might just be the most delightful, engaging, and entertaining biography you'll ever read.
Author: James Robert Parish
Publisher: Turner Publishing Company
ISBN: 1118039025
Category : Biography & Autobiography
Languages : en
Pages : 507
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Book Description
Savor the inside scoop on over-the-top superstars "I'm not a paranoid, deranged millionaire. . . . I'm a billionaire!" "Acting is an empty and useless profession." "Good girls go to heaven. Bad girls go everywhere else." "I'm interested in being provocative and pushing people's buttons." Which screen icons gave us the quotes above? How do stars get away with self-indulgent, unrestrained behaviors-or do they? In The Hollywood Book of Extravagance, longtime industry insider and Hollywood historian James Robert Parish gives you a provocative look behind the scenes at the lavish indulgences and larger-than-life egos of Tinseltown's rich and famous. The featured celebrities range from heartthrobs to industry tycoons, and from yesterday's matinee idols to today's hottest celebs. The stars are grouped according to their excesses: ego, neurosis, partying, power, rich living, and romancing. You'll devour little-known details on the excesses and exploits of notables ranging from Mae West to Madonna, Greta Garbo to Marilyn Monroe and Marlon Brando, Bela Lugosi to John Belushi, Zsa Zsa Gabor to Paris Hilton, Errol Flynn to Jude Law, and many more.
Author: Melisa Mel
Publisher: Xlibris Corporation
ISBN: 1483667626
Category : Law
Languages : en
Pages : 296
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Book Description
At a time when most women my age are planning for retirement and maybe taking up hobbies that are a little less aggressive, I decided to go into law enforcement. Okay . . . . so doing what is expected of me is not my pattern of life. I enjoy adventures and the more impossible that they seem, the harder I will tackle them. Basically, it boiled down to the fact that years before, I had missed my window of opportunity to join the military. I had been a military brat and so joining the service would have been my wish but I had been a young mother and had to start work at a young age. I would never change the life I had with my four wonderful children. However now I was 42 years old and they were all grown up. I had just found out, through a turn of events, that there was no age limit for joining the police department. As long as one could keep up with the physical and academic requirements, then they were welcome to join. Additionally, I had felt that I was living on borrowed time since I was 15 years old when I’d come as close to facing the vulnerability of being human as one can do without passing over to the non-living side. Soon after surviving, I had to face my own decision of moving on or finishing myself off. I made a choice and it was to live and to be happy. I wanted my days to count. I wanted to serve others who had gone through similar experiences. I wanted to lead a life with my head up. At the time that I applied for the academy, I was a special education teacher working with young adults who had aggressive and severe disabilities. I was running an after school Gay, Straight Alliance diversity club and was a mentor to many students. I had devoted all my life to children and youth. I had been a troubled child for a variety of reasons. I knew the pains that could come with childhood—many pains to which children should never have to be exposed. I had always felt that I had to give back and try to be there for kids and others who could not speak up for themselves. Doing this was a priority to me. In addition to my full time teaching job with my school district, I was volunteering in a couple of capacities with the local Police department. I had first become a Victim Services Volunteer with them. Victim Services Volunteers are called at any time of day or night to go out and provide assistance to those who have been pa g e | 14 Me l i s a Me l victimized in some way. I never knew to what kind of call I would be going. It could be anything from a family member who had woken up to find their loved one had died during the night, a parent whose young adult child had overdosed on drugs, or a family whose home had burnt down. Regardless of the situation, the victim or victims needed support and resources. As a supplement to our 32 hour training, it was suggested that we do ride-alongs. I had never heard of a ride-along. A ride-along is literally when you ride along with an officer to get a taste of what it is like to be out on patrol. You have to sign a waiver indicating that you understand that there is a certain amount of danger involved but that you do not hold the police department responsible. For a mix of reasons, I was rather nervous about riding along in a police car with an officer. What made me most uncomfortable was the thought that I would have to sit in close proximity with a stranger. I did not even know if we could talk as I did not know if it was allowed. I feared it might distract the officers from their duties. Ever so much into training and wanting to learn all that I could about my new position, I scheduled a ride-along. I figured that just like with everything else in life, I would get the hang of it once I was there. I am very straightforward and like things to be clearly understood. I would have no problem simply asking the officer what was and was not ok. The officer with whom I was assigned to ride-along with was Officer Gabriel. I started out our ride-a
Author: Marilyn Yaquinto
Publisher: Springer Nature
ISBN: 3030248054
Category : Performing Arts
Languages : en
Pages : 320
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Book Description
This book analyzes Hollywood storytelling that features an American crimefighter—whether cop, detective, or agent—who must safeguard society and the nation by any means necessary. That often means going “rogue” and breaking the rules, even deploying ugly violence, but excused as self-defense or to serve the greater good. This ends-justifies-means approach dates back to gunfighters taming the western frontier to urban cowboy cops battling urban savagery—first personified by “Dirty” Harry Callahan—and later dispatched in global interventions to vanquish threats to national security. America as the world’s “policeman often means controlling the Other at home and abroad, which also extends American hegemony from the Cold War through the War on Terror. This book also examines pioneering portrayals by males of color and female crimefighters to embody such a social or national defender, which are frustrated by their existence as threats the white knight exists to defeat.
