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Author: Stephen Baker
Publisher: Rowman & Littlefield
ISBN: 9780742501997
Category : Literary Criticism
Languages : en
Pages : 242
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Book Description
The Fiction of Postmodernity is a significant and accessible study of the relation of postmodern fiction to theories of the postmodern. Contemporary works of fiction by novelists such as Don DeLillo, Toni Morrison, Salman Rushdie, Thomas Pynchon, and Martin Amis are viewed in relation to critiques of the "culture industry," analyses of the "postmodern condition," and theories of simulacra. The work of influential theorists of the postmodern--such as Theodor Adorno, Jean-François Lyotard, Fredric Jameson and Jean Baudrillard--is explained and compared. The book offers descriptions of the postmodern from both the Marxist critical tradition and from the perspective of postmarxism. Key features in both these definitions are explained in relation to modernist and postmodern works of fiction. Issues relating to the postmodern representation of history and the development of a postmodern politics are also addressed in relation to works of contemporary fiction.
Author: Stephen Baker
Publisher: Rowman & Littlefield
ISBN: 9780742501997
Category : Literary Criticism
Languages : en
Pages : 242
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Book Description
The Fiction of Postmodernity is a significant and accessible study of the relation of postmodern fiction to theories of the postmodern. Contemporary works of fiction by novelists such as Don DeLillo, Toni Morrison, Salman Rushdie, Thomas Pynchon, and Martin Amis are viewed in relation to critiques of the "culture industry," analyses of the "postmodern condition," and theories of simulacra. The work of influential theorists of the postmodern--such as Theodor Adorno, Jean-François Lyotard, Fredric Jameson and Jean Baudrillard--is explained and compared. The book offers descriptions of the postmodern from both the Marxist critical tradition and from the perspective of postmarxism. Key features in both these definitions are explained in relation to modernist and postmodern works of fiction. Issues relating to the postmodern representation of history and the development of a postmodern politics are also addressed in relation to works of contemporary fiction.
Author: Louisa Hadley
Publisher: Bloomsbury Publishing
ISBN: 1349921815
Category : Literary Criticism
Languages : en
Pages : 192
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Book Description
This Guide examines the key critical responses to Byatt's fiction (both her novels and short stories) tracing the wider debates about realism, postmodernism and feminism with which they engage. The Guide also explores the themes which are central to Byatt's work, such as her depiction of writer-figures and her conception of artistic vision.
Author:
Publisher: BRILL
ISBN: 9004647201
Category : Literary Criticism
Languages : en
Pages : 206
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Book Description
Author: T.V. Reed
Publisher: Bloomsbury Publishing
ISBN: 1350010820
Category : Literary Criticism
Languages : en
Pages : 289
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Book Description
Postmodern realist fiction uses realism-disrupting literary techniques to make interventions into the real social conditions of our time. It seeks to capture the complex, fragmented nature of contemporary experience while addressing crucial issues like income inequality, immigration, the climate crisis, terrorism, ever-changing technologies, shifting racial, sex and gender roles, and the rise of new forms of authoritarianism. A lucid, comprehensive introduction to the genre as well as to a wide variety of voices, this book discusses more than forty writers from a diverse range of backgrounds, and over several decades, with special attention to 21st-century novels. Writers covered include: Kathy Acker, Chimamanda Ngozi Adiche, Julia Alvarez, Sherman Alexie, Gloria Anzaldua, Margaret Atwood, Toni Cade Bambara, A.S. Byatt, Octavia Butler, Angela Carter, Ana Castillo, Don DeLillo, Junot Diaz, Jennifer Egan, Awaeki Emezi, Mohsin Hamid, Jessica Hagedorn, Maxine Hong Kingston, Ursula K. Le Guin, Daisy Johnson, Bharati Mukherjee, Toni Morrison, Vladimir Nabokov, Tommy Orange, Ruth Ozeki, Ishmael Reed, Eden Robinson, Salman Rushdie, Jean Rhys, Leslie Marmon Silko, Art Spiegelman, Kurt Vonnegut, and Jeannette Winterson, among others.
Author: Paula Geyh
Publisher: Cambridge University Press
ISBN: 1108179444
Category : Literary Criticism
Languages : en
Pages : 246
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Book Description
Few previous periods in the history of American literature could rival the richness of the postmodern era - the diversity of its authors, the complexity of its ideas and visions, and the multiplicity of its subjects and forms. This volume offers an authoritative, comprehensive, and accessible guide to the American fiction of this remarkable period. It traces the development of postmodern American fiction over the past half-century and explores its key aesthetic, cultural, and political contexts. It examines its principal styles and genres, from the early experiments with metafiction to the most recent developments, such as the graphic novel and digital fiction, and offers concise, compelling readings of many of its major works. An indispensable resource for students, scholars, and the general reader, the Companion both highlights the extraordinary achievements of postmodern American fiction and provides illuminating critical frameworks for understanding it.
Author: Casey Michael Henry
Publisher: Bloomsbury Publishing
ISBN: 135006498X
Category : Literary Criticism
Languages : en
Pages : 219
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Book Description
How has American literature after postmodernism responded to the digital age? Drawing on insights from contemporary media theory, this is the first book to explore the explosion of new media technologies as an animating context for contemporary American literature. Casey Michael Henry examines the intertwining histories of new media forms since the 1970s and literary postmodernism and its aftermath, from William Gaddis's J R and Bret Easton Ellis's American Psycho through to David Foster Wallace's Infinite Jest. Through these histories, the book charts the ways in which print-based postmodern writing at first resisted new mass media forms and ultimately came to respond to them.
Author: Theo D'Haen
Publisher: Rodopi
ISBN: 9789051834383
Category : Literary Criticism
Languages : en
Pages : 248
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Book Description
Author: Matthias Kugler
Publisher: diplom.de
ISBN: 3832418520
Category : Literary Collections
Languages : en
Pages : 168
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Book Description
Inhaltsangabe:Abstract: Paul Auster's New York Trilogy, published in one volume for the first time in England in 1988 and in the U.S. in 1990 has been widely categorised as detective fiction among literary scholars and critics. There is, however, a striking diversity and lack of consensus regarding the classification of the trilogy within the existing genre forms of the detective novel. Among others, Auster's stories are described as: metaanti-detective-fiction; mysteries about mysteries; a strangely humorous working of the detective novel; very soft-boiled; a metamystery; glassy little jigsaws; a mixture between the detective story and the nouveau roman; a metaphysical detective story; a deconstruction of the detective novel; antidetective-fiction; a late example of the anti-detective genre; and being related to 'hard-boiled' novels by authors like Hammett and Chandler. Such a striking lack of agreement within the secondary literature has inspired me to write this paper. It does not, however, elaborate further an this diversity of viewpoints although they all seem to have a certain validity and underline the richness and diversity of Auster's detective trilogy; neither do I intend to coin a new term for Auster's detective fiction. I would rather place The New York Trilogy within a more general and open literary form, namely postmodern detective fiction. This classifies Paul Auster as an American writer who is part of the generation that immediately followed the 'classical literary movement' of American postmodernism' of the 60s and 70s. His writing demonstrates that he has been influenced by the revolutionary and innovative postmodern concepts, characterised by the notion of 'anything goes an a planet of multiplicity' as well as by French poststructuralism. He may, however, be distinguished from a 'traditional' postmodern writer through a certain coherence in the narrative discourse, a neo-realistic approach and by showing a certain responsibility for social and moral aspects going beyond mere metafictional and subversive elements. Many of the ideas of postmodernism were formulated in theoretical literary texts of the 60s and 70s and based an formal experiments include the attempt of subverting the ability of language to refer truthfully to the world, and a radical turning away from coherent narrative discourse and plot. These ideas seem to have been intemalized by the new generation of postmodern writers of the 80s to such [...]
Author: Bran Nicol
Publisher: Cambridge University Press
ISBN: 1139483110
Category : Literary Criticism
Languages : en
Pages : 240
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Book Description
Postmodern fiction presents a challenge to the reader: instead of enjoying it passively, the reader has to work to understand its meanings, to think about what fiction is, and to question their own responses. Yet this very challenge makes postmodern writing so much fun to read and rewarding to study. Unlike most introductions to postmodernism and fiction, this book places the emphasis on literature rather than theory. It introduces the most prominent British and American novelists associated with postmodernism, from the 'pioneers', Beckett, Borges and Burroughs, to important post-war writers such as Pynchon, Carter, Atwood, Morrison, Gibson, Auster, DeLillo, and Ellis. Designed for students and clearly written, this Introduction explains the preoccupations, styles and techniques that unite postmodern authors. Their work is characterized by a self-reflexive acknowledgement of its status as fiction, and by the various ways in which it challenges readers to question common-sense and commonplace assumptions about literature.
Author: Dr Shaikh Suhel Samad
Publisher: Partridge Publishing
ISBN: 1482885255
Category : Literary Criticism
Languages : en
Pages : 214
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Book Description
The book highlights postmodern fiction and more so Rushdies fiction, which is concerned with: 1. A preoccupation with viability of systems and representations 2. The decentring of the subject and the inscription of multiple fictive selves 3. Narrative fragmentation, narrative reflexivity, and narratives which double-back on their own presuppositions 4. An open-ended play with formal divides challenging the presuppositions of literary realism 5. Abolition of the cultural divide between high and popular forms of culture, embracing all in a mlange 6. The displacement of the real by simulacra in Baudrillardian sense 7. Incredulity toward the metanarratives as Lyotard puts it
