Author: Helga Druxes
Publisher: Penn State Press
ISBN: 027104103X
Category : Literary Criticism
Languages : en
Pages : 162
Book Description
While the decline of the male hero in nineteenth- and twentieth-century literature is usually studied in isolation, Druxes uses a major manifestation of this phenomenon&—the failing power of the Faust myth&—as an interpretive lens through which to illuminate the corresponding rise in the viability of female Faustian heroes or would-be heroes. Her study of the female Faust figure in the realist novels of Stendhal, Gauthier, Keller, James, and the contemporary writer Morgner is further unusual in that she carries out her analyses both against the background of the sociohistorical factors conditioning these female figures and with reference to the mutual interaction of plot and novel form. Since nineteenth-century writers make female subjectivity the arena in which the conflicts of male subjecthood are debated, their attempts to create female versions of the heroic quest for self-knowledge speak not only to the crisis of the male model but also to the crisis of the realistic novel. Using psychoanalytic theory and French feminist and deconstructionist theory, Helga Druxes shows how the female Faustian quest for worldly knowledge and subjecthood develops a new concept of identity that takes its social constructedness into account, and she demonstrates some of the transgressive narrative strategies that male and female writers have employed, embodying their dissent not only in the creation of a female Faust but in their visions of an authentic female desire for selfhood and socially regenerative female bonding.
The Feminization of Dr. Faustus
Author: Helga Druxes
Publisher: Penn State Press
ISBN: 027104103X
Category : Literary Criticism
Languages : en
Pages : 162
Book Description
While the decline of the male hero in nineteenth- and twentieth-century literature is usually studied in isolation, Druxes uses a major manifestation of this phenomenon&—the failing power of the Faust myth&—as an interpretive lens through which to illuminate the corresponding rise in the viability of female Faustian heroes or would-be heroes. Her study of the female Faust figure in the realist novels of Stendhal, Gauthier, Keller, James, and the contemporary writer Morgner is further unusual in that she carries out her analyses both against the background of the sociohistorical factors conditioning these female figures and with reference to the mutual interaction of plot and novel form. Since nineteenth-century writers make female subjectivity the arena in which the conflicts of male subjecthood are debated, their attempts to create female versions of the heroic quest for self-knowledge speak not only to the crisis of the male model but also to the crisis of the realistic novel. Using psychoanalytic theory and French feminist and deconstructionist theory, Helga Druxes shows how the female Faustian quest for worldly knowledge and subjecthood develops a new concept of identity that takes its social constructedness into account, and she demonstrates some of the transgressive narrative strategies that male and female writers have employed, embodying their dissent not only in the creation of a female Faust but in their visions of an authentic female desire for selfhood and socially regenerative female bonding.
Publisher: Penn State Press
ISBN: 027104103X
Category : Literary Criticism
Languages : en
Pages : 162
Book Description
While the decline of the male hero in nineteenth- and twentieth-century literature is usually studied in isolation, Druxes uses a major manifestation of this phenomenon&—the failing power of the Faust myth&—as an interpretive lens through which to illuminate the corresponding rise in the viability of female Faustian heroes or would-be heroes. Her study of the female Faust figure in the realist novels of Stendhal, Gauthier, Keller, James, and the contemporary writer Morgner is further unusual in that she carries out her analyses both against the background of the sociohistorical factors conditioning these female figures and with reference to the mutual interaction of plot and novel form. Since nineteenth-century writers make female subjectivity the arena in which the conflicts of male subjecthood are debated, their attempts to create female versions of the heroic quest for self-knowledge speak not only to the crisis of the male model but also to the crisis of the realistic novel. Using psychoanalytic theory and French feminist and deconstructionist theory, Helga Druxes shows how the female Faustian quest for worldly knowledge and subjecthood develops a new concept of identity that takes its social constructedness into account, and she demonstrates some of the transgressive narrative strategies that male and female writers have employed, embodying their dissent not only in the creation of a female Faust but in their visions of an authentic female desire for selfhood and socially regenerative female bonding.
Framing Faust
Author: Inez Hedges
Publisher: SIU Press
ISBN: 0809386534
Category : Performing Arts
Languages : en
Pages : 262
Book Description
In this interdisciplinary cultural history that encompasses film, literature, music, and drama, Inez Hedges follows the thread of the Faustian rebel in the major intellectual currents of the last hundred years. She presents Faust and his counterpart Mephistopheles as antagonistic—yet complementary—figures whose productive conflict was integral to such phenomena as the birth of narrative cinema, the rise of modernist avant-gardes before World War II, and feminist critiques of Western cultural traditions. Framing Faust: Twentieth-Century Cultural Struggles pursues a dialectical approach to cultural history. Using the probing lens of cultural studies, Hedges shows how claims to the Faustian legacy permeated the struggle against Nazism in the 1930s while infusing not only the search for socialist utopias in Russia, France, and Germany, but also the quest for legitimacy on both sides of the Cold War divide after 1945. Hedges balances new perspectives on such well-known works as Thomas Mann’s Dr. Faustus and Jack Kerouac’s Dr. Sax with discussions of previously overlooked twentieth-century expressions of the Faust myth, including American film noir and the Faust films of Stan Brakhage. She evaluates musical compositions—Hanns Eisler’s Faust libretto, the opera Votre Faust by Henri Pousseur and Michel Butor, and Alfred Schnittke’s Faust Cantata—as well as works of fiction and drama in French and German, many of which have heretofore never been discussed outside narrow disciplinary confines. Enhanced by twenty-four illustrations, Framing Faust provides a fascinating and focused narrative of some of the major cultural struggles of the past century as seen through the Faustian prism, and establishes Faust as an important present-day frame of reference.
Publisher: SIU Press
ISBN: 0809386534
Category : Performing Arts
Languages : en
Pages : 262
Book Description
In this interdisciplinary cultural history that encompasses film, literature, music, and drama, Inez Hedges follows the thread of the Faustian rebel in the major intellectual currents of the last hundred years. She presents Faust and his counterpart Mephistopheles as antagonistic—yet complementary—figures whose productive conflict was integral to such phenomena as the birth of narrative cinema, the rise of modernist avant-gardes before World War II, and feminist critiques of Western cultural traditions. Framing Faust: Twentieth-Century Cultural Struggles pursues a dialectical approach to cultural history. Using the probing lens of cultural studies, Hedges shows how claims to the Faustian legacy permeated the struggle against Nazism in the 1930s while infusing not only the search for socialist utopias in Russia, France, and Germany, but also the quest for legitimacy on both sides of the Cold War divide after 1945. Hedges balances new perspectives on such well-known works as Thomas Mann’s Dr. Faustus and Jack Kerouac’s Dr. Sax with discussions of previously overlooked twentieth-century expressions of the Faust myth, including American film noir and the Faust films of Stan Brakhage. She evaluates musical compositions—Hanns Eisler’s Faust libretto, the opera Votre Faust by Henri Pousseur and Michel Butor, and Alfred Schnittke’s Faust Cantata—as well as works of fiction and drama in French and German, many of which have heretofore never been discussed outside narrow disciplinary confines. Enhanced by twenty-four illustrations, Framing Faust provides a fascinating and focused narrative of some of the major cultural struggles of the past century as seen through the Faustian prism, and establishes Faust as an important present-day frame of reference.
Resisting Bodies
Author: Helga Druxes
Publisher: Wayne State University Press
ISBN: 9780814325346
Category : Literary Collections
Languages : en
Pages : 244
Book Description
Helga Druxes' study of the female protagonists in novels by German writer Monika Maron, British writers Margaret Drabble and Jean Rhys, and French writer Marguerite Duras brings together the work of four prominent contemporary women authors. In discussing the position of women in urban spaces from the point of view of feminist and cultural theory, Druxes combines anthropology and recent literary theory within the framework of cultural studies. She addresses such concerns as the objectification/commodification of women in late capitalist society, the possibilities for resistant or subversive female agency under these conditions, and the role of specifically urban arrangements of space in both effecting this objectification and creating the sites where it might be resisted or disrupted by women. Resisting Bodies is an important contribution to literary criticism and feminist theory.
Publisher: Wayne State University Press
ISBN: 9780814325346
Category : Literary Collections
Languages : en
Pages : 244
Book Description
Helga Druxes' study of the female protagonists in novels by German writer Monika Maron, British writers Margaret Drabble and Jean Rhys, and French writer Marguerite Duras brings together the work of four prominent contemporary women authors. In discussing the position of women in urban spaces from the point of view of feminist and cultural theory, Druxes combines anthropology and recent literary theory within the framework of cultural studies. She addresses such concerns as the objectification/commodification of women in late capitalist society, the possibilities for resistant or subversive female agency under these conditions, and the role of specifically urban arrangements of space in both effecting this objectification and creating the sites where it might be resisted or disrupted by women. Resisting Bodies is an important contribution to literary criticism and feminist theory.
Masterpieces of Philosophical Literature
Author: Thomas L. Cooksey III
Publisher: Bloomsbury Publishing USA
ISBN: 0313017956
Category : Literary Criticism
Languages : en
Pages : 255
Book Description
Some works of philosophy also stand as significant contributions to literature, and some works of literature have profoundly influenced philosophy. Written expressly for high school and college students, this reference insightfully introduces ten widely studied works of philosophical literature. Individual chapters discuss Plato's Republic, Augustine's Confessions, Dante's Divine Comedy, More's Utopia, Voltaire's Candide, Goethe's Faust, Kierkegaard's Either/Or, Nietzsche's Thus Spoke Zarathustra, Huxley's Brave New World, and Borges' Labyrinths. An introductory chapter considers such issues as the nature of philosophical literature, and the volume closes with a selected, general bibliography. Despite Plato's banning of poets from the ideal community, some works of philosophy also stand as significant contributions to literature, and some works of literature have profoundly influenced philosophy. Such works have the power to challenge, provoke, and move the reader, and they upset complacent assumptions and demand new thinking. They also draw on the resources of language and literature to explore enduring issues. Written expressly for high school and college students, this reference conveniently introduces ten widely studied works of philosophical literature.
Publisher: Bloomsbury Publishing USA
ISBN: 0313017956
Category : Literary Criticism
Languages : en
Pages : 255
Book Description
Some works of philosophy also stand as significant contributions to literature, and some works of literature have profoundly influenced philosophy. Written expressly for high school and college students, this reference insightfully introduces ten widely studied works of philosophical literature. Individual chapters discuss Plato's Republic, Augustine's Confessions, Dante's Divine Comedy, More's Utopia, Voltaire's Candide, Goethe's Faust, Kierkegaard's Either/Or, Nietzsche's Thus Spoke Zarathustra, Huxley's Brave New World, and Borges' Labyrinths. An introductory chapter considers such issues as the nature of philosophical literature, and the volume closes with a selected, general bibliography. Despite Plato's banning of poets from the ideal community, some works of philosophy also stand as significant contributions to literature, and some works of literature have profoundly influenced philosophy. Such works have the power to challenge, provoke, and move the reader, and they upset complacent assumptions and demand new thinking. They also draw on the resources of language and literature to explore enduring issues. Written expressly for high school and college students, this reference conveniently introduces ten widely studied works of philosophical literature.
A Power to Translate the World
Author: David LaRocca
Publisher: Dartmouth College Press
ISBN: 1611688302
Category : Literary Criticism
Languages : en
Pages : 368
Book Description
Publisher: Dartmouth College Press
ISBN: 1611688302
Category : Literary Criticism
Languages : en
Pages : 368
Book Description
Women and Gender in Central and Eastern Europe, Russia, and Eurasia
Author: Mary Zirin
Publisher: Routledge
ISBN: 131745197X
Category : Political Science
Languages : en
Pages : 2121
Book Description
This is the first comprehensive, multidisciplinary, and multilingual bibliography on "Women and Gender in East Central Europe and the Balkans (Vol. 1)" and "The Lands of the Former Soviet Union (Vol. 2)" over the past millennium. The coverage encompasses the relevant territories of the Russian, Hapsburg, and Ottoman empires, Germany and Greece, and the Jewish and Roma diasporas. Topics range from legal status and marital customs to economic participation and gender roles, plus unparalleled documentation of women writers and artists, and autobiographical works of all kinds. The volumes include approximately 30,000 bibliographic entries on works published through the end of 2000, as well as web sites and unpublished dissertations. Many of the individual entries are annotated with brief descriptions of major works and the tables of contents for collections and anthologies. The entries are cross-referenced and each volume includes indexes.
Publisher: Routledge
ISBN: 131745197X
Category : Political Science
Languages : en
Pages : 2121
Book Description
This is the first comprehensive, multidisciplinary, and multilingual bibliography on "Women and Gender in East Central Europe and the Balkans (Vol. 1)" and "The Lands of the Former Soviet Union (Vol. 2)" over the past millennium. The coverage encompasses the relevant territories of the Russian, Hapsburg, and Ottoman empires, Germany and Greece, and the Jewish and Roma diasporas. Topics range from legal status and marital customs to economic participation and gender roles, plus unparalleled documentation of women writers and artists, and autobiographical works of all kinds. The volumes include approximately 30,000 bibliographic entries on works published through the end of 2000, as well as web sites and unpublished dissertations. Many of the individual entries are annotated with brief descriptions of major works and the tables of contents for collections and anthologies. The entries are cross-referenced and each volume includes indexes.
When Mary Becomes Cosmic
Author: David Richo
Publisher: Paulist Press
ISBN: 0809149826
Category : Religion
Languages : en
Pages : 154
Book Description
When Mary Becomes Cosmic opens us up to a greater appreciation of the cosmic dimensions of Mary through the ?Litany of Loreto."
Publisher: Paulist Press
ISBN: 0809149826
Category : Religion
Languages : en
Pages : 154
Book Description
When Mary Becomes Cosmic opens us up to a greater appreciation of the cosmic dimensions of Mary through the ?Litany of Loreto."
The Most Arrogant Man in France
Author: Petra ten-Doesschate Chu
Publisher: Princeton University Press
ISBN: 0691268207
Category : Art
Languages : en
Pages : 304
Book Description
A comprehensive reinterpretation of the pioneering and media-savvy artist The modern artist strives to be independent of the public's taste—and yet depends on the public for a living. Petra Chu argues that the French Realist Gustave Courbet (1819-1877) understood this dilemma perhaps better than any painter before him. In The Most Arrogant Man in France, Chu tells the fascinating story of how, in the initial age of mass media and popular high art, this important artist managed to achieve an unprecedented measure of artistic and financial independence by promoting his work and himself through the popular press. The Courbet who emerges in Chu's account is a sophisticated artist and entrepreneur who understood that the modern artist must sell—and not only make—his art. Responding to this reality, Courbet found new ways to "package," exhibit, and publicize his work and himself. Chu shows that Courbet was one of the first artists to recognize and take advantage of the publicity potential of newspapers, using them to create acceptance of his work and to spread an image of himself as a radical outsider. Courbet introduced the independent show by displaying his art in popular venues outside the Salon, and he courted new audiences, including women. And for a time Courbet succeeded, achieving a rare freedom for a nineteenth-century French artist. If his strategy eventually backfired and he was forced into exile, his pioneering vision of the artist's career in the modern world nevertheless makes him an intriguing forerunner to all later media-savvy artists.
Publisher: Princeton University Press
ISBN: 0691268207
Category : Art
Languages : en
Pages : 304
Book Description
A comprehensive reinterpretation of the pioneering and media-savvy artist The modern artist strives to be independent of the public's taste—and yet depends on the public for a living. Petra Chu argues that the French Realist Gustave Courbet (1819-1877) understood this dilemma perhaps better than any painter before him. In The Most Arrogant Man in France, Chu tells the fascinating story of how, in the initial age of mass media and popular high art, this important artist managed to achieve an unprecedented measure of artistic and financial independence by promoting his work and himself through the popular press. The Courbet who emerges in Chu's account is a sophisticated artist and entrepreneur who understood that the modern artist must sell—and not only make—his art. Responding to this reality, Courbet found new ways to "package," exhibit, and publicize his work and himself. Chu shows that Courbet was one of the first artists to recognize and take advantage of the publicity potential of newspapers, using them to create acceptance of his work and to spread an image of himself as a radical outsider. Courbet introduced the independent show by displaying his art in popular venues outside the Salon, and he courted new audiences, including women. And for a time Courbet succeeded, achieving a rare freedom for a nineteenth-century French artist. If his strategy eventually backfired and he was forced into exile, his pioneering vision of the artist's career in the modern world nevertheless makes him an intriguing forerunner to all later media-savvy artists.
The Muse as Eros
Author: Stephen Downes
Publisher: Routledge
ISBN: 1351218360
Category : Music
Languages : en
Pages : 301
Book Description
The Muse has long been figured as a divine or erotically alluring consort to the virile male artist, who may inspire him or lead him to the edge of madness. This book explores the changing cultural expressions of the relationship between the male artist with a beloved, imagined or desired Muse, to offer new and penetrating perspectives on musical representations and transformations of creative masculine subjectivity, and important aspects of the shift from the styles and aesthetics of Romantic Idealism to Modernist Anxiety in music of the nineteenth and twentieth centuries. Each of the chapters begins with explorations into male artists' relationships with their Muse, and moves to analysis and interpretation which uncovers cultural constructions of masculine artistic inspiration and production, and their association with creatively inspiring and erotically charged relationships with a Muse. New insights are offered into the musical meaning and cultural significance of selected works by Rossini, Beethoven, Chopin, Liszt, Schumann, Wagner, Sibelius, Mahler, Bartók, Scriabin, Szymanowski, Debussy, Berg, Poulenc and Weill.
Publisher: Routledge
ISBN: 1351218360
Category : Music
Languages : en
Pages : 301
Book Description
The Muse has long been figured as a divine or erotically alluring consort to the virile male artist, who may inspire him or lead him to the edge of madness. This book explores the changing cultural expressions of the relationship between the male artist with a beloved, imagined or desired Muse, to offer new and penetrating perspectives on musical representations and transformations of creative masculine subjectivity, and important aspects of the shift from the styles and aesthetics of Romantic Idealism to Modernist Anxiety in music of the nineteenth and twentieth centuries. Each of the chapters begins with explorations into male artists' relationships with their Muse, and moves to analysis and interpretation which uncovers cultural constructions of masculine artistic inspiration and production, and their association with creatively inspiring and erotically charged relationships with a Muse. New insights are offered into the musical meaning and cultural significance of selected works by Rossini, Beethoven, Chopin, Liszt, Schumann, Wagner, Sibelius, Mahler, Bartók, Scriabin, Szymanowski, Debussy, Berg, Poulenc and Weill.
The Promised Land?
Author: Lorna Martens
Publisher: State University of New York Press
ISBN: 0791491226
Category : Literary Criticism
Languages : en
Pages : 288
Book Description
From the 1960s on, women writers in the German Democratic Republic (GDR), including Christa Wolf, Irmtraud Morgner, Sarah Kirsch, Brigitte Reimann, Charlotte Worgitzky, Lia Pirskawetz, and Maya Wiens, produced a large, interesting body of writing on women's issues. The Promised Land? is the first book to interrogate the work of these writers as a group for their feminist ideas, ideas that are original, often upbeat, and mostly different from those of the Western feminist movement. In the GDR, a state that existed from 1949 to 1990, women had not only equal rights and good jobs, but also lavish maternity leave and generous childcare benefits designed to make work compatible with motherhood. The ideas presented by the writers discussed here include women as the subject of desire, femininity as a politically progressive model, remaking of the image of woman, and liberating women's speech. By studying these ideas through the lenses of cultural studies, feminist theory, and literary criticism, this book draws comparisons between the situation of women in the GDR and the United States, and between the GDR and Western feminism, and asks whether the GDR really was the "promised land" for women.
Publisher: State University of New York Press
ISBN: 0791491226
Category : Literary Criticism
Languages : en
Pages : 288
Book Description
From the 1960s on, women writers in the German Democratic Republic (GDR), including Christa Wolf, Irmtraud Morgner, Sarah Kirsch, Brigitte Reimann, Charlotte Worgitzky, Lia Pirskawetz, and Maya Wiens, produced a large, interesting body of writing on women's issues. The Promised Land? is the first book to interrogate the work of these writers as a group for their feminist ideas, ideas that are original, often upbeat, and mostly different from those of the Western feminist movement. In the GDR, a state that existed from 1949 to 1990, women had not only equal rights and good jobs, but also lavish maternity leave and generous childcare benefits designed to make work compatible with motherhood. The ideas presented by the writers discussed here include women as the subject of desire, femininity as a politically progressive model, remaking of the image of woman, and liberating women's speech. By studying these ideas through the lenses of cultural studies, feminist theory, and literary criticism, this book draws comparisons between the situation of women in the GDR and the United States, and between the GDR and Western feminism, and asks whether the GDR really was the "promised land" for women.