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Author: Harry Underwood
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773599835
Category : Philosophy
Languages : en
Pages : 183
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Book Description
The notion of beauty as a point of transit between the sensuous and the ideal is well-established in the history of Western philosophy. Describing this transition and seeking to rethink the ways in which humans understand the things they find beautiful in life, Harry Underwood’s The Experience of Beauty approaches the notion of beauty through the insights of major but distinctively individual philosophers and artists. In seven essays and a dialogue, Underwood considers the principal instances of beauty as it reveals itself in everyday experience, as a concept in the mind of the philosopher, as the artist’s vision, and as the shining image of the ideal. Considering the perspectives of many notable figures in the Western canon of philosophy and literature for whom beauty and the imagination have mattered, including Plato, Nietzsche, Auden, Coleridge, Proust, and Iris Murdoch, Underwood draws out a rounded sense of beauty. It is shown, on one view, to be inherent in a perceptible order and, on another, to be an expression of the will to confer meaning on a meaningless world. In art, beauty reveals itself to be both perceived and created, and a world-disclosing, truth-relaying force. As a final matter, Underwood asks what it means to embrace your own vision of beauty and apply it to your life’s work. A quietly provocative meditation on the mystery of beauty, this collection of essays contends that beauty serves life as an inspiration, not merely as an ornament.
Author: Harry Underwood
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773599835
Category : Philosophy
Languages : en
Pages : 183
Get Book Here
Book Description
The notion of beauty as a point of transit between the sensuous and the ideal is well-established in the history of Western philosophy. Describing this transition and seeking to rethink the ways in which humans understand the things they find beautiful in life, Harry Underwood’s The Experience of Beauty approaches the notion of beauty through the insights of major but distinctively individual philosophers and artists. In seven essays and a dialogue, Underwood considers the principal instances of beauty as it reveals itself in everyday experience, as a concept in the mind of the philosopher, as the artist’s vision, and as the shining image of the ideal. Considering the perspectives of many notable figures in the Western canon of philosophy and literature for whom beauty and the imagination have mattered, including Plato, Nietzsche, Auden, Coleridge, Proust, and Iris Murdoch, Underwood draws out a rounded sense of beauty. It is shown, on one view, to be inherent in a perceptible order and, on another, to be an expression of the will to confer meaning on a meaningless world. In art, beauty reveals itself to be both perceived and created, and a world-disclosing, truth-relaying force. As a final matter, Underwood asks what it means to embrace your own vision of beauty and apply it to your life’s work. A quietly provocative meditation on the mystery of beauty, this collection of essays contends that beauty serves life as an inspiration, not merely as an ornament.
Author: Mary Carruthers
Publisher: Oxford University Press
ISBN: 019959032X
Category : Art
Languages : en
Pages : 254
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Book Description
Uses lexical analyses of key terms employed by medieval people to valuate their own aesthetic feelings to show how flux and change, and the creative tension of antithetical physical qualities from which all things were thought to be made (cold, hot, dry, wet), govern the pleasures medieval artists sought to produce.
Author: G. Gabrielle Starr
Publisher: MIT Press
ISBN: 0262019310
Category : Art
Languages : en
Pages : 297
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Book Description
A theory of the neural bases of aesthetic experience across the arts, which draws on the tools of both cognitive neuroscience and traditional humanist inquiry. In Feeling Beauty, G. Gabrielle Starr argues that understanding the neural underpinnings of aesthetic experience can reshape our conceptions of aesthetics and the arts. Drawing on the tools of both cognitive neuroscience and traditional humanist inquiry, Starr shows that neuroaesthetics offers a new model for understanding the dynamic and changing features of aesthetic life, the relationships among the arts, and how individual differences in aesthetic judgment shape the varieties of aesthetic experience. Starr, a scholar of the humanities and a researcher in the neuroscience of aesthetics, proposes that aesthetic experience relies on a distributed neural architecture—a set of brain areas involved in emotion, perception, imagery, memory, and language. More important, it emerges from networked interactions, intricately connected and coordinated brain systems that together form a flexible architecture enabling us to develop new arts and to see the world around us differently. Focusing on the "sister arts" of poetry, painting, and music, Starr builds and tests a neural model of aesthetic experience valid across all the arts. Asking why works that address different senses using different means seem to produce the same set of feelings, she examines particular works of art in a range of media, including a poem by Keats, a painting by van Gogh, a sculpture by Bernini, and Beethoven's Diabelli Variations. Starr's innovative, interdisciplinary analysis is true to the complexities of both the physical instantiation of aesthetics and the realities of artistic representation.
Author: George Hagman
Publisher: Rodopi
ISBN: 9042033002
Category : Philosophy
Languages : en
Pages : 177
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Book Description
"George Hagman looks anew at psychoanalytic ideas about art and beauty through the lens of current developmental psychology that recognizes the importance of attachment and affiliative motivational systems. In dialogue with theorists such as Freud, Ehrenzweig, Kris, Rank, Winnicott, Kohut, and many others, Hagman brings the psychoanalytic understanding of aesthetic experience into the 21st century. He amends and extends old concepts and offers a wealth of stimulating new ideas regarding the creative process, the ideal, beauty, ugliness, and -perhaps his most original contribution-the sublime. Especially welcome is his grounding of aesthetic experience in intersubjectivity and health rather than individualism and pathology. His emphasis on form rather than the content of an individual's aesthetic experience is a stimulating new direction for psychoanalytic theory of art. With this work Hagman stands in the company of his predecessors with this deeply-learned, sensitively conceived, and provocative general theory of human aesthetic experience."Ellen Dissanayake, author of "Art and Intimacy: How the Arts Began" and "Homo Aestheticus: Where Art Comes From and Why."
Author: George Santayana
Publisher: Courier Corporation
ISBN: 9780486202389
Category : Philosophy
Languages : en
Pages : 200
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Book Description
The great philosopher, essayist, poet, and novelist masterfully offers his fascinating outline of Aesthetics Theory. Drawing on the art, literature, and social sciences involved, Santayana discusses the nature of beauty, form, and expression.
Author: Martino Rossi Monti
Publisher: Cambridge Scholars Publishing
ISBN: 9781527560130
Category :
Languages : en
Pages :
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Book Description
Does art need to be beautiful? Can humour be beautiful? What is the relationship between beauty and mimetic behaviour? What does literature have to do with beauty? What are the limitations of neuroscientific approaches to beauty? Are the experience of beauty and the production of â oeartâ confined to anatomically modern humans? Is the experience of beauty confined to humans at all? These are just some of the questions discussed in this volume. It gathers together authors from different areas of research, including philosophy, history of philosophy, history of ideas, cognitive biology, neuroscience, anthropology and paleoanthropology, in order to investigate some of the most debated aspects of the problem of beauty and aesthetic experience. The volume will appeal to both the general reader and the specialist in the humanities, social sciences and the natural sciences.
Author: Patrick Bringley
Publisher: Simon and Schuster
ISBN: 1982163321
Category : Biography & Autobiography
Languages : en
Pages : 240
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Book Description
A best book of the year from New York Public Library, NPR, the Financial Times, Book Riot, and the Sunday Times (London). A fascinating, revelatory portrait of the Metropolitan Museum of Art and its treasures by a former New Yorker staffer who spent a decade as a museum guard. Millions of people climb the grand marble staircase to visit the Metropolitan Museum of Art every year. But only a select few have unrestricted access to every nook and cranny. They’re the guards who roam unobtrusively in dark blue suits, keeping a watchful eye on the two million square foot treasure house. Caught up in his glamorous fledgling career at The New Yorker, Patrick Bringley never thought he’d be one of them. Then his older brother was diagnosed with fatal cancer and he found himself needing to escape the mundane clamor of daily life. So he quit The New Yorker and sought solace in the most beautiful place he knew. To his surprise and the reader’s delight, this temporary refuge becomes Bringley’s home away from home for a decade. We follow him as he guards delicate treasures from Egypt to Rome, strolls the labyrinths beneath the galleries, wears out nine pairs of company shoes, and marvels at the beautiful works in his care. Bringley enters the museum as a ghost, silent and almost invisible, but soon finds his voice and his tribe: the artworks and their creators and the lively subculture of museum guards—a gorgeous mosaic of artists, musicians, blue-collar stalwarts, immigrants, cutups, and dreamers. As his bonds with his colleagues and the art grow, he comes to understand how fortunate he is to be walled off in this little world, and how much it resembles the best aspects of the larger world to which he gradually, gratefully returns. In the tradition of classic workplace memoirs like Lab Girl and Working Stiff, All The Beauty in the World is a surprising, inspiring portrait of a great museum, its hidden treasures, and the people who make it tick, by one of its most intimate observers.
Author: Chloé Cooper Jones
Publisher: Simon and Schuster
ISBN: 1982152001
Category : Biography & Autobiography
Languages : en
Pages : 304
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Book Description
Finalist for the Pulitzer Prize in Memoir or Autobiography A New York Times Notable Book of 2022 * Vulture’s #1 Memoir of 2022 * A Washington Post, Los Angeles Times, USA TODAY, Time, BuzzFeed, Publishers Weekly, Booklist, and New York Public Library Best Book of the Year From Chloé Cooper Jones—Pulitzer Prize finalist, philosophy professor, Whiting Creative Nonfiction Grant recipient—an “exquisite” (Oprah Daily) and groundbreaking memoir about disability, motherhood, and the search for a new way of seeing and being seen. “I am in a bar in Brooklyn, listening to two men, my friends, discuss whether my life is worth living.” So begins Chloé Cooper Jones’s bold, revealing account of moving through the world in a body that looks different than most. Jones learned early on to factor “pain calculations” into every plan, every situation. Born with a rare congenital condition called sacral agenesis which affects both her stature and gait, her pain is physical. But there is also the pain of being judged and pitied for her appearance, of being dismissed as “less than.” The way she has been seen—or not seen—has informed her lens on the world her entire life. She resisted this reality by excelling academically and retreating to “the neutral room in her mind” until it passed. But after unexpectedly becoming a mother (in violation of unspoken social taboos about the disabled body), something in her shifts, and Jones sets off on a journey across the globe, reclaiming the spaces she’d been denied, and denied herself. From the bars and domestic spaces of her life in Brooklyn to sculpture gardens in Rome; from film festivals in Utah to a Beyoncé concert in Milan; from a tennis tournament in California to the Killing Fields of Phnom Penh, Jones weaves memory, observation, experience, and aesthetic philosophy to probe the myths underlying our standards of beauty and desirability and interrogates her own complicity in upholding those myths. “Bold, honest, and superbly well-written” (Andre Aciman, author of Call Me By Your Name) Easy Beauty is the rare memoir that has the power to make you see the world, and your place in it, with new eyes.
Author: Emmaly Wiederholt
Publisher:
ISBN: 9780998247809
Category :
Languages : en
Pages :
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Book Description
Beauty is Experience is a collaboration between dancer/writer Emmaly Wiederholt and photographer Gregory Bartning. For more than two years, they collected interviews and photographs of dancers over age 50 along the West Coast. Spanning from Los Angeles and the San Francisco Bay Area to Portland and Seattle, the culmination includes over 50 interviews with dancers ranging in age from 50 to 95, and ranging in practice from ballet and Argentine tango to African and contact improvisation.
Author: Elaine Scarry
Publisher: Princeton University Press
ISBN: 1400847354
Category : Philosophy
Languages : en
Pages : 144
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Book Description
Have we become beauty-blind? For two decades or more in the humanities, various political arguments have been put forward against beauty: that it distracts us from more important issues; that it is the handmaiden of privilege; and that it masks political interests. In On Beauty and Being Just Elaine Scarry not only defends beauty from the political arguments against it but also argues that beauty does indeed press us toward a greater concern for justice. Taking inspiration from writers and thinkers as diverse as Homer, Plato, Marcel Proust, Simone Weil, and Iris Murdoch as well as her own experiences, Scarry offers up an elegant, passionate manifesto for the revival of beauty in our intellectual work as well as our homes, museums, and classrooms. Scarry argues that our responses to beauty are perceptual events of profound significance for the individual and for society. Presenting us with a rare and exceptional opportunity to witness fairness, beauty assists us in our attention to justice. The beautiful object renders fairness, an abstract concept, concrete by making it directly available to our sensory perceptions. With its direct appeal to the senses, beauty stops us, transfixes us, fills us with a "surfeit of aliveness." In so doing, it takes the individual away from the center of his or her self-preoccupation and thus prompts a distribution of attention outward toward others and, ultimately, she contends, toward ethical fairness. Scarry, author of the landmark The Body in Pain and one of our bravest and most creative thinkers, offers us here philosophical critique written with clarity and conviction as well as a passionate plea that we change the way we think about beauty.
