Author: Fyodor Dostoyevsky
Publisher: Penguin UK
ISBN: 0141907959
Category : Fiction
Languages : en
Pages : 312
Book Description
The stories in this volume demonstrate Dostoyevsky's genius for fusing caricature, irony and the grotesque to create a powerful dark humour. The Gambler is a breathtaking portrayal of an intense and futile obsession. Based on Dostoyevsky's own experience of financial desperation and the compulsive desire to win money, it focuses on the characters that take their places at the gaming tables of 'Roulettenburg': the outspoken, aristocratic 'Grandmamma', the mercenary Mademoiselle Blanche, the cool, mysterious Polina and Alex, the author's self-portrait; a man gripped by exhilaration and hopelessness. Bobok is a blackly comic satire in which a desolate writer becomes drawn into the conversations of the dead, and A Nasty Story is a humorous look at the disparity between a man's exaggerated ideal of himself and the sad reality.
The Gambler, Bobok, A Nasty Story
Author: Fyodor Dostoyevsky
Publisher: Penguin UK
ISBN: 0141907959
Category : Fiction
Languages : en
Pages : 312
Book Description
The stories in this volume demonstrate Dostoyevsky's genius for fusing caricature, irony and the grotesque to create a powerful dark humour. The Gambler is a breathtaking portrayal of an intense and futile obsession. Based on Dostoyevsky's own experience of financial desperation and the compulsive desire to win money, it focuses on the characters that take their places at the gaming tables of 'Roulettenburg': the outspoken, aristocratic 'Grandmamma', the mercenary Mademoiselle Blanche, the cool, mysterious Polina and Alex, the author's self-portrait; a man gripped by exhilaration and hopelessness. Bobok is a blackly comic satire in which a desolate writer becomes drawn into the conversations of the dead, and A Nasty Story is a humorous look at the disparity between a man's exaggerated ideal of himself and the sad reality.
Publisher: Penguin UK
ISBN: 0141907959
Category : Fiction
Languages : en
Pages : 312
Book Description
The stories in this volume demonstrate Dostoyevsky's genius for fusing caricature, irony and the grotesque to create a powerful dark humour. The Gambler is a breathtaking portrayal of an intense and futile obsession. Based on Dostoyevsky's own experience of financial desperation and the compulsive desire to win money, it focuses on the characters that take their places at the gaming tables of 'Roulettenburg': the outspoken, aristocratic 'Grandmamma', the mercenary Mademoiselle Blanche, the cool, mysterious Polina and Alex, the author's self-portrait; a man gripped by exhilaration and hopelessness. Bobok is a blackly comic satire in which a desolate writer becomes drawn into the conversations of the dead, and A Nasty Story is a humorous look at the disparity between a man's exaggerated ideal of himself and the sad reality.
The Gambler
Author: Fyodor Dostoyevsky
Publisher:
ISBN:
Category : Russia
Languages : en
Pages : 328
Book Description
Publisher:
ISBN:
Category : Russia
Languages : en
Pages : 328
Book Description
She Bets Her Life
Author: Mary Sojourner
Publisher: ReadHowYouWant.com
ISBN: 1459612426
Category : Biography & Autobiography
Languages : en
Pages : 334
Book Description
What sets She Bets Her Life apart is Mary Sojourner's ability to take both an objective and a deeply personal look at the psychological and physiological impact of gambling addiction on women. Having lived it, Sojourner is brutally forthcoming, and with her penchant for research and fact-finding, the narrative is teeming with important information and resources to help steer women with gambling addictions (and their loved ones) toward help and healing.
Publisher: ReadHowYouWant.com
ISBN: 1459612426
Category : Biography & Autobiography
Languages : en
Pages : 334
Book Description
What sets She Bets Her Life apart is Mary Sojourner's ability to take both an objective and a deeply personal look at the psychological and physiological impact of gambling addiction on women. Having lived it, Sojourner is brutally forthcoming, and with her penchant for research and fact-finding, the narrative is teeming with important information and resources to help steer women with gambling addictions (and their loved ones) toward help and healing.
The Logic of the Gift
Author: Alan D. Schrift
Publisher: Routledge
ISBN: 1134714777
Category : Philosophy
Languages : en
Pages : 356
Book Description
The theme of the gift can be located at the center of current discussions of deconstruction, gender and feminist theory, ethics, philosophy, anthropology, and economics: it is, simply, one of the primary focal points at which contemporary interdisciplinary discourses intersect. Into this context comes a new, indispensable volume. The Logic of the Gift offers several important essays on gifts and gift-giving that are often referred to but seldom read, and adds to them new essays written especially for this collection.
Publisher: Routledge
ISBN: 1134714777
Category : Philosophy
Languages : en
Pages : 356
Book Description
The theme of the gift can be located at the center of current discussions of deconstruction, gender and feminist theory, ethics, philosophy, anthropology, and economics: it is, simply, one of the primary focal points at which contemporary interdisciplinary discourses intersect. Into this context comes a new, indispensable volume. The Logic of the Gift offers several important essays on gifts and gift-giving that are often referred to but seldom read, and adds to them new essays written especially for this collection.
English Modernism, National Identity and the Germans, 1890–1950
Author: Dr Petra Rau
Publisher: Ashgate Publishing, Ltd.
ISBN: 1409475417
Category : Literary Criticism
Languages : en
Pages : 254
Book Description
This is the first systematic study to trace the way representations of 'Germanness' in modernist British literature from 1890 to 1950 contributed to the development of English identity. Petra Rau examines the shift in attitudes towards Germany and Germans, from suspicious competitiveness in the late Victorian period to the aggressive hostility of the First World War and the curious inconsistencies of the 1930s and 1940s. These shifts were no simple response to political change but the result of an anxious negotiation of modernity in which specific aspects of Englishness were projected onto representations of Germans and Germany in English literature and culture. While this incisive argument clarifies and deepens our understanding of cultural and national politics in the first half of the twentieth century, it also complicates current debates surrounding race and 'otherness' in cultural studies. Authors discussed include major figures such as Conrad, Woolf, Lawrence, Ford, Forster and Bowen, as well as popular or less familiar writers such as Saki, Graham Greene, and Stevie Smith. Accessibly written and convincingly argued, Rau's study will not only be an important book for scholars but will serve as a valuable guide to undergraduates working in modernism, literary history, and European cultural relations.
Publisher: Ashgate Publishing, Ltd.
ISBN: 1409475417
Category : Literary Criticism
Languages : en
Pages : 254
Book Description
This is the first systematic study to trace the way representations of 'Germanness' in modernist British literature from 1890 to 1950 contributed to the development of English identity. Petra Rau examines the shift in attitudes towards Germany and Germans, from suspicious competitiveness in the late Victorian period to the aggressive hostility of the First World War and the curious inconsistencies of the 1930s and 1940s. These shifts were no simple response to political change but the result of an anxious negotiation of modernity in which specific aspects of Englishness were projected onto representations of Germans and Germany in English literature and culture. While this incisive argument clarifies and deepens our understanding of cultural and national politics in the first half of the twentieth century, it also complicates current debates surrounding race and 'otherness' in cultural studies. Authors discussed include major figures such as Conrad, Woolf, Lawrence, Ford, Forster and Bowen, as well as popular or less familiar writers such as Saki, Graham Greene, and Stevie Smith. Accessibly written and convincingly argued, Rau's study will not only be an important book for scholars but will serve as a valuable guide to undergraduates working in modernism, literary history, and European cultural relations.
The Gift
Author: Aafke E. Komter
Publisher: Amsterdam University Press
ISBN: 9789053561737
Category : Social Science
Languages : en
Pages : 270
Book Description
What moves us to give gifts to other people? The Gift brings together perspectives on gift exchange and reciprocity from different social scientific disciplines. The first part of this book contains anthropological and sociological 'classics' on gift giving and reciprocity. In the second part the focus is on social psychological theories, and on empirical research on gift giving in Western society. Finally, the main concepts underlying gift exchange - reciprocity, self-interest and altruism - are discussed. Here, the focus is on fundamental assumptions about human nature. Altruism and self-interest turn out to be much more interwoven than we are inclined to think.
Publisher: Amsterdam University Press
ISBN: 9789053561737
Category : Social Science
Languages : en
Pages : 270
Book Description
What moves us to give gifts to other people? The Gift brings together perspectives on gift exchange and reciprocity from different social scientific disciplines. The first part of this book contains anthropological and sociological 'classics' on gift giving and reciprocity. In the second part the focus is on social psychological theories, and on empirical research on gift giving in Western society. Finally, the main concepts underlying gift exchange - reciprocity, self-interest and altruism - are discussed. Here, the focus is on fundamental assumptions about human nature. Altruism and self-interest turn out to be much more interwoven than we are inclined to think.
Laughter from Realism to Modernism
Author: Alberto Godioli
Publisher: Routledge
ISBN: 1351191012
Category : Literary Criticism
Languages : en
Pages : 176
Book Description
"As best exemplified by the works of Pirandello, Svevo, Palazzeschi, and Gadda, Italian modernist fiction is particularly rich in bizarre and ludicrous characters, whose originality is often derided by a uniform society. On the other hand, laughter can also be used by the author (or by the misfits themselves) as a reaction to the levelling pressure of social life - Pirandello's umorismo, Svevo's irony, Palazzeschi's controdolore, and Gadda's satire are all good cases in point. Looked at from this perspective, early 20th-century Italian fiction can set the basis for an innovative reflection on broader comparative themes. What is the role of laughter and individual diversity in international Modernism? How is modernist eccentricity related to the representations of originality in the 18th and 19th centuries, from Sterne to Balzac and Dostoevsky? And what does it tell us about the fear of homogenisation as a crucial aspect of the modern social imaginary? Building on the analysis of a large corpus of short stories and other major works by the Italian authors at issue, as well as on a series of previously undetected intertextual links with the classics of European Realism, this book is the first systematic attempt at answering such questions. Alberto Godioli is Teaching Fellow in Italian at the University of Edinburgh."
Publisher: Routledge
ISBN: 1351191012
Category : Literary Criticism
Languages : en
Pages : 176
Book Description
"As best exemplified by the works of Pirandello, Svevo, Palazzeschi, and Gadda, Italian modernist fiction is particularly rich in bizarre and ludicrous characters, whose originality is often derided by a uniform society. On the other hand, laughter can also be used by the author (or by the misfits themselves) as a reaction to the levelling pressure of social life - Pirandello's umorismo, Svevo's irony, Palazzeschi's controdolore, and Gadda's satire are all good cases in point. Looked at from this perspective, early 20th-century Italian fiction can set the basis for an innovative reflection on broader comparative themes. What is the role of laughter and individual diversity in international Modernism? How is modernist eccentricity related to the representations of originality in the 18th and 19th centuries, from Sterne to Balzac and Dostoevsky? And what does it tell us about the fear of homogenisation as a crucial aspect of the modern social imaginary? Building on the analysis of a large corpus of short stories and other major works by the Italian authors at issue, as well as on a series of previously undetected intertextual links with the classics of European Realism, this book is the first systematic attempt at answering such questions. Alberto Godioli is Teaching Fellow in Italian at the University of Edinburgh."
Aesthetic and Philosophical Reflections on Mood
Author: Birgit Breidenbach
Publisher: Routledge
ISBN: 1000067610
Category : Literary Collections
Languages : en
Pages : 233
Book Description
This study explores the concept of Stimmung in literary and philosophical texts of the modern age. Signifying both 'mood' and 'attunement', Stimmung speaks to the categories of affective experience and aesthetic design alike. The study locates itself in the nexus between discourses on modernity, existentialism and aesthetics and uncovers the pivotal role of Stimmung in 19th- and 20th-century European narrative fiction and continental philosophy. The study first explores the philosophical and aesthetic origins and implications of Stimmung to, then, discuss its role in the narrative fiction of three key authors of modern literature: Fyodor Dostoevsky, Samuel Beckett and Thomas Bernhard. These readings demonstrate a significant shift towards an aesthetic of affective intensity and immediacy, in which the experience of the reading process takes centre stage as each author develops an aesthetic philosophy of Stimmung in their own right. Through its focus on the concept of Stimmung, the study thus unearths a fundamental link between existentialist concerns and narrative practice in modern literature.
Publisher: Routledge
ISBN: 1000067610
Category : Literary Collections
Languages : en
Pages : 233
Book Description
This study explores the concept of Stimmung in literary and philosophical texts of the modern age. Signifying both 'mood' and 'attunement', Stimmung speaks to the categories of affective experience and aesthetic design alike. The study locates itself in the nexus between discourses on modernity, existentialism and aesthetics and uncovers the pivotal role of Stimmung in 19th- and 20th-century European narrative fiction and continental philosophy. The study first explores the philosophical and aesthetic origins and implications of Stimmung to, then, discuss its role in the narrative fiction of three key authors of modern literature: Fyodor Dostoevsky, Samuel Beckett and Thomas Bernhard. These readings demonstrate a significant shift towards an aesthetic of affective intensity and immediacy, in which the experience of the reading process takes centre stage as each author develops an aesthetic philosophy of Stimmung in their own right. Through its focus on the concept of Stimmung, the study thus unearths a fundamental link between existentialist concerns and narrative practice in modern literature.
The Logic of Practice
Author: Pierre Bourdieu
Publisher: Stanford University Press
ISBN: 9780804720113
Category : Social Science
Languages : en
Pages : 348
Book Description
Our usual representations of the opposition between the "civilized" and the "primitive" derive from willfully ignoring the relationship of distance our social science sets up between the observer and the observed. In fact, the author argues, the relationship between the anthropologist and his object of study is a particular instance of the relationship between knowing and doing, interpreting and using, symbolic mastery and practical masteryor between logical logic, armed with all the accumulated instruments of objectification, and the universally pre-logical logic of practice. In this, his fullest statement of a theory of practice, Bourdieu both sets out what might be involved in incorporating one's own standpoint into an investigation and develops his understanding of the powers inherent in the second member of many oppositional pairsthat is, he explicates how the practical concerns of daily life condition the transmission and functioning of social or cultural forms. The first part of the book, "Critique of Theoretical Reason," covers more general questions, such as the objectivization of the generic relationship between social scientific observers and their objects of study, the need to overcome the gulf between subjectivism and objectivism, the interplay between structure and practice (a phenomenon Bourdieu describes via his concept of the habitus), the place of the body, the manipulation of time, varieties of symbolic capital, and modes of domination. The second part of the book, "Practical Logics," develops detailed case studies based on Bourdieu's ethnographic fieldwork in Algeria. These examples touch on kinship patterns, the social construction of domestic space, social categories of perception and classification, and ritualized actions and exchanges. This book develops in full detail the theoretical positions sketched in Bourdieu's Outline of a Theory of Practice. It will be especially useful to readers seeking to grasp the subtle concepts central to Bourdieu's theory, to theorists interested in his points of departure from structuralism (especially fom Lévi-Strauss), and to critics eager to understand what role his theory gives to human agency. It also reveals Bourdieu to be an anthropological theorist of considerable originality and power.
Publisher: Stanford University Press
ISBN: 9780804720113
Category : Social Science
Languages : en
Pages : 348
Book Description
Our usual representations of the opposition between the "civilized" and the "primitive" derive from willfully ignoring the relationship of distance our social science sets up between the observer and the observed. In fact, the author argues, the relationship between the anthropologist and his object of study is a particular instance of the relationship between knowing and doing, interpreting and using, symbolic mastery and practical masteryor between logical logic, armed with all the accumulated instruments of objectification, and the universally pre-logical logic of practice. In this, his fullest statement of a theory of practice, Bourdieu both sets out what might be involved in incorporating one's own standpoint into an investigation and develops his understanding of the powers inherent in the second member of many oppositional pairsthat is, he explicates how the practical concerns of daily life condition the transmission and functioning of social or cultural forms. The first part of the book, "Critique of Theoretical Reason," covers more general questions, such as the objectivization of the generic relationship between social scientific observers and their objects of study, the need to overcome the gulf between subjectivism and objectivism, the interplay between structure and practice (a phenomenon Bourdieu describes via his concept of the habitus), the place of the body, the manipulation of time, varieties of symbolic capital, and modes of domination. The second part of the book, "Practical Logics," develops detailed case studies based on Bourdieu's ethnographic fieldwork in Algeria. These examples touch on kinship patterns, the social construction of domestic space, social categories of perception and classification, and ritualized actions and exchanges. This book develops in full detail the theoretical positions sketched in Bourdieu's Outline of a Theory of Practice. It will be especially useful to readers seeking to grasp the subtle concepts central to Bourdieu's theory, to theorists interested in his points of departure from structuralism (especially fom Lévi-Strauss), and to critics eager to understand what role his theory gives to human agency. It also reveals Bourdieu to be an anthropological theorist of considerable originality and power.
Constructing a Productive Other
Author: Robert F. Barsky
Publisher: John Benjamins Publishing
ISBN: 9027282838
Category : Language Arts & Disciplines
Languages : en
Pages : 284
Book Description
This book is a description of the process of constructing a productive Other for the purpose of being admitted to Canada as a Convention refugee. The whole claiming procedure is analyzed with respect to two actual cases, and contextualized by reference to pertinent national and international jurisprudence. Since legal analysis is deemed insufficient for a complete understanding of the argumentative and discursive strategies involved in the claiming and “authoring” processes, the author makes constant reference to methodologies from the realm of literary studies, discourse analysis and interaction theory, with special emphasis upon the works of Marc Angenot, M.M. Bakhtin, Pierre Bourdieu, Erving Goffman, Jürgen Habermas and Teun van Dijk. In so doing, he illustrates a reductive movement that inevitably occurs in legal argumentation which results in the displacement the subject from the realm of “refugee claimant” to that of claimant as “diminished Other.”
Publisher: John Benjamins Publishing
ISBN: 9027282838
Category : Language Arts & Disciplines
Languages : en
Pages : 284
Book Description
This book is a description of the process of constructing a productive Other for the purpose of being admitted to Canada as a Convention refugee. The whole claiming procedure is analyzed with respect to two actual cases, and contextualized by reference to pertinent national and international jurisprudence. Since legal analysis is deemed insufficient for a complete understanding of the argumentative and discursive strategies involved in the claiming and “authoring” processes, the author makes constant reference to methodologies from the realm of literary studies, discourse analysis and interaction theory, with special emphasis upon the works of Marc Angenot, M.M. Bakhtin, Pierre Bourdieu, Erving Goffman, Jürgen Habermas and Teun van Dijk. In so doing, he illustrates a reductive movement that inevitably occurs in legal argumentation which results in the displacement the subject from the realm of “refugee claimant” to that of claimant as “diminished Other.”