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Author: Stephen Corey
Publisher: University of Georgia Press
ISBN: 0820342548
Category : Fiction
Languages : en
Pages : 388
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Book Description
Founded at the University of Georgia in 1947 and published there ever since, The Georgia Review has become one of America's most highly regarded journals of arts and letters. Never stuffy and never shallow, The Georgia Review seeks a broad audience of intellectually open and curious readers--and strives to give those readers rich content that invites and sustains repeated attention and consideration. Pulitzer Prize winners and never-before-published writers are equals during the journal's manuscript evaluation process, whose goal is to identify and print stories, poems, and essays that promise to be of lasting merit. The year 2012 marks the sixty-fifth anniversary of The Georgia Review, and Stories Wanting Only to Be Heard will acknowledge that milestone by presenting a selection of the remarkable short fiction published across the decades. The collection includes the work of well-known writers, many of whom were not yet so well known when first selected for publication by The Georgia Review, and also highlights compelling work from writers whose names may not be as familiar but whose stories are equally compelling and memorable. The stories collected here--each one vivid, distinctive, and worthwhile to read--stand as testament to the significance of The Georgia Review's decades of work to identify and promote writing of exceptional quality. Publication of this book was made possible, in part, by the President's Venture Fund through generous gifts of the University of Georgia Partners.
Author: Stephen Corey
Publisher: University of Georgia Press
ISBN: 0820342548
Category : Fiction
Languages : en
Pages : 388
Get Book Here
Book Description
Founded at the University of Georgia in 1947 and published there ever since, The Georgia Review has become one of America's most highly regarded journals of arts and letters. Never stuffy and never shallow, The Georgia Review seeks a broad audience of intellectually open and curious readers--and strives to give those readers rich content that invites and sustains repeated attention and consideration. Pulitzer Prize winners and never-before-published writers are equals during the journal's manuscript evaluation process, whose goal is to identify and print stories, poems, and essays that promise to be of lasting merit. The year 2012 marks the sixty-fifth anniversary of The Georgia Review, and Stories Wanting Only to Be Heard will acknowledge that milestone by presenting a selection of the remarkable short fiction published across the decades. The collection includes the work of well-known writers, many of whom were not yet so well known when first selected for publication by The Georgia Review, and also highlights compelling work from writers whose names may not be as familiar but whose stories are equally compelling and memorable. The stories collected here--each one vivid, distinctive, and worthwhile to read--stand as testament to the significance of The Georgia Review's decades of work to identify and promote writing of exceptional quality. Publication of this book was made possible, in part, by the President's Venture Fund through generous gifts of the University of Georgia Partners.
Author: Joshilyn Jackson
Publisher: Grand Central Publishing
ISBN: 0759516081
Category : Fiction
Languages : en
Pages : 188
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Book Description
Nonny Frett understands the meanings of "rock" and "hard place" better than any woman ever born. She's got two mothers, "one Deaf-blind and the other four baby steps from flat crazy." She's got two men: her husband, who's easing out the back door; and her best friend, who's laying siege to her heart in her front yard. She has a job that holds her in the city, and she's addicted to a little girl who's stuck deep in the country. And she has two families; the Fretts, who stole her and raised her right, and the Crabtrees, who lost her and can't forget that they've been done wrong.
Author: Celeste O. Norfleet
Publisher: HarperCollins
ISBN: 006232991X
Category : Fiction
Languages : en
Pages : 252
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Book Description
Three Black women take a road trip into the dark heart of the Civil Rights era in this “rich, devastating” novel set in the summer of 1968 (Publishers Weekly). At the end of a sweltering summer shaped by the tragic assassinations of Martin Luther King, Jr., and Bobby Kennedy, race riots, political protests, and the birth of Black power, three coeds from New York City—Zelda Livingston, Veronica Cook, and Daphne Brooks—pack into Veronica’s new Ford Fairlane convertible, bound for Atlanta and their last year at Spelman College. It is the beginning a journey that will change their lives irrevocably. Unlikely friends from vastly different backgrounds, the trio has been inseparable since freshman year. Zelda, the heir of rebellious slaves and freedom riders, sees the world in black versus white. Veronica, the daughter of a refined, wealthy family, believes in integration and racial uplift. Daphne lives with a legacy of loss—when she was five years old, her black mother committed suicide and her white father abandoned her. Though they are young and carefree, they aren’t foolish. They rely on the Motorist Green Book to find racially friendly locations for gas, rest, and food. Yet as they approach the Mason-Dixon line, tension begins to rise. And when the car breaks down in Georgia, they are caught up in a racially hostile situation that leaves a white person dead and one of the girls holding the gun. A Harper’s Bazaar Best Summer Read of 2019
Author: Dawn Tripp
Publisher: Random House Trade Paperbacks
ISBN: 0812981863
Category : Fiction
Languages : en
Pages : 354
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Book Description
NATIONAL BESTSELLER • In a dazzling work of historical fiction in the vein of Nancy Horan’s Loving Frank, Dawn Tripp brings to life Georgia O’Keeffe, her love affair with photographer Alfred Stieglitz, and her quest to become an independent artist. This is not a love story. If it were, we would have the same story. But he has his, and I have mine. In 1916, Georgia O’Keeffe is a young, unknown art teacher when she travels to New York to meet Stieglitz, the famed photographer and art dealer, who has discovered O’Keeffe’s work and exhibits it in his gallery. Their connection is instantaneous. O’Keeffe is quickly drawn into Stieglitz’s sophisticated world, becoming his mistress, protégé, and muse, as their attraction deepens into an intense and tempestuous relationship and his photographs of her, both clothed and nude, create a sensation. Yet as her own creative force develops, Georgia begins to push back against what critics and others are saying about her and her art. And soon she must make difficult choices to live a life she believes in. A breathtaking work of the imagination, Georgia is the story of a passionate young woman, her search for love and artistic freedom, the sacrifices she will face, and the bold vision that will make her a legend. Praise for Georgia “Complex and original . . . Georgia conveys O’Keeffe’s joys and disappointments, rendering both the woman and the artist with keenness and consideration.”—The New York Times Book Review “As magical and provocative as O’Keeffe’s lush paintings of flowers that upended the art world in the 1920s . . . Tripp inhabits Georgia’s psyche so deeply that the reader can practically feel the paintbrush in hand as she creates her abstract paintings and New Mexico landscapes. . . . Evocative from the first page to the last, Tripp’s Georgia is a romantic yet realistic exploration of the sacrifices one of the foremost artists of the twentieth century made for love.”—USA Today “Sexually charged . . . insightful . . . Dawn Tripp humanizes an artist who is seen in biographies as more icon than woman. Her sensuous novel is as finely rendered as an O’Keeffe painting.”—The Denver Post “A vivid work forged from the actual events of O’Keeffe’s life . . . [Tripp] imbues the novel with a protagonist who forces the reader to consider the breadth of O’Keeffe’s talent, business savvy, courage and wanderlust. . . . [She] is vividly alive as she grapples with success, fame, integrity, love and family.”—Salon
Author: Jahan Ramazani
Publisher: University of Chicago Press
ISBN: 022673028X
Category : Literary Criticism
Languages : en
Pages : 332
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Book Description
Ideas, culture, and capital flow across national borders with unprecedented speed, but we tend not to think of poems as taking part in globalization. Jahan Ramazani shows that poetry has much to contribute to understanding literature in an extra-national frame. Indeed, the globality of poetry, he argues, stands to energize the transnational turn in the humanities. Poetry in a Global Age builds on Ramazani’s award-winning A Transnational Poetics, a book that had a catalytic effect on literary studies. Ramazani broadens his lens to discuss modern and contemporary poems not only in relation to world literature, war, and questions of orientalism but also in light of current debates over ecocriticism, translation studies, tourism, and cultural geography. He offers brilliant readings of postcolonial poets like Agha Shahid Ali, Lorna Goodison, and Daljit Nagra, as well as canonical modernists such as W. B. Yeats, Wallace Stevens, T. S. Eliot, and Marianne Moore. Ramazani shows that even when poetry seems locally rooted, its long memory of forms and words, its connections across centuries, continents, and languages, make it a powerful imaginative resource for a global age. This book makes a strong case for poetry in the future development of world literature and global studies.
Author: Thomas Okie
Publisher: Cambridge University Press
ISBN: 1107071720
Category : Business & Economics
Languages : en
Pages : 321
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Book Description
This book explores the significance of the peach as a cultural icon and viable commodity in the American South.
Author: Stanley Plumly
Publisher: W. W. Norton & Company
ISBN: 0393076008
Category : Biography & Autobiography
Languages : en
Pages : 392
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Book Description
An acclaimed American poet reflects on the life and legacy of John Keats. Posthumous Keats is the result of Stanley Plumly's twenty years of reflection on the enduring afterlife of one of England's greatest Romanticists. John Keats's famous epitaph—"Here lies One Whose Name was writ in Water"—helped cement his reputation as the archetype of the genius cut off before his time. Keats, dead of tuberculosis at twenty-five, saw his mortality as fatal to his poetry, and therein, Plumly argues, lies his tragedy: Keats thought he had failed in his mission "to be among the English poets."In this close narrative study, Plumly meditates on the chances for poetic immortality—an idea that finds its purest expression in Keats, whose poetic influence remains immense. Incisive in its observations and beautifully written, Posthumous Keats is an ode to an unsuspecting young poet—a man who, against the odds of his culture and critics, managed to achieve the unthinkable: the elevation of the lyric poem to sublime and tragic status.
Author: Maria Stepanova
Publisher: New Directions Publishing
ISBN: 0811228843
Category : Literary Collections
Languages : en
Pages : 436
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Book Description
An exploration of life at the margins of history from one of Russia’s most exciting contemporary writers Shortlisted for the 2021 International Booker Prize Winner of the MLA Lois Roth Translation Award With the death of her aunt, the narrator is left to sift through an apartment full of faded photographs, old postcards, letters, diaries, and heaps of souvenirs: a withered repository of a century of life in Russia. Carefully reassembled with calm, steady hands, these shards tell the story of how a seemingly ordinary Jewish family somehow managed to survive the myriad persecutions and repressions of the last century. In dialogue with writers like Roland Barthes, W. G. Sebald, Susan Sontag, and Osip Mandelstam, In Memory of Memory is imbued with rare intellectual curiosity and a wonderfully soft-spoken, poetic voice. Dipping into various forms—essay, fiction, memoir, travelogue, and historical documents—Stepanova assembles a vast panorama of ideas and personalities and offers an entirely new and bold exploration of cultural and personal memory.
Author: Shangyang Fang
Publisher: Copper Canyon Press
ISBN: 1619322455
Category : Poetry
Languages : en
Pages : 97
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Book Description
In Shangyang Fang’s debut Burying the Mountain, longing and loss rush through a portal of difficult beauty. Absence is translated into fire ants and snow, a boy’s desire is transfigured into the indifference of mountains and rivers, and loneliness finds its place in the wounded openness of language. From the surface of a Song Dynasty ink-wash painting to a makeshift bedroom in Chengdu, these poems thread intimacy, eros, and grief. Evoking the music of ancient Chinese poetry, Fang alloys political erasure, exile, remembrance, and death into a single brushstroke on the silk scroll, where names are forgotten as paper boats on water.
Author: Hannah Baker Saltmarsh
Publisher: University of Georgia Press
ISBN: 0820359017
Category : Poetry
Languages : en
Pages : 110
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Book Description
Hysterical Water is a collection of fierce, funny, feminist poems, prose poems, and essays with poems woven through them, all connected by threads associated with female “hysteria” and motherhood. Hannah Baker Saltmarsh troubles the historic pseudodiagnostic term hysteria as both a constraining mode used to contain and silence women and as a mode that oddly freed women to behave outside the bounds of social norms. The poems in this collection question the way maternal thinking, sexuality, affect, and creativity have been dismissed as hysterical. Saltmarsh reclaims the word hysteria by arguing that women poets might, in art as in life, celebrate incongruous emotional experiences. Drawing on and reshaping an intriguing array of source materials, Saltmarsh borrows from the language of uncontrollable emotion, excess, cure, remedy, and cult-like obsession to give shape not only to the maternal body but also to a hysterical textual one. She revisits selective silence and selective speech in everyday crises of feelings, engages meaningful “anticommunication” through odd gestures and symbols, and indulges in nonsensical dream-speak, among other tactics, to carve a feminist poetics of madness out of the masculinist discourse that has located in the woman the hysteric.
