The Great Art; Or, The Rules of Algebra. Translated and Edited by T. Richard Witmer PDF Download
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Author: Girolamo CARDANO
Publisher:
ISBN:
Category :
Languages : en
Pages : 267
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Book Description
Author: Girolamo CARDANO
Publisher:
ISBN:
Category :
Languages : en
Pages : 267
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Book Description
Author: Girolamo Cardano
Publisher:
ISBN:
Category : Algebra
Languages : en
Pages : 0
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Book Description
Author: Girolamo Cardano
Publisher: Courier Corporation
ISBN: 0486458733
Category : Mathematics
Languages : en
Pages : 306
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Book Description
First published in 1545, this cornerstone in the history of mathematics contains the first revelation of the principles for solving cubic and biquadratic equations. T. Richard Witmer's excellent translation from the Latin, adapted to modern mathematical syntax, will appeal to both mathematicians and historians. Foreword by Oystein Ore.
Author: Gerolamo Cardano
Publisher:
ISBN:
Category : Algebra
Languages : en
Pages : 0
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Book Description
Author: Girolamo Cardano
Publisher:
ISBN:
Category : Algebra
Languages : en
Pages : 304
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Book Description
Author: Girolamo Cardano
Publisher: Dover Publications
ISBN:
Category : Mathematics
Languages : en
Pages : 316
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Book Description
Author: Karine Chemla
Publisher: Springer Science & Business Media
ISBN: 1402023219
Category : History
Languages : en
Pages : 283
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Book Description
two main (interacting) ways. They constitute that with which exploration into problems or questions is carried out. But they also constitute that which is exchanged between scholars or, in other terms, that which is shaped by one (or by some) for use by others. In these various dimensions, texts obviously depend on the means and technologies available for producing, reproducing, using and organizing writings. In this regard, the contribution of a history of text is essential in helping us approach the various historical contexts from which our sources originate. However, there is more to it. While shaping texts as texts, the practitioners of the sciences may create new textual resources that intimately relate to the research carried on. One may think, for instance, of the process of introduction of formulas in mathematical texts. This aspect opens up a wholerangeofextremelyinterestingquestionstowhichwewillreturnatalaterpoint.But practitioners of the sciences also rely on texts produced by themselves or others, which they bring into play in various ways. More generally, they make use of textual resources of every kind that is available to them, reshaping them, restricting, or enlarging them. Among these, one can think of ways of naming, syntax of statements or grammatical analysis, literary techniques, modes of shaping texts or parts of text, genres of text and so on.Inthissense,thepractitionersdependon,anddrawon,the“textualcultures”available to the social and professional groups to which they belong.
Author: V. S. Varadarajan
Publisher: American Mathematical Soc.
ISBN: 9780821809891
Category : Mathematics
Languages : en
Pages : 164
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Book Description
The author uses an historical approach to show the advancement of algebra from its ancient beginnings to its modern usage.
Author: Robert Tubbs
Publisher: JHU Press
ISBN: 1421413795
Category : Art
Languages : en
Pages : 181
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Book Description
Chips away at the notion of an accidental relationship between math and art and literature. During the twentieth century, many artists and writers turned to abstract mathematical ideas to help them realize their aesthetic ambitions. Man Ray, Marcel Duchamp, and, perhaps most famously, Piet Mondrian used principles of mathematics in their work. Was it mere coincidence, or were these artists simply following their instincts, which in turn were ruled by mathematical underpinnings, such as optimal solutions for filling a space? If math exists within visual art, can it be found within literary pursuits? In short, just what is the relationship between mathematics and the creative arts? In this provocative, original exploration of mathematical ideas in art and literature, Robert Tubbs argues that the links are much stronger than previously imagined and exceed both coincidence and commonality of purpose. Not only does he argue that mathematical ideas guided the aesthetic visions of many twentieth-century artists and writers, Tubbs further asserts that artists and writers used math in their creative processes even though they seemed to have no affinity for mathematical thinking. In the end, Tubbs makes the case that art can be better appreciated when the math that inspired it is better understood. An insightful tour of the great masters of the last century and an argument that challenges long-held paradigms, Mathematics in Twentieth-Century Literature and Art will appeal to mathematicians, humanists, and artists, as well as instructors teaching the connections among math, literature, and art.
Author: Jean-pierre Tignol
Publisher: World Scientific Publishing Company
ISBN: 9814704717
Category : Mathematics
Languages : en
Pages : 325
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Book Description
The book gives a detailed account of the development of the theory of algebraic equations, from its origins in ancient times to its completion by Galois in the nineteenth century. The appropriate parts of works by Cardano, Lagrange, Vandermonde, Gauss, Abel, and Galois are reviewed and placed in their historical perspective, with the aim of conveying to the reader a sense of the way in which the theory of algebraic equations has evolved and has led to such basic mathematical notions as 'group' and 'field'. A brief discussion of the fundamental theorems of modern Galois theory and complete proofs of the quoted results are provided, and the material is organized in such a way that the more technical details can be skipped by readers who are interested primarily in a broad survey of the theory.In this second edition, the exposition has been improved throughout and the chapter on Galois has been entirely rewritten to better reflect Galois' highly innovative contributions. The text now follows more closely Galois' memoir, resorting as sparsely as possible to anachronistic modern notions such as field extensions. The emerging picture is a surprisingly elementary approach to the solvability of equations by radicals, and yet is unexpectedly close to some of the most recent methods of Galois theory.
