Author: Roland W. Force
Publisher:
ISBN:
Category : Art Objects Oceanica Catalogs
Languages : en
Pages : 360
Book Description
The Fuller Collection of Pacific Artifacts [By] Roland W. Force and Maryanne Force
Author: Roland W. Force
Publisher:
ISBN:
Category : Art Objects Oceanica Catalogs
Languages : en
Pages : 360
Book Description
Publisher:
ISBN:
Category : Art Objects Oceanica Catalogs
Languages : en
Pages : 360
Book Description
The Fuller Collection of Pacific Artifacts
Author: Roland W. Force
Publisher:
ISBN:
Category : Art objects
Languages : en
Pages : 386
Book Description
Publisher:
ISBN:
Category : Art objects
Languages : en
Pages : 386
Book Description
The Pacific Arts of Polynesia and Micronesia
Author: Adrienne L. Kaeppler
Publisher: OUP Oxford
ISBN: 0191539996
Category : Art
Languages : en
Pages : 217
Book Description
The Pacific Ocean covers one-third of the earth's surface. Comprising thousands of islands and hundreds of cultural groups, Polynesia and Micronesia cover a large part of this vast ocean, from the dramatic mountains of Hawaii to the small, flat coral islands of Kiribati. Including both traditional and contemporary arts, this book introduces the rich artistic traditions of these two regions, traditions that have had a considerable impact on western art in the twentieth century through the influence of artists such as Gauguin. Instead of looking at Polynesia and Micronesia separately, the book focuses on the artistic types, styles, and concepts that they share, placing each in its wider cultural context. From the textiles of Tonga to the canoes of Tahiti, Adrienne Kaeppler looks at religious and sacred rituals and objects, carving, architecture, tattooing, personal ornaments, basket-making, clothing, textiles, fashion, the oral arts, dance, music and musical instruments - even canoe-construction - to provide the ultimate introduction to the rich and vibrant artistic cultures of the Polynesian and Micronesian islands.
Publisher: OUP Oxford
ISBN: 0191539996
Category : Art
Languages : en
Pages : 217
Book Description
The Pacific Ocean covers one-third of the earth's surface. Comprising thousands of islands and hundreds of cultural groups, Polynesia and Micronesia cover a large part of this vast ocean, from the dramatic mountains of Hawaii to the small, flat coral islands of Kiribati. Including both traditional and contemporary arts, this book introduces the rich artistic traditions of these two regions, traditions that have had a considerable impact on western art in the twentieth century through the influence of artists such as Gauguin. Instead of looking at Polynesia and Micronesia separately, the book focuses on the artistic types, styles, and concepts that they share, placing each in its wider cultural context. From the textiles of Tonga to the canoes of Tahiti, Adrienne Kaeppler looks at religious and sacred rituals and objects, carving, architecture, tattooing, personal ornaments, basket-making, clothing, textiles, fashion, the oral arts, dance, music and musical instruments - even canoe-construction - to provide the ultimate introduction to the rich and vibrant artistic cultures of the Polynesian and Micronesian islands.
African, Pacific, and Pre-Columbian Art in the Indiana University Art Museum
Author: Indiana University, Bloomington. Art Museum
Publisher: Indiana University Press
ISBN: 9780253204127
Category : Art
Languages : en
Pages : 170
Book Description
Publisher: Indiana University Press
ISBN: 9780253204127
Category : Art
Languages : en
Pages : 170
Book Description
Anthropological Resources
Author: Lee S. Dutton
Publisher: Routledge
ISBN: 1134818939
Category : Performing Arts
Languages : en
Pages : 560
Book Description
This work provides access to information on the rich and often little known legacy of anthropological scholarship preserved in a diversity of archives, libraries and museums. Selected anthropological manuscripts, papers, fieldnotes, site reports, photographs and sound recordings in more than 150 repositories are described. Coverage of resources in North American repositories is extensive while Great Britain, France, the Netherlands, Australia and certain other countries are more selectively represented. Entries are arranged by repository location and most contributors draw upon a special knowledge of the resources described. Contributors include James R. Glenn (National Anthropological Archives), Elizabeth Edwards and Veronica Lawrence (Pitt Rivers Museum, University of Oxford), Francisco Demetrio, S.J. (Museum and Archives, Xavier University, Philippines) and many others. The guide covers selected documentation in social and cultural anthropology, physical anthropology, archaeology and folklore. Some major area studies collections (such as the Asia Collections, Cornell University Libraries, and the Melanesian Archive at the University of California, San Diego) are also represented. Web URLs have been cited when available and personal, and ethnic name indexes are provided.
Publisher: Routledge
ISBN: 1134818939
Category : Performing Arts
Languages : en
Pages : 560
Book Description
This work provides access to information on the rich and often little known legacy of anthropological scholarship preserved in a diversity of archives, libraries and museums. Selected anthropological manuscripts, papers, fieldnotes, site reports, photographs and sound recordings in more than 150 repositories are described. Coverage of resources in North American repositories is extensive while Great Britain, France, the Netherlands, Australia and certain other countries are more selectively represented. Entries are arranged by repository location and most contributors draw upon a special knowledge of the resources described. Contributors include James R. Glenn (National Anthropological Archives), Elizabeth Edwards and Veronica Lawrence (Pitt Rivers Museum, University of Oxford), Francisco Demetrio, S.J. (Museum and Archives, Xavier University, Philippines) and many others. The guide covers selected documentation in social and cultural anthropology, physical anthropology, archaeology and folklore. Some major area studies collections (such as the Asia Collections, Cornell University Libraries, and the Melanesian Archive at the University of California, San Diego) are also represented. Web URLs have been cited when available and personal, and ethnic name indexes are provided.
Catalog of the South Pacific Collection
Author: University of California, Santa Cruz. University Library
Publisher:
ISBN:
Category : Islands of the Pacific
Languages : en
Pages : 750
Book Description
Publisher:
ISBN:
Category : Islands of the Pacific
Languages : en
Pages : 750
Book Description
The Oldman Collection of Polynesian Artifacts
Author: William Ockelford Oldman
Publisher: University of Hawaii Press
ISBN:
Category : Art
Languages : en
Pages : 282
Book Description
During the later half of the 19th and the first half of the 20th century in England, several private collections of ethnographic artifacts were assembled from the pool of artificial curiosities and souvenirs. Among these private collections, that of William Oldman was recognized as a comprehensive one, especially for its Pacific component.
Publisher: University of Hawaii Press
ISBN:
Category : Art
Languages : en
Pages : 282
Book Description
During the later half of the 19th and the first half of the 20th century in England, several private collections of ethnographic artifacts were assembled from the pool of artificial curiosities and souvenirs. Among these private collections, that of William Oldman was recognized as a comprehensive one, especially for its Pacific component.
Grass Roots Art of the Solomons
Author: John Chick
Publisher: [email protected]
ISBN: 9780858070370
Category : Art
Languages : en
Pages : 100
Book Description
Not a work of scholarship; still less is it a comprehensive survey of Solomon Islands art forms. Conveys some impression of the variety of design to be found in the Solomons.
Publisher: [email protected]
ISBN: 9780858070370
Category : Art
Languages : en
Pages : 100
Book Description
Not a work of scholarship; still less is it a comprehensive survey of Solomon Islands art forms. Conveys some impression of the variety of design to be found in the Solomons.
Santa Cruz Island Figure Sculpture and Its Social and Ritual Contexts
Author: William H. Davenport
Publisher: University of Pennsylvania Press
ISBN: 1934536423
Category : Social Science
Languages : en
Pages : 249
Book Description
In this ethnographic study of traditional sculpture from Santa Cruz Island, near the Solomon Islands in the southwest Pacific the late anthropologist William H. Davenport presents a distinctive genre of figure sculpture produced for and used in traditional religious rituals and ceremonies. The body of the book discusses the history of Santa Cruz Island society since the first Europeans came to the area in 1595, the cultural meanings of its most conspicuous features, and descriptions of the main components of worship, the rituals. The book includes discoveries about the making and use of the figurines, as well as the iconography of the pieces. The latter information is derived from general ethnographic data collected in the course of field research between 1958 and 1976 on Santa Cruz Island and the adjacent islands of the Santa Cruz Group, where Davenport's many close friends included both his informants in the villages and officers of the British Colonial Service. A dual study of a tradition of so-called tribal art in its context and a study of Santa Cruz Island society, the book includes meticulous descriptions of the sacred objects, currency, dances, and social interactions. Davenport's records of 55 specimens of Santa Cruz sculpture from both private collections and museums—initial acquisition, subsequent ownership, and other detailed physical information—constitute the catalogue section of the book. An engaging and previously unrecorded transcription of information distilled from local informants of the oral myths, rituals, and ceremonies reveals how Santa Cruz believers distinguished, celebrated, and communicated with their deities. Davenport's own unique photographs—both black and white and color—illustrate rituals on the island and life as it was lived before independence in 1978. His work here is a record of a culture which is barely now either lived or remembered by the descendants of those who created it, and all figural sculpture discovered in the future must be judged against this corpus of authenticated originals. Audiences will include anthropologists interested in the tribal arts of Pacific peoples, libraries with Melanesian collections, art historians, contemporary historians interested in the difference between description and comparison, and the special political and economic situation of colonialism.
Publisher: University of Pennsylvania Press
ISBN: 1934536423
Category : Social Science
Languages : en
Pages : 249
Book Description
In this ethnographic study of traditional sculpture from Santa Cruz Island, near the Solomon Islands in the southwest Pacific the late anthropologist William H. Davenport presents a distinctive genre of figure sculpture produced for and used in traditional religious rituals and ceremonies. The body of the book discusses the history of Santa Cruz Island society since the first Europeans came to the area in 1595, the cultural meanings of its most conspicuous features, and descriptions of the main components of worship, the rituals. The book includes discoveries about the making and use of the figurines, as well as the iconography of the pieces. The latter information is derived from general ethnographic data collected in the course of field research between 1958 and 1976 on Santa Cruz Island and the adjacent islands of the Santa Cruz Group, where Davenport's many close friends included both his informants in the villages and officers of the British Colonial Service. A dual study of a tradition of so-called tribal art in its context and a study of Santa Cruz Island society, the book includes meticulous descriptions of the sacred objects, currency, dances, and social interactions. Davenport's records of 55 specimens of Santa Cruz sculpture from both private collections and museums—initial acquisition, subsequent ownership, and other detailed physical information—constitute the catalogue section of the book. An engaging and previously unrecorded transcription of information distilled from local informants of the oral myths, rituals, and ceremonies reveals how Santa Cruz believers distinguished, celebrated, and communicated with their deities. Davenport's own unique photographs—both black and white and color—illustrate rituals on the island and life as it was lived before independence in 1978. His work here is a record of a culture which is barely now either lived or remembered by the descendants of those who created it, and all figural sculpture discovered in the future must be judged against this corpus of authenticated originals. Audiences will include anthropologists interested in the tribal arts of Pacific peoples, libraries with Melanesian collections, art historians, contemporary historians interested in the difference between description and comparison, and the special political and economic situation of colonialism.
Hawaiian Sculpture
Author: J. Halley Cox
Publisher: University of Hawaii Press
ISBN: 082484307X
Category : Art
Languages : en
Pages : 241
Book Description
The first comprehensive study of Hawaiian sculptural tradition, Hawaiian Sculpture documents most known extant indigenous carvings of the human figure and identifies their location in public and private collections. More than 164 illustrations illuminate the wooden sculpture of artists whose names are unknown but who were brilliant by any standard. The revised (1988) edition adds recently discovered pieces and a new introduction. The first edition discussed 147 pieces; the revised edition presents 17 previously uncatalogued works, making the volume a valuable addition to the field of Oceanic art.
Publisher: University of Hawaii Press
ISBN: 082484307X
Category : Art
Languages : en
Pages : 241
Book Description
The first comprehensive study of Hawaiian sculptural tradition, Hawaiian Sculpture documents most known extant indigenous carvings of the human figure and identifies their location in public and private collections. More than 164 illustrations illuminate the wooden sculpture of artists whose names are unknown but who were brilliant by any standard. The revised (1988) edition adds recently discovered pieces and a new introduction. The first edition discussed 147 pieces; the revised edition presents 17 previously uncatalogued works, making the volume a valuable addition to the field of Oceanic art.