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Author: Peter Bondanella
Publisher: Cambridge University Press
ISBN: 9780521398664
Category : Performing Arts
Languages : en
Pages : 214
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Book Description
A close analysis of the seven films that mark important turning points in Rossellini's evolution: The Man with a Cross (1943), Open City (1945), Paisan (1946), The Machine to Kill Bad People (1948-52), Voyage in Italy (1953), to General della Rovere(1959), and The Rise to Power of Louis XIV (1966).
Author: Peter Bondanella
Publisher: Cambridge University Press
ISBN: 9780521398664
Category : Performing Arts
Languages : en
Pages : 214
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Book Description
A close analysis of the seven films that mark important turning points in Rossellini's evolution: The Man with a Cross (1943), Open City (1945), Paisan (1946), The Machine to Kill Bad People (1948-52), Voyage in Italy (1953), to General della Rovere(1959), and The Rise to Power of Louis XIV (1966).
Author: Tag Gallagher
Publisher: Da Capo Press
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 856
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Book Description
Continually enmeshed in controversy, perhaps no other figure in the history of world cinema has been so reviled - and so revered.
Author: Roberto Rossellini
Publisher: Grossman Publishers
ISBN:
Category : Drama
Languages : en
Pages : 514
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Book Description
Three screen plays and commentary on films made by Rossellini about World War II.
Author: Isabella Rossellini
Publisher:
ISBN: 9783829602426
Category : Art
Languages : en
Pages : 148
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Book Description
Roberto Rossellini, famous Italian film director and icon of neorealism, would have been 100 years old on 8 May 2006. Isabella Rosellini, offspring of the Bergman/Rossellini cinema dynasty, herself a film star, author and celebrated photo model has dreamed up a very special hommage to her father on the centenary of his birth.
Author: Dileep Padgaonkar
Publisher: Penguin Books India
ISBN: 9780670081547
Category : Biography & Autobiography
Languages : en
Pages : 284
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Book Description
He Had Come To See A World At The End Of One Period Of History And At The Beginning Of Another More Dramatic One. When He Came To India In December 1956 Roberto Rossellini Was An Internationally Renowned Figure. Highly Acclaimed As A Director Of Italian Neo-Realist Films And Married To Hollywood Legend Ingrid Bergman, His Was An Ebullient Yet Intense Personality That Combined A Fondness For Flashy Cars And Lovely Women With A Passionately Serious Commitment To Exploring The Human Condition And Portraying It With Unflinching And Unvarnished Honesty. Rossellini Had Come To India At The Invitation Of The Prime Minister, Jawaharlal Nehru. His Aim Was To Make A Series Of Films Which Would Capture The Newly Independent Country As It Came To Grips With Progress And Development After Centuries Of Colonialism. He Deliberately Eschewed The Exotica Which Had Beguiled All Too Many Western Travellers. He Refused To Be Distracted By The Monuments, The Spirituality And Cultural Bric-A-Brac, Preferring Instead To Fix His Gaze On The Actual Moment, On The Grand Endeavours Of Industrialization, Land Reform And The Then Still Fledging Democratic Spirit-- The India Of Nehru S Vision. India Changed Rossellini Irrevocably. It Was Here That He Encountered The Dusky, Doe-Eyed Sonali Dasgupta, Then 27 Years-Old, The Wife Of A Documentary Film-Maker And The Mother Of Two Small Children. Their Connection Scandalized Indian Society And Became The Object Of A Sustained Campaign By Elements In The Indian Press, Instigated By The Bombay Film Industry Which Resented Nehru S Patronage Of A Foreign Film-Maker And Rossellini S Unconcealed Contempt For Their Overblown, Fantastical Extravaganzas. Eminent Journalist Dileep Padgaonkar Enters The World Of India In The 1950S--The Great Political Expectations, The Curious, Interconnected Lives Of The Bombay Elite, The Still Isolated Universe Of Indian Villages--And Traces Rossellini S Passage Through All Of Them. Using Contemporary Reports, Interviews And The Published And Unpublished Reminiscences Of Those Involved In The Drama, He Looks At The Films That Rossellini Made And At Events As They Unfolded To Create A Portrait Of A Remarkable Man Who Fell Under The Spell Of A Woman, A Country And Its People. Under Her Spell Is Spell-Binding...The Personality (Of Rossellini) That Emerges From Dileep Padgaonkar'S Painstakingly Researched Work&Is That Of A Complex, Creatively Restless, Controversial And Often Contradictory Human Being, Who Also Happened To Be A Classic Alpha Male. -Shyam Benegal, Film Director Rossellini Transgressed Every Conceivable Boundary He Was Confronted With - Personal Or Professional. Some Of The Transgressions Were Path-Breaking In His Life And In His Work. Some Others Brought On Meaningless Misery And Disappointment. He Remained A Teacher In Failures, Even. Under Her Spell Is An Engrossing Account Of Magnificent Compulsions. -Mani Kaul, Film Director A Well-Researched And Original Inquiry Into A Key Period Of Rossellini S Evolution Towards A New Kind Of Cinema. Dileep Padgaonkar S Account Of His Passage To India Reads Like A Passionate Novel. -Adriano Aprà, Italian Film Historian The Joy Of Discovery In Rossellini S (Film), India, Is Echoed In This Magnificent Chronicle Of The Italian Director S Incredible Adventures& Dileep Padgaonkar Has Found A Wealth Of New Sources For This Amazing Story. -Tag Gallagher, Author Of The Adventures Of Roberto Rossellini)
Author: Tag Gallagher
Publisher: Univ of California Press
ISBN: 9780520063341
Category : Biography & Autobiography
Languages : en
Pages : 588
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Book Description
This radical re-reading of Ford's work studies his films in the context of his complex character, demonstrating their immense intelligence and their profound critique of our culture.
Author: Roy Stafford
Publisher: Routledge
ISBN: 1136474587
Category : Performing Arts
Languages : en
Pages : 527
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Book Description
The Global Film Book is an accessible and entertaining exploration of the development of film as global industry and art form, written especially for students and introducing readers to the rich and varied cinematic landscape beyond Hollywood. Highlighting areas of difference and similarity in film economies and audiences, as well as form, genre and narrative, this textbook considers a broad range of examples and up to date industry data from Europe, Africa, Asia, Australasia and Latin America. Author Roy Stafford combines detailed studies of indigenous film and television cultures with cross border, global and online entertainment operations, including examples from Nollywood to Korean Cinema, via telenovelas and Nordic crime drama. The Global Film Book demonstrates a number of contrasting models of contemporary production, distribution and consumption of film worldwide, charting and analysing the past, present and potential futures for film throughout the world. The book also provides students with: a series of exploratory pathways into film culture worldwide illuminating analyses and suggestions for further readings and viewing, alongside explanatory margin notes and case studies a user friendly text design, featuring over 120 colour images a dynamic and comprehensive blog, online at www.globalfilmstudies.com, providing updates and extensions of case studies in the book and analysis of the latest developments in global film issues.
Author: Saverio Giovacchini
Publisher: Univ. Press of Mississippi
ISBN: 1628468882
Category : Performing Arts
Languages : en
Pages : 407
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Book Description
Contributions by Nathaniel Brennan, Luca Caminati, Silvia Carlorosi, Caroline Eades, Saverio Giovacchini, Paula Halperin, Neepa Majumdar, Mariano Mestman, Hamid Naficy, Sada Niang, Masha Salazkina, Sarah Sarzynski, Robert Sklar, and Vito Zagarrio Intellectual, cultural, and film historians have long considered neorealism the founding block of post-World War II Italian cinema. Neorealism, the traditional story goes, was an Italian film style born in the second postwar period and aimed at recovering the reality of Italy after the sugarcoated moving images of fascism. Lasting from 1945 to the early 1950s, neorealism produced world-renowned masterpieces such as Roberto Rossellini's Roma, città aperta (Rome, Open City, 1945) and Vittorio De Sica's Ladri di biciclette (Bicycle Thieves, 1947). These films won some of the most prestigious film awards of the immediate postwar period and influenced world cinema. This collection brings together distinguished film scholars and cultural historians to complicate this nation-based approach to the history of neorealism. The traditional story notwithstanding, the meaning and the origins of the term are problematic. What does neorealism really mean, and how Italian is it? Italian filmmakers were wary of using the term and Rossellini preferred "realism." Many filmmakers confessed to having greatly borrowed from other cinemas, including French, Soviet, and American. Divided into three sections, Global Neorealism examines the history of this film style from the 1930s to the 1970s using a global and international perspective. The first section examines the origins of neorealism in the international debate about realist esthetics in the 1930s. The second section discusses how this debate about realism was “Italianized” and coalesced into Italian “neorealism” and explores how critics and film distributors participated in coining the term. Finally, the third section looks at neorealism’s success outside of Italy and examines how film cultures in Latin America, Africa, Asia, and the United States adjusted the style to their national and regional situations.
Author: Patrizio Rossi
Publisher: Macmillan Reference USA
ISBN:
Category : Performing Arts
Languages : en
Pages : 308
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Book Description
This reference guide on Roberto Rossellini includes: a biographical sketch; critical overview; chronological listing of films; annotated bibliography of criticism; chronological listing of his writings and other non-directional work; annotated listing of archival sources; and a listing of films.
Author: Frank Burke
Publisher: John Wiley & Sons
ISBN: 1119006171
Category : Performing Arts
Languages : en
Pages : 825
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Book Description
Written by leading figures in the field, A Companion to Italian Cinema re-maps Italian cinema studies, employing new perspectives on traditional issues, and fresh theoretical approaches to the exciting history and field of Italian cinema. Offers new approaches to Italian cinema, whose importance in the post-war period was unrivalled Presents a theory based approach to historical and archival material Includes work by both established and more recent scholars, with new takes on traditional critical issues, and new theoretical approaches to the exciting history and field of Italian cinema Covers recent issues such as feminism, stardom, queer cinema, immigration and postcolonialism, self-reflexivity and postmodernism, popular genre cinema, and digitalization A comprehensive collection of essays addressing the prominent films, directors and cinematic forms of Italian cinema, which will become a standard resource for academic and non-academic purposes alike
