The Four Seasons ("Le Quattro Stagioni") PDF Download
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Author: Antonio Vivaldi
Publisher: Alfred Music
ISBN: 1457491311
Category : Music
Languages : en
Pages : 10
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Book Description
Retains Vivaldi's overall intent, yet is accessible and musically satisfying to intermediate-level piano students. Fred Kern's simplified arrangement reduces the melody and accompaniment to mostly single-note lines in both hands, except for portions of "Autumn" that use some thirds and sixths.
Author: Antonio Vivaldi
Publisher: Alfred Music
ISBN: 1457491311
Category : Music
Languages : en
Pages : 10
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Book Description
Retains Vivaldi's overall intent, yet is accessible and musically satisfying to intermediate-level piano students. Fred Kern's simplified arrangement reduces the melody and accompaniment to mostly single-note lines in both hands, except for portions of "Autumn" that use some thirds and sixths.
Author: Antonio Vivaldi
Publisher: Createspace Independent Publishing Platform
ISBN: 9781981723577
Category :
Languages : en
Pages : 66
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Book Description
The four seasons were composed by Antonio Vivaldi, an Italian composer. These are four violin concertos that give musical expression to the seasons of the year. It was published as 'Il cimento dell'armonia e dell'inventione' ("The contest between Harmony and Invention"). The compositions were a revolution in musical concepts, each concerti included sonnets(poems possibly written by Vivaldi), and in his work he demonstrated musical representation of singing birds, buzzing flies, barking dogs, storms, landscapes, and warm winter fires. The Four Seasons: Violin Concerto No. 1 in E major, RV 269 'La primavera' ("Spring") I. Allegro II. Largo III. Danza pastorale Violin Concerto No. 2 in G minor, RV 315 'L'estate' ("Summer") I. Allegro non molto II. Adagio e piano - Presto e forte III. Presto Violin Concerto No. 3 in F major, RV 293 'L'autunno' ("Autumn") I. Allegro II. Adagio molto III. Allegro Violin Concerto No. 4 in F minor, RV 297 'L'inverno' ("Winter") I. Allegro non molto II. Largo III. Allegro These four violin concertos have been arranged for the piano. The sonnets are included before each concerto, and I hope you enjoy getting to know the perfect harmony between music and poetry.
Author: Antonio Vivaldi
Publisher: Courier Corporation
ISBN: 048640644X
Category : Music
Languages : en
Pages : 96
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Book Description
One of the most popular of all violin concerti, this baroque masterpiece of "program" music was composed as a musical illustration of four sonnets. Painstakingly researched by baroque authority Dr. Eleanor Selfridge-Field, this miniature score edition offers a modern, authoritative, and up-to-date edition that incorporates Vivaldi's Italian descriptive notes directly in the music.
Author: Esther M. Morgan-Ellis
Publisher:
ISBN: 9781940771311
Category : Music
Languages : en
Pages : 566
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Book Description
Resonances: Engaging Music in Its Cultural Context offers a fresh curriculum for the college-level music appreciation course. The musical examples are drawn from classical, popular, and folk traditions from around the globe. These examples are organized into thematic chapters, each of which explores a particular way in which human beings use music. Topics include storytelling, political expression, spirituality, dance, domestic entertainment, and more. The chapters and examples can be taught in any order, making Resonances a flexible resource that can be adapted to your teaching or learning needs. This textbook is accompanied by a complete set of PowerPoint slides, a test bank, and learning objectives.
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 544
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Book Description
Author: Barrie Jones
Publisher: Routledge
ISBN: 1135950180
Category : Music
Languages : en
Pages : 775
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Book Description
The Hutchinson Concise Dictionary of Music, in 7,500 entries, retains the breadth of coverage, clarity, and accessibility of the highly acclaimed Hutchinson Encyclopedia of Music, from which it is derived. Tracing its lineage to the Everyman Dictionary of Music, now out of print, it boasts a distinguished heritage of the finest musical scholarship. This book provides comprehensive coverage of theoretical and technical music terminology, embracing the many genres and forms of classical music, clearly illustrated with examples. It also provides core information on composers and comprehensive lists of works from the earliest exponents of polyphony to present-day composers.
Author: Joseph P. Swain
Publisher: Rowman & Littlefield
ISBN: 1538151626
Category : Music
Languages : en
Pages : 465
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Book Description
Named a Library Journal Best Reference of 2023 - "Bravo! An invaluable source for scholars and concertgoers.” - Library Journal In the history of the Western musical tradition, the Baroque period traditionally dates from the turn of the 17th century to 1750. The beginning of the period is marked by Italian experiments in composition that attempted to create a new kind of secular musical art based upon principles of Greek drama, quickly leading to the invention of opera. The ending is marked by the death of Johann Sebastian Bach in 1750 and the completion of George Frideric Handel’s last English oratorio, Jephtha, the following year. The Historical Dictionary of Baroque Music, Second Edition contains a chronology, an introduction, and an extensive bibliography. The dictionary section has more than 500 cross-referenced entries on composers, instruments, cities, and technical terms. This book is an excellent resource for students, researchers, and anyone wanting to know more about baroque music.
Author: Matthew Lawry
Publisher: AuthorHouse
ISBN: 1477219277
Category : Foreign Language Study
Languages : en
Pages : 545
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Book Description
This book is about learning the phrases and sentences and getting to grips with saying the language without going into the grammar first. In that way, you can have fun learning how to say certain things and also you do not come up against stumbling blocks and frustrations. The idea behind this thinking was because when I was a child, my parents used to tell me words before they taught me how to learn the alphabet, so I thought that was a better way round: get used to the language first. I wrote this book to how I thought the student of the language could assimilate and understand it and get a basic grounding of the language. I thought to myself, what was the best thing to learn first, for instance; what the differences between masculine and feminine are; what does the accent mean, so I put this information in the chapter header pages so then I could use more space to actually learn the language. I have also put in a conceptual stage, so then you can think about the language for instance. English has quite a few routes to it, like Latin, so quite a few words are very similar, even though the accent can throw us off. It sounds like proper English for instance: disgraceful, which means scandaloso in Italian, which is nearly the same in English. I believe there is no right or wrong way to learn; it depends on what you want it for. You may want to practise it on holidays, or you may want to read the Italian newspapers, so sometimes you do not necessarily have to learn the alphabet or the grammar. I like to read newspapers on holidays and watch films in Italian; that is why I wanted to learn it. It can also be useful in attaining knowledge for quizzes. The only good criticism is a constructive one, not a destructive one. Matthew Lawry. I hope you enjoy this book as much as I have in writing it.
Author: curtis shalo
Publisher: curtis shalo
ISBN:
Category : Fiction
Languages : en
Pages : 314
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Book Description
Short stories that are totally unrelated! some are fiction, some not. Some are from the past, some from the present, and some from the future. there's a children's story, an advice column, and even lyrics to a rap musical.
Author: Michael Talbot
Publisher: Routledge
ISBN: 1351537288
Category : Music
Languages : en
Pages : 375
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Book Description
Federico Maria Sardelli writes from the perspective of a professional baroque flautist and recorder-player, as well as from that of an experienced and committed scholar, in order to shed light on the bewildering array of sizes and tunings of the recorder and transverse flute families as they relate to Antonio Vivaldi's compositions. Sardelli draws copiously on primary documents to analyse and place in context the capable and surprisingly progressive instrumental technique displayed in Vivaldi's music. The book includes a discussion of the much-disputed chronology of Vivaldi's works, drawing on both internal and external evidence. Each known piece by him in which the flute or the recorder appears is evaluated fully from historical, biographical, technical and aesthetic standpoints. This book is designed to appeal not only to Vivaldi scholars and lovers of the composer's music, but also to players of the two instruments, students of organology and those with an interest in late baroque music in general. Vivaldi is a composer who constantly springs surprises as, even today, new pieces are discovered or old ones reinterpreted. Much has happened since Sardelli's book was first published in Italian, and this new English version takes full account of all these new discoveries and developments. The reader will be left with a much fuller picture of the composer and his times, and the knowledge and insights gained from minutely examining his music for these two wind instruments will be found to have a wider relevance for his work as a whole. Generous music examples and illustrations bring the book's arguments to life.
