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Author: William Dalrymple
Publisher: Philip Wilson Publishers
ISBN: 1781301018
Category : Art
Languages : en
Pages : 42
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Book Description
As the East India Company extended its sway across India in the late eighteenth century, many remarkable artworks were commissioned by Company officials from Indian painters who had previously worked for the Mughals. Published to coincide with the first UK exhibition of these masterworks at The Wallace Collection, this book celebrates the work of a series of extraordinary Indian artists, each with their own style and tastes and agency, all of whom worked for British patrons between the 1770s and the bloody end of the Mughal rule in 1857. Edited by writer and historian William Dalrymple, these hybrid paintings explore both the beauty of the Indian natural world and the social realities of the time in one hundred masterpieces, often of astonishing brilliance and originality. They shed light on a forgotten moment in Anglo-Indian history during which Indian artists responded to European influences while keeping intact their own artistic visions and styles. These artists represent the last phase of Indian artistic genius before the onset of the twin assaults - photography and the influence of western colonial art schools - ended an unbroken tradition of painting going back two thousand years. As these masterworks show, the greatest of these painters deserve to be remembered as among the most remarkable Indian artists of all time.
Author: William Dalrymple
Publisher: Philip Wilson Publishers
ISBN: 1781301018
Category : Art
Languages : en
Pages : 42
Get Book Here
Book Description
As the East India Company extended its sway across India in the late eighteenth century, many remarkable artworks were commissioned by Company officials from Indian painters who had previously worked for the Mughals. Published to coincide with the first UK exhibition of these masterworks at The Wallace Collection, this book celebrates the work of a series of extraordinary Indian artists, each with their own style and tastes and agency, all of whom worked for British patrons between the 1770s and the bloody end of the Mughal rule in 1857. Edited by writer and historian William Dalrymple, these hybrid paintings explore both the beauty of the Indian natural world and the social realities of the time in one hundred masterpieces, often of astonishing brilliance and originality. They shed light on a forgotten moment in Anglo-Indian history during which Indian artists responded to European influences while keeping intact their own artistic visions and styles. These artists represent the last phase of Indian artistic genius before the onset of the twin assaults - photography and the influence of western colonial art schools - ended an unbroken tradition of painting going back two thousand years. As these masterworks show, the greatest of these painters deserve to be remembered as among the most remarkable Indian artists of all time.
Author: J. L. Heilbron
Publisher: Oxford University Press
ISBN: 0192605550
Category : History
Languages : en
Pages : 368
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Book Description
In 1643/4 the once-famous Francis Cleyn painted the unhappy young heir of Corfe Castle, John Bankes, and his tutor, Dr Maurice Williams. The painter is now almost forgotten,the painting much neglected, and the sitters themselves have left little to mark their lives, but on the table of the painting lies a book, open to an immediately identifiable and very significant page. The representation omits the author's name and the book's title; it sits there as a code, as only viewers who had encountered the original and the characteristic figures on its frontispiece would have known its significance. The book is Galileo's Dialogue on the two chief world systems (1632), the defence of Copernican cosmology that incited the infamous clash between its author and the Church, and its presence in this painting is no accident, but instead a statement of learning, attitudes, and cosmopolitan engagement in European discourse by the painting's English subjects. Grasping hold of the clue, John Helibron deciphers the significance of this contentious book's appearance in a painting from Stuart England to unravel the interlocking threads of art history, political and religious history, and the history of science. Drawing on unexploited archival material and a wide range of printed works, he weaves together English court culture and Italian connections, as well as the astronomical and astrological knowledge propagated in contemporary almanacs and deployed in art, architecture, plays, masques, and political discourse. Heilbron also explores the biographies of Sir John Bankes (father of the sitter), Sir Maurice, and the painter, Francis Cleyn, setting them into the narrative of their rich and cultured history.
Author: Fortunino Matania
Publisher:
ISBN: 9781907081323
Category :
Languages : en
Pages : 96
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Book Description
The illustration Art Gallery presents 96 glorious pages of original Matania art and prints with over 250 Images (including 125 illustrations not featured in our art book Drawing from History: The Forgotten Art of Fortunio Matania). Born in Naples in 1881, Fortunino Matania trained at his fathers studio and illustrated his first book at the age of 14. He studied in Paris, Milan and London, where he worked on The Graphic. He returned to Italy at the age of 22 for military service in the Bersaglieri. He returned to London where he joined the staff of The Sphere. At the end of World War I Matania illustrated numerous ceremonies in London, including the coronation of Edward VII. During the first half of the 20th century he literally illustrated history as it happened. He was made a Chevalier of the Crown of Italy, and exhibited regularly at the Royal Academy and The Royal Institute of Art. In his studio he maintained an enormous collection of artefacts to aid him in his work. He rarely made preliminary sketches, preferring to begin an elaborate illustration without previous preparation. It was as if he had an exact mental photograph of the art of before he began to paint or draw. His reputation was such that he was visited in his studio in London by Annigoni, Russell Flint and John Singer Sargent and his work is collected and admired by many of todays greatest artists and illustrators.
Author:
Publisher:
ISBN: 9780578417783
Category : African American artists
Languages : en
Pages : 109
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Book Description
Author: Camillo Palladini
Publisher: Royal Armouries
ISBN: 9780948092961
Category : Antiques & Collectibles
Languages : en
Pages : 0
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Book Description
Until now, Camillo Palladini's manuscript for his discourse on fencing was housed in the De Walden Library at the Wallace Collection in London. Hitherto unpublished and largely unknown, it is of central importance to a modern understanding of Italian rapier play in the sixteenth century. This stunning book, a joint endeavour between the Royal Armouries and the Wallace Collection, reproduces the forty-six red chalk illustrations in the manuscript--only three of which have ever been seen in print--together with a transcription and translation of the original Italian text. Perfect for students of fencing, lovers of Italian art, sixteenth-century researchers, and historical reenactors and interpreters, The Art of Fencing: The Forgotten Discourse of Camillo Palladini showcases a striking example of Renaissance swordsmanship.
Author: Richard Stanton
Publisher: Trafford Publishing
ISBN: 1552126064
Category : Art
Languages : en
Pages : 412
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Book Description
History of the Olympic Art Competitions of the 20th Century including data tables and selected competitor biographical sketches.
Author: Peter Schjeldahl
Publisher: Abrams
ISBN: 1683355296
Category : Art
Languages : en
Pages : 445
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Book Description
Hot Cold Heavy Light collects 100 writings—some long, some short—that taken together forma group portrait of many of the world’s most significant and interesting artists. From Pablo Picasso to Cindy Sherman, Old Masters to contemporary masters, paintings to comix, and saints to charlatans, Schjeldahl ranges widely through the diverse and confusing art world, an expert guide to a dazzling scene. No other writer enhances the reader’s experience of art in precise, jargon-free prose as Schjeldahl does. His reviews are more essay than criticism, and he offers engaging and informative accounts of artists and their work. For more than three decades, he has written about art with Emersonian openness and clarity. A fresh perspective, an unexpected connection, a lucid gloss on a big idea awaits the reader on every page of this big, absorbing, buzzing book.
Author: Laura Brandon
Publisher: Calgary : University of Calgary Press
ISBN:
Category : Art
Languages : en
Pages : 198
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Book Description
The Canadian War Museum possesses one of the finest twentieth-century official war art collections in the world. Until relatively recently, however, the collection has received limited public attention. In Art or Memorial?, author Laura Brandon explores some of the reasons why this may have been the case. At various times throughout its history, the war art collection has receded from and re-emerged in the nation's collective consciousness. Nevertheless, as an invaluable part of the official record of war in Canada, it is profoundly significant. Brandon argues that the value of the collection lies less in its artistic merit and more in its role as a site of memory. Art or Memorial? seeks to illuminate Canadian war art's sometimes-hidden presence in the nation's memory and to show, through both its presence and its absence, how it helped to shape, and will continue to influence, how we remember as a nation.
Author: Julie M. Johnson
Publisher: Purdue University Press
ISBN: 1612492037
Category : History
Languages : en
Pages : 763
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Book Description
The Memory Factory introduces an English-speaking public to the significant women artists of Vienna at the turn of the twentieth century, each chosen for her aesthetic innovations and participation in public exhibitions. These women played important public roles as exhibiting artists, both individually and in collectives, but this history has been silenced over time. Their stories show that the city of Vienna was contradictory and cosmopolitan: despite men-only policies in its main art institutions, it offered a myriad of unexpected ways for women artists to forge successful public careers. Women artists came from the provinces, Russia, and Germany to participate in its vibrant art scene. However, and especially because so many of the artists were Jewish, their contributions were actively obscured beginning in the late 1930s. Many had to flee Austria, losing their studios and lifework in the process. Some were killed in concentration camps. Along with the stories of individual women artists, the author reconstructs the history of separate women artists' associations and their exhibitions. Chapters covering the careers of Tina Blau, Elena Luksch-Makowsky, Bronica Koller, Helene Funke, and Teresa Ries (among others) point to a more integrated and cosmopolitan art world than previously thought; one where women became part of the avant-garde, accepted and even highlighted in major exhibitions at the Secession and with the Klimt group.
Author: Art Rodriguez
Publisher:
ISBN: 9780967155579
Category : Hispanic American teenage boys
Languages : en
Pages : 0
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Book Description
Travel with Art Rodriguez as he takes you through his teenage years. You will see that even though life appears confusing and harsh at times, it does get better. You will enjoy his stories of growing up in San Jose, California. He will take you for a stroll and as he does, you will experience with him fun times and hard times. You will enjoy this sequel to East Side Dreams and Those Oldies but Goodies. Take a scroll with Art Rodriguez as he shows you, life does get better. If Art Rodriguez can make it, so can you! This story will help you get through life's difficult times!
