Author: John Alexander Pope
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
Book Description
The Freer Chinese Bronzes
Author: John Alexander Pope
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
Book Description
Ideals of Beauty
Author: Julian Raby
Publisher: Thames and Hudson
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 196
Book Description
A curator-led tour through more than one hundred masterworks.
Publisher: Thames and Hudson
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 196
Book Description
A curator-led tour through more than one hundred masterworks.
Ancient Chinese Art
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN: 0870994832
Category : Art
Languages : en
Pages : 97
Book Description
Publisher: Metropolitan Museum of Art
ISBN: 0870994832
Category : Art
Languages : en
Pages : 97
Book Description
Shang Ritual Bronzes in the Arthur M Sackler Collections
Author: Robert W. Bagley
Publisher: Harry N Abrams Incorporated
ISBN: 9780810944657
Category : Art
Languages : en
Pages : 599
Book Description
The bronze ritual vessel, the defining artifact of early Chinese civilization, is the subject of this monumental study of Shang ritual bronzes in the Arthur M. SAckler Collections. A Comprehensive introduction, the most thorough treatment of Shang bronzes in any language, lays the foundation for 104 catalogue entries, many of which explore in greater detail specific problems in casting technology, epigraphy, vessel typology, and provincial bronze styles. COlor plates of all the Sackler bronzes are supplemented by rubbings, details, and more than 500 comparative illustrations.THroughout the book the author has made systematic use of the astonishing archaeological discoveries of the last 15 years, discoveries which include major finds of pre-Anyang bronzes and the unprecedented excavation in 1976 of an intact Shang royal tomb. NO less revealing, however, are technical studies of Chinese bronzes carried out in the West, including studies of the bronzes catalogued here, for Dr. BAgley shows technical factors to have played a crucial role in the development of the Shang artistic tradition. BY giving special attention to the formative stages of the Shang bronze industry, he is able to trace in precise detail the complex interaction of technique and design which led from modest beginnings at Erlitou to the spectacular bronzes of the Anyang period (c.1300-1030 BC). IN the spirit of Jean Bony's remark that "each moment has its right to be considered ultimate," pre-Anyang bronzes are treated not as stepping stones to the more familiar bronzes of Anyang times but as objects deserving attention in their own right. NEvertheless Anyang bronzes become at once less familiar and more intelligible when viewed in a developmental perspective, and the strict historical approach taken here calls into question current interpretations of their decoration. TEn years in the making, this book will be of interest not only to students of Chinese archaeology but also to historians of technology, to art historians interested in the process of artistic invention, and to archaeologists concerned with the comparative study of ancient civilizations.
Publisher: Harry N Abrams Incorporated
ISBN: 9780810944657
Category : Art
Languages : en
Pages : 599
Book Description
The bronze ritual vessel, the defining artifact of early Chinese civilization, is the subject of this monumental study of Shang ritual bronzes in the Arthur M. SAckler Collections. A Comprehensive introduction, the most thorough treatment of Shang bronzes in any language, lays the foundation for 104 catalogue entries, many of which explore in greater detail specific problems in casting technology, epigraphy, vessel typology, and provincial bronze styles. COlor plates of all the Sackler bronzes are supplemented by rubbings, details, and more than 500 comparative illustrations.THroughout the book the author has made systematic use of the astonishing archaeological discoveries of the last 15 years, discoveries which include major finds of pre-Anyang bronzes and the unprecedented excavation in 1976 of an intact Shang royal tomb. NO less revealing, however, are technical studies of Chinese bronzes carried out in the West, including studies of the bronzes catalogued here, for Dr. BAgley shows technical factors to have played a crucial role in the development of the Shang artistic tradition. BY giving special attention to the formative stages of the Shang bronze industry, he is able to trace in precise detail the complex interaction of technique and design which led from modest beginnings at Erlitou to the spectacular bronzes of the Anyang period (c.1300-1030 BC). IN the spirit of Jean Bony's remark that "each moment has its right to be considered ultimate," pre-Anyang bronzes are treated not as stepping stones to the more familiar bronzes of Anyang times but as objects deserving attention in their own right. NEvertheless Anyang bronzes become at once less familiar and more intelligible when viewed in a developmental perspective, and the strict historical approach taken here calls into question current interpretations of their decoration. TEn years in the making, this book will be of interest not only to students of Chinese archaeology but also to historians of technology, to art historians interested in the process of artistic invention, and to archaeologists concerned with the comparative study of ancient civilizations.
Scientific Research on Ancient Asian Metallurgy
Author: Paul Jett
Publisher:
ISBN: 9781904982722
Category : Art and science
Languages : en
Pages : 0
Book Description
This book covers the latest research in the field of ancient Asian metal-working in South and Southeast Asia, China and West Asia, concentrating mainly on copper alloys.
Publisher:
ISBN: 9781904982722
Category : Art and science
Languages : en
Pages : 0
Book Description
This book covers the latest research in the field of ancient Asian metal-working in South and Southeast Asia, China and West Asia, concentrating mainly on copper alloys.
Shaping Chinese Art History
Author: Katharine Persis Burnett
Publisher:
ISBN: 9781604979916
Category : Aesthetics, Chinese
Languages : en
Pages :
Book Description
"Pang Yuanji (1864-1949) was the collector from China with not only the largest number of high-quality antique paintings but also the most comprehensive and scholarly record of his collection. This is the first study that takes the innovative and unique approach to collection analysis by quantifying Pang's collection and comparing it to a selection of contemporaneous private collectors. In doing so, it shows how their tastes and interests were all shaped by the same Qing canon. More broadly, it explains that Pang did not merely absorb this canon, but then also purposefully and systematically used it and his collection to protect China's traditions into an uncertain future"--
Publisher:
ISBN: 9781604979916
Category : Aesthetics, Chinese
Languages : en
Pages :
Book Description
"Pang Yuanji (1864-1949) was the collector from China with not only the largest number of high-quality antique paintings but also the most comprehensive and scholarly record of his collection. This is the first study that takes the innovative and unique approach to collection analysis by quantifying Pang's collection and comparing it to a selection of contemporaneous private collectors. In doing so, it shows how their tastes and interests were all shaped by the same Qing canon. More broadly, it explains that Pang did not merely absorb this canon, but then also purposefully and systematically used it and his collection to protect China's traditions into an uncertain future"--
Freer
Author: Thomas Lawton
Publisher: ABRAMS
ISBN:
Category : Art
Languages : en
Pages : 276
Book Description
Publisher: ABRAMS
ISBN:
Category : Art
Languages : en
Pages : 276
Book Description
The China Collectors
Author: Karl E. Meyer
Publisher: St. Martin's Press
ISBN: 1466879297
Category : Art
Languages : en
Pages : 442
Book Description
Thanks to Salem sea captains, Gilded Age millionaires, curators on horseback and missionaries gone native, North American museums now possess the greatest collections of Chinese art outside of East Asia itself. How did it happen? The China Collectors is the first full account of a century-long treasure hunt in China from the Opium Wars and the Boxer Rebellion to Mao Zedong's 1949 ascent. The principal gatherers are mostly little known and defy invention. They included "foreign devils" who braved desert sandstorms, bandits and local warlords in acquiring significant works. Adventurous curators like Langdon Warner, a forebear of Indiana Jones, argued that the caves of Dunhuang were already threatened by vandals, thereby justifying the removal of frescoes and sculptures. Other Americans include George Kates, an alumnus of Harvard, Oxford and Hollywood, who fell in love with Ming furniture. The Chinese were divided between dealers who profited from the artworks' removal, and scholars who sought to protect their country's patrimony. Duanfang, the greatest Chinese collector of his era, was beheaded in a coup and his splendid bronzes now adorn major museums. Others in this rich tapestry include Charles Lang Freer, an enlightened Detroit entrepreneur, two generations of Rockefellers, and Avery Brundage, the imperious Olympian, and Arthur Sackler, the grand acquisitor. No less important are two museum directors, Cleveland's Sherman Lee and Kansas City's Laurence Sickman, who challenged the East Coast's hegemony. Shareen Blair Brysac and Karl E. Meyer even-handedly consider whether ancient treasures were looted or salvaged, and whether it was morally acceptable to spirit hitherto inaccessible objects westward, where they could be studied and preserved by trained museum personnel. And how should the US and Canada and their museums respond now that China has the means and will to reclaim its missing patrimony?
Publisher: St. Martin's Press
ISBN: 1466879297
Category : Art
Languages : en
Pages : 442
Book Description
Thanks to Salem sea captains, Gilded Age millionaires, curators on horseback and missionaries gone native, North American museums now possess the greatest collections of Chinese art outside of East Asia itself. How did it happen? The China Collectors is the first full account of a century-long treasure hunt in China from the Opium Wars and the Boxer Rebellion to Mao Zedong's 1949 ascent. The principal gatherers are mostly little known and defy invention. They included "foreign devils" who braved desert sandstorms, bandits and local warlords in acquiring significant works. Adventurous curators like Langdon Warner, a forebear of Indiana Jones, argued that the caves of Dunhuang were already threatened by vandals, thereby justifying the removal of frescoes and sculptures. Other Americans include George Kates, an alumnus of Harvard, Oxford and Hollywood, who fell in love with Ming furniture. The Chinese were divided between dealers who profited from the artworks' removal, and scholars who sought to protect their country's patrimony. Duanfang, the greatest Chinese collector of his era, was beheaded in a coup and his splendid bronzes now adorn major museums. Others in this rich tapestry include Charles Lang Freer, an enlightened Detroit entrepreneur, two generations of Rockefellers, and Avery Brundage, the imperious Olympian, and Arthur Sackler, the grand acquisitor. No less important are two museum directors, Cleveland's Sherman Lee and Kansas City's Laurence Sickman, who challenged the East Coast's hegemony. Shareen Blair Brysac and Karl E. Meyer even-handedly consider whether ancient treasures were looted or salvaged, and whether it was morally acceptable to spirit hitherto inaccessible objects westward, where they could be studied and preserved by trained museum personnel. And how should the US and Canada and their museums respond now that China has the means and will to reclaim its missing patrimony?
Metalworking in Bronze Age China
Author: Peng Peng
Publisher:
ISBN: 9781604979626
Category : Bronze founding
Languages : en
Pages :
Book Description
"This is the first study that adopts a comprehensive, thorough, and interdisciplinary approach toward early Chinese lost-wax castings. With more than 80 images, this book provides a study on the "norms," which are seldom questioned. By examining the reasons why Chinese founders often chose not to use the lost-wax process they had clearly mastered, the book refutes the idea that lost-wax technology is the only "right way" to cast bronzes. This study demonstrates that a "norm" is in many ways an illusion that twists our comprehension of art, technology, civilization, and history"--
Publisher:
ISBN: 9781604979626
Category : Bronze founding
Languages : en
Pages :
Book Description
"This is the first study that adopts a comprehensive, thorough, and interdisciplinary approach toward early Chinese lost-wax castings. With more than 80 images, this book provides a study on the "norms," which are seldom questioned. By examining the reasons why Chinese founders often chose not to use the lost-wax process they had clearly mastered, the book refutes the idea that lost-wax technology is the only "right way" to cast bronzes. This study demonstrates that a "norm" is in many ways an illusion that twists our comprehension of art, technology, civilization, and history"--
The Great Bronze Age of China
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN: 0870992260
Category : Bronze age
Languages : en
Pages : 408
Book Description
Describes the Chinese Bronze Age, including the development of the Chinese state, writing, religion and architecture.
Publisher: Metropolitan Museum of Art
ISBN: 0870992260
Category : Bronze age
Languages : en
Pages : 408
Book Description
Describes the Chinese Bronze Age, including the development of the Chinese state, writing, religion and architecture.