Author: Simon Perris
Publisher: Bloomsbury Publishing
ISBN: 1472513010
Category : Literary Criticism
Languages : en
Pages : 258
Book Description
Euripides' Bacchae is the magnum opus of the ancient world's most popular dramatist and the most modern, perhaps postmodern, of Greek tragedies. Twentieth-century poets and playwrights have often turned their hand to Bacchae, leaving the play with an especially rich and varied translation history. It has also been subjected to several fashions of criticism and interpretation over the years, all reflected in, influencing, and influenced by translation. The Gentle, Jealous God introduces the play and surveys its wider reception; examines a selection of English translations from the early 20th century to the early 21st, setting them in their social, intellectual, and cultural context; and argues, finally, that Dionysus and Bacchae remain potent cultural symbols even now. Simon Perris presents a fascinating cultural history of one of world theatre's landmark classics. He explores the reception of Dionysus, Bacchae, and the classical ideal in a violent and turmoil-ridden era. And he demonstrates by example that translation matters, or should matter, to readers, writers, actors, directors, students, and scholars of ancient drama.
The Gentle, Jealous God
Author: Simon Perris
Publisher: Bloomsbury Publishing
ISBN: 1472513010
Category : Literary Criticism
Languages : en
Pages : 258
Book Description
Euripides' Bacchae is the magnum opus of the ancient world's most popular dramatist and the most modern, perhaps postmodern, of Greek tragedies. Twentieth-century poets and playwrights have often turned their hand to Bacchae, leaving the play with an especially rich and varied translation history. It has also been subjected to several fashions of criticism and interpretation over the years, all reflected in, influencing, and influenced by translation. The Gentle, Jealous God introduces the play and surveys its wider reception; examines a selection of English translations from the early 20th century to the early 21st, setting them in their social, intellectual, and cultural context; and argues, finally, that Dionysus and Bacchae remain potent cultural symbols even now. Simon Perris presents a fascinating cultural history of one of world theatre's landmark classics. He explores the reception of Dionysus, Bacchae, and the classical ideal in a violent and turmoil-ridden era. And he demonstrates by example that translation matters, or should matter, to readers, writers, actors, directors, students, and scholars of ancient drama.
Publisher: Bloomsbury Publishing
ISBN: 1472513010
Category : Literary Criticism
Languages : en
Pages : 258
Book Description
Euripides' Bacchae is the magnum opus of the ancient world's most popular dramatist and the most modern, perhaps postmodern, of Greek tragedies. Twentieth-century poets and playwrights have often turned their hand to Bacchae, leaving the play with an especially rich and varied translation history. It has also been subjected to several fashions of criticism and interpretation over the years, all reflected in, influencing, and influenced by translation. The Gentle, Jealous God introduces the play and surveys its wider reception; examines a selection of English translations from the early 20th century to the early 21st, setting them in their social, intellectual, and cultural context; and argues, finally, that Dionysus and Bacchae remain potent cultural symbols even now. Simon Perris presents a fascinating cultural history of one of world theatre's landmark classics. He explores the reception of Dionysus, Bacchae, and the classical ideal in a violent and turmoil-ridden era. And he demonstrates by example that translation matters, or should matter, to readers, writers, actors, directors, students, and scholars of ancient drama.
The Thucydidean Turn
Author: Benjamin Earley
Publisher: Bloomsbury Publishing
ISBN: 1350123730
Category : History
Languages : en
Pages : 249
Book Description
The emergence of Thucydides as an influential political thinker in the first half of the 20th century has been astonishingly neglected by modern scholars. This volume examines how, why, and when the Athenian historical came to occupy such a prominent position in political discourse in the US and Europe today. It argues that in the years before, during, and after the Great War Thucydides' History of the Peloponnesian War was mined for the insights that it could offer into contemporary politics, and that it was also used as part of the justification for the academic and cultural relevance of Classics at this time of great political upheaval. Academic classicists and classically trained commentators were instrumental in this 'turn' in academic focus onto Thucydides' contemporary relevance. Among the former were several prominent figures, such as Francis Cornford, Gilbert Murray, and Enoch Powell, who attempted to find in Thucydides a dark depiction of human nature and the passions that drove politics to justify his contemporary relevance. The latter included International Relations scholars and journalists such as Alfred Zimmern, Albert Toynbee, and George Abbott, who 'turned' to Thucydides in order to better understand contemporary global and European politics. A final chapter demonstrates how this British 'turn' to Thucydides was received and reinterpreted in America on the eve of the Second World War.
Publisher: Bloomsbury Publishing
ISBN: 1350123730
Category : History
Languages : en
Pages : 249
Book Description
The emergence of Thucydides as an influential political thinker in the first half of the 20th century has been astonishingly neglected by modern scholars. This volume examines how, why, and when the Athenian historical came to occupy such a prominent position in political discourse in the US and Europe today. It argues that in the years before, during, and after the Great War Thucydides' History of the Peloponnesian War was mined for the insights that it could offer into contemporary politics, and that it was also used as part of the justification for the academic and cultural relevance of Classics at this time of great political upheaval. Academic classicists and classically trained commentators were instrumental in this 'turn' in academic focus onto Thucydides' contemporary relevance. Among the former were several prominent figures, such as Francis Cornford, Gilbert Murray, and Enoch Powell, who attempted to find in Thucydides a dark depiction of human nature and the passions that drove politics to justify his contemporary relevance. The latter included International Relations scholars and journalists such as Alfred Zimmern, Albert Toynbee, and George Abbott, who 'turned' to Thucydides in order to better understand contemporary global and European politics. A final chapter demonstrates how this British 'turn' to Thucydides was received and reinterpreted in America on the eve of the Second World War.
The Classics in Modernist Translation
Author: Lynn Kozak
Publisher: Bloomsbury Publishing
ISBN: 1350040975
Category : Literary Criticism
Languages : en
Pages : 271
Book Description
This volume sheds new light on a wealth of early 20th-century engagement with literature of Graeco-Roman antiquity that significantly shaped the work of anglophone literary modernism. The essays spotlight 'translation,' a concept the modernists themselves used to reckon with the Classics and to denote a range of different kinds of reception – from more literal to more liberal translation work, as well as forms of what contemporary reception studies would term 'adaptation', 'refiguration' and 'intervention.' As the volume's essays reveal, modernist 'translations' of Classical texts crucially informed the innovations of many modernists and often themselves constituted modernist literary projects. Thus the volume responds to gaps in both Classical reception and Modernist studies: essays treat a comparatively understudied area in Classical reception by reviving work in a subfield of Modernist studies relatively inactive in recent decades but enjoying renewed attention through the recent work of contributors to this volume. The volume's essays address work significantly informed by Classical materials, including Homer, Sophocles, Euripides, Sappho, Ovid, and Propertius, and approach a range of modernist writers: Pound and H.D., among the modernists best known for work engaging the Classics, as well as Cummings, Eliot, Joyce, Laura Riding, and Yeats.
Publisher: Bloomsbury Publishing
ISBN: 1350040975
Category : Literary Criticism
Languages : en
Pages : 271
Book Description
This volume sheds new light on a wealth of early 20th-century engagement with literature of Graeco-Roman antiquity that significantly shaped the work of anglophone literary modernism. The essays spotlight 'translation,' a concept the modernists themselves used to reckon with the Classics and to denote a range of different kinds of reception – from more literal to more liberal translation work, as well as forms of what contemporary reception studies would term 'adaptation', 'refiguration' and 'intervention.' As the volume's essays reveal, modernist 'translations' of Classical texts crucially informed the innovations of many modernists and often themselves constituted modernist literary projects. Thus the volume responds to gaps in both Classical reception and Modernist studies: essays treat a comparatively understudied area in Classical reception by reviving work in a subfield of Modernist studies relatively inactive in recent decades but enjoying renewed attention through the recent work of contributors to this volume. The volume's essays address work significantly informed by Classical materials, including Homer, Sophocles, Euripides, Sappho, Ovid, and Propertius, and approach a range of modernist writers: Pound and H.D., among the modernists best known for work engaging the Classics, as well as Cummings, Eliot, Joyce, Laura Riding, and Yeats.
Translations of Greek Tragedy in the Work of Ezra Pound
Author: Peter Liebregts
Publisher: Bloomsbury Publishing
ISBN: 1350084174
Category : Language Arts & Disciplines
Languages : en
Pages : 342
Book Description
Turning the tables on the misconception that Ezra Pound knew little Greek, this volume looks at his work translating Greek tragedy and considers how influential this was for his later writing. Pound's work as a translator has had an enormous impact on the theory and practice of translation, and continues to be a source of heated debate. While scholars have assessed his translations from Chinese, Latin, and even Provençal, his work on Greek tragedy remains understudied. Pound's versions of Greek tragedy (of Aeschylus' Agamemnon, and of Sophocles' Elektra and Women of Trachis) have received scant attention, as it has been commonly assumed that Pound knew little of the language. Liebregts shows that the poet's knowledge of Greek was much more comprehensive than is generally assumed, and that his renderings were based on a careful reading of the source texts. He identifies the works Pound used as the basis for his translations, and contextualises his versions with regard to his biography and output, particularly The Cantos. A wealth of understudied source material is analysed, such as Pound's personal annotations in his Loeb edition of Sophocles, his unpublished correspondence with classical scholars such as F. R. Earp and Rudd Fleming, as well as manuscript versions and other as-yet-unpublished drafts and texts which illuminate his working methodology.
Publisher: Bloomsbury Publishing
ISBN: 1350084174
Category : Language Arts & Disciplines
Languages : en
Pages : 342
Book Description
Turning the tables on the misconception that Ezra Pound knew little Greek, this volume looks at his work translating Greek tragedy and considers how influential this was for his later writing. Pound's work as a translator has had an enormous impact on the theory and practice of translation, and continues to be a source of heated debate. While scholars have assessed his translations from Chinese, Latin, and even Provençal, his work on Greek tragedy remains understudied. Pound's versions of Greek tragedy (of Aeschylus' Agamemnon, and of Sophocles' Elektra and Women of Trachis) have received scant attention, as it has been commonly assumed that Pound knew little of the language. Liebregts shows that the poet's knowledge of Greek was much more comprehensive than is generally assumed, and that his renderings were based on a careful reading of the source texts. He identifies the works Pound used as the basis for his translations, and contextualises his versions with regard to his biography and output, particularly The Cantos. A wealth of understudied source material is analysed, such as Pound's personal annotations in his Loeb edition of Sophocles, his unpublished correspondence with classical scholars such as F. R. Earp and Rudd Fleming, as well as manuscript versions and other as-yet-unpublished drafts and texts which illuminate his working methodology.
The Ancient World in Alternative History and Counterfactual Fictions
Author: Alberto J. Quiroga Puertas
Publisher: Bloomsbury Publishing
ISBN: 1350281638
Category : History
Languages : en
Pages : 257
Book Description
Focusing in turn on history, powerful individuals, under-represented voices and the arts, the essays in this collection cover a wide variety of modern and contemporary narrative fiction from Jo Walton and L. Sprague De Camp to T. S. Chaudhry and Catherynne M. Valente. Chapters look into the question of chance versus determinism in the unfolding of historical events, the role individuals play in shaping a society or occasion, and the way art and literature symbolise important messages in counterfactual histories. They also show how uchronic narratives can take advantage of modern literary techniques to reveal new and relevant aspects of the past, giving voices to marginalised minorities and suppressed individuals of the ancient world. Counterfactual fiction and uchronic narratives have been largely up until now the domain of literary critics. However, these modes of literature are here analysed by scholars of Ancient History, Egyptology and Classics, shedding important new light on how cultures of the ancient world have been (and still are) perceived, and to what extent our conceptions of the past are used to explore alternate presents and futures. Alternate history entices the imagination of the public by suggesting hypothetical scenarios that never occurred, underlining a latent tension between reality and imagination, and between determinism and contingency. This interest has resulted in a growing number of publications that gauge the impact of what-if narratives, and this one is the first to give scholars of the ancient world centre-stage.
Publisher: Bloomsbury Publishing
ISBN: 1350281638
Category : History
Languages : en
Pages : 257
Book Description
Focusing in turn on history, powerful individuals, under-represented voices and the arts, the essays in this collection cover a wide variety of modern and contemporary narrative fiction from Jo Walton and L. Sprague De Camp to T. S. Chaudhry and Catherynne M. Valente. Chapters look into the question of chance versus determinism in the unfolding of historical events, the role individuals play in shaping a society or occasion, and the way art and literature symbolise important messages in counterfactual histories. They also show how uchronic narratives can take advantage of modern literary techniques to reveal new and relevant aspects of the past, giving voices to marginalised minorities and suppressed individuals of the ancient world. Counterfactual fiction and uchronic narratives have been largely up until now the domain of literary critics. However, these modes of literature are here analysed by scholars of Ancient History, Egyptology and Classics, shedding important new light on how cultures of the ancient world have been (and still are) perceived, and to what extent our conceptions of the past are used to explore alternate presents and futures. Alternate history entices the imagination of the public by suggesting hypothetical scenarios that never occurred, underlining a latent tension between reality and imagination, and between determinism and contingency. This interest has resulted in a growing number of publications that gauge the impact of what-if narratives, and this one is the first to give scholars of the ancient world centre-stage.
Performing Gods in Classical Antiquity and the Age of Shakespeare
Author: Dustin W. Dixon
Publisher: Bloomsbury Publishing
ISBN: 1350098167
Category : Literary Criticism
Languages : en
Pages : 209
Book Description
The gods have much to tell us about performance. When human actors portray deities onstage, such divine epiphanies reveal not only the complexities of mortals playing gods but also the nature of theatrical spectacle itself. The very impossibility of rendering the gods in all their divine splendor in a truly convincing way lies at the intersection of divine power and the power of the theater. This book pursues these dynamics on the stages of ancient Athens and Rome as well on those of Renaissance England to shed new light on theatrical performance. The authors reveal how gods appear onstage both to astound and to dramatize the very machinations by which theatrical performance operates. Offering an array of case studies featuring both canonical and lesser-studied texts, this volume discusses work of Aeschylus, Sophocles, Euripides, Aristophanes, and Plautus as well as Beaumont, Heywood, Jonson, Marlowe, and Shakespeare. This book uniquely brings together the joint perspectives of two experts on classical and Renaissance drama. This volume will appeal to students and enthusiasts of literature, classics, theater, and performance studies.
Publisher: Bloomsbury Publishing
ISBN: 1350098167
Category : Literary Criticism
Languages : en
Pages : 209
Book Description
The gods have much to tell us about performance. When human actors portray deities onstage, such divine epiphanies reveal not only the complexities of mortals playing gods but also the nature of theatrical spectacle itself. The very impossibility of rendering the gods in all their divine splendor in a truly convincing way lies at the intersection of divine power and the power of the theater. This book pursues these dynamics on the stages of ancient Athens and Rome as well on those of Renaissance England to shed new light on theatrical performance. The authors reveal how gods appear onstage both to astound and to dramatize the very machinations by which theatrical performance operates. Offering an array of case studies featuring both canonical and lesser-studied texts, this volume discusses work of Aeschylus, Sophocles, Euripides, Aristophanes, and Plautus as well as Beaumont, Heywood, Jonson, Marlowe, and Shakespeare. This book uniquely brings together the joint perspectives of two experts on classical and Renaissance drama. This volume will appeal to students and enthusiasts of literature, classics, theater, and performance studies.
Jehovistic names and titles of God. The attributes of God. Sins. Christian dogmatics
Author: Henry Donald Maurice Spence-Jones
Publisher:
ISBN:
Category : Homiletical illustrations
Languages : en
Pages : 538
Book Description
Publisher:
ISBN:
Category : Homiletical illustrations
Languages : en
Pages : 538
Book Description
The Gentleman's Magazine: Or, Monthly Intelligencer
Author: Edward Cave
Publisher:
ISBN:
Category : Books and bookselling
Languages : en
Pages : 720
Book Description
Publisher:
ISBN:
Category : Books and bookselling
Languages : en
Pages : 720
Book Description
Gentleman's Magazine
Author:
Publisher:
ISBN:
Category : Early English newspapers
Languages : en
Pages : 958
Book Description
Publisher:
ISBN:
Category : Early English newspapers
Languages : en
Pages : 958
Book Description
The Gentleman's Magazine, and Historical Chronicle, for the Year ...
Author:
Publisher:
ISBN:
Category : English essays
Languages : en
Pages : 728
Book Description
Publisher:
ISBN:
Category : English essays
Languages : en
Pages : 728
Book Description