The Gramophone Company's First Indian Recordings, 1899-1908 PDF Download
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Author: Michael S. Kinnear
Publisher: Popular Prakashan
ISBN: 9788171547289
Category : Music
Languages : en
Pages : 328
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Book Description
This Painstakingly Researched, Unique Volume, A Definitive Discography Of Indian Music, Is A Tribute Not Only To Indian Music, But Also To An Institution Whose Contribution To Indian Music Has Been Monumental -The Gramophone Company. Without Dustjacket In Good Condition.
Author: Michael S. Kinnear
Publisher: Popular Prakashan
ISBN: 9788171547289
Category : Music
Languages : en
Pages : 328
Get Book
Book Description
This Painstakingly Researched, Unique Volume, A Definitive Discography Of Indian Music, Is A Tribute Not Only To Indian Music, But Also To An Institution Whose Contribution To Indian Music Has Been Monumental -The Gramophone Company. Without Dustjacket In Good Condition.
Author: Michael S. Kinnear
Publisher:
ISBN: 9788171547838
Category :
Languages : en
Pages : 285
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Book Description
Author: Michael Kinnear
Publisher: Bajakhana
ISBN: 9780957735569
Category : East Indians
Languages : en
Pages : 0
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Book Description
ARSC Award for Excellence in Best Historical Research in Record Labels, Best Discography - 2017. First Published 1994 as: The Gramophone Company's First Indian Recordings 1899-1908. Revised, Corrected and Expanded Edition with a Lacuna of the first known disc recordings of Tibetan performers. The Gramophone Company's First Indian Recordings 1899 to 1907, is a discographical study of Indian recordings taken in London in 1899 for E. Berliner's Gramophone, and at various places in India between 1902 and 1907, detailing all the known or traced recordings of several dialects and musical styles together with a study of the history and development of the sound recording industry in India.
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 388
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Book Description
A complete numerical catalogue, by matrix serials, of Indian Gramophone recordings made from 1908 to 1910, detailing all known and traced recordings by The Gramophone Company, Ltd., in India. This is the second volume in the series of discographical studies on the recordings taken in India and released by The Gramophone Company, Ltd., of Indian repertoires, together with a detailed historical examination of the development of the sound recording industry in India up to 1914.
Author: Amar Nath Sharma
Publisher:
ISBN: 9789382001003
Category : Music
Languages : en
Pages : 365
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Book Description
Author: Supriya Chaudhuri
Publisher: Routledge
ISBN: 1351620002
Category : History
Languages : en
Pages : 228
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Book Description
Commodity, culture and colonialism are intimately related and mutually constitutive. The desire for commodities drove colonial expansion at the same time that colonial expansion fuelled technological invention, created new markets for goods, displaced populations and transformed local and indigenous cultures in dramatic and often violent ways. This book analyses the transformation of local cultures in the context of global interaction in the period 1851–1914. By focusing on episodes in the social and cultural lives of commodities, it explores some of the ways in which commodities shaped the colonial cultures of global modernity. Chapters by experts in the field examine the production, circulation, display and representation of commodities in various regional and national contexts, and draw on a range of theoretical and disciplinary approaches. An integrated, coherent and urgent response to a number of key debates in postcolonial and Victorian studies, world literature and imperial history, this book will be of interest to researchers with interests in migration, commodity culture, colonial history and transnational networks of print and ideas.
Author: Javed Majeed
Publisher: Routledge
ISBN: 0429799373
Category : Language Arts & Disciplines
Languages : en
Pages : 237
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Book Description
This book is the first detailed examination of George Abraham Grierson’s Linguistic Survey of India, one of the most complete sources on South Asian languages. It shows that the Survey was characterised by a composite and collaborative mode of producing knowledge, which undermines any clear distinctions between European orientalists and colonised Indians in British India. Its authority lay more in its stress on the provisional nature of its findings, an emphasis on the approximate nature of its results, and a strong sense of its own shortcomings and inadequacies, rather than in any expression of mastery over India’s languages. The book argues that the Survey brings to light a different kind of colonial knowledge, whose relationship to power was much more ambiguous than has hitherto been assumed for colonial projects in modern India. It also highlights the contribution of Indians to the creation of colonial knowledge about South Asia as a linguistic region. Indians were important collaborators and participants in the Survey, and they helped to create the monumental knowledge of India as a linguistic region which is embodied in the Survey. This volume, like its companion volume Nation and Region in Grierson’s Linguistic Survey of India, will be a great resource for scholars and researchers of linguistics, language and literature, history, political studies, cultural studies and South Asian studies.
Author: Michael S. Kinnear
Publisher: Bajakhana
ISBN: 9780957735545
Category : Music
Languages : en
Pages : 0
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Book Description
An encyclopaedia of the 78 rpm record labels produced in India and elsewhere, covering all known record labels and histories of the producing concerns from 1899 through to the late 1960's. With a Supplement on the numerical series of the major labels and an Appendix on the record labels of non-Indian and Asian repertoires made in or associated with India.
Author: Nalini Ghuman
Publisher: Oxford University Press
ISBN: 019931490X
Category : Music
Languages : en
Pages : 336
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Book Description
During the century of British rule of the Indian subcontinent known as the British Raj, the rulers felt the significant influence of their exotic subjects. Resonances of the Raj examines the ramifications of the intertwined and overlapping histories of Britain and India on English music in the last fifty years of the colonial encounter, and traces the effects of the Raj on the English musical imagination. Conventional narratives depict a one-way influence of Britain on India, with the 'discovery' of Indian classical music occurring only in the post-colonial era. Drawing on new archival sources and approaches in cultural studies, author Nalini Ghuman shows that on the contrary, England was both deeply aware of and heavily influenced by India musically during the Indian-British colonial encounter. Case studies of representative figures, including composers Edward Elgar and Gustav Holst, and Maud MacCarthy, an ethnomusicologist and performer of the era, integrate music directly into the cultural history of the British Raj. Ghuman thus reveals unexpected minglings of peoples, musics and ideas that raise questions about 'Englishness', the nature of Empire, and the fixedness of identity. Richly illustrated with analytical music examples and archival photographs and documents, many of which appear here in print for the first time, Resonances of the Raj brings fresh hearings to both familiar and little-known musics of the time, and reveals a rich and complex history of cross-cultural musical imaginings which leads to a reappraisal of the accepted historiographies of both British musical culture and of Indo-Western fusion.
Author: Vikram Sampath
Publisher: Taylor & Francis
ISBN: 1000590747
Category : Music
Languages : en
Pages : 229
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Book Description
In 1902 The Gramophone Company in London sent out recording experts on "expeditions" across the world to record voices from different cultures and backgrounds. All over India, it was women who embraced the challenge of overcoming numerous social taboos and aesthetic handicaps that came along with this nascent technology. Women who took the plunge and recorded largely belonged to the courtesan community, called tawaifs and devadasis, in North and South India, respectively. Recording brought with it great fame, brand recognition, freedom from exploitative patrons, and monetary benefits to the women singers. They were to become pioneers of the music industry in the Indian sub-continent. However, despite the pioneering role played by these women, their stories have largely been forgotten. Contemporaneous with the courtesan women adapting to recording technology was the anti-nautch campaign that sought to abolish these women from the performing space and brand them as common prostitutes. A vigorous renaissance and arts revival movement followed, leading to the creation of a new classical paradigm in both North Indian (Hindustani) and South Indian (Carnatic) classical music. This resulted in the standardization, universalization, and institutionalization of Indian classical music. This newly created classical paradigm impacted future recordings of The Gramophone Company in terms of a shift in genres and styles. Vikram Sampath sheds light on the role and impact of The Gramophone Company’s early recording expeditions on Indian classical music by examining the phenomenon through a sociocultural, historical and musical lens. The book features the indefatigable stories of the women and their experiences in adapting to recording technology. The artists from across India featured are: Gauhar Jaan of Calcutta, Janki Bai of Allahabad, Zohra Bai of Agra, Malka Jaan of Agra, Salem Godavari, Bangalore Nagarathnamma, Coimbatore Thayi, Dhanakoti of Kanchipuram, Bai Sundarabai of Pune, and Husna Jaan of Banaras.
