Author:
Publisher:
ISBN:
Category : Art, English
Languages : en
Pages : 0
Book Description
The Exhibition of the Royal Academy, MDCCLXX
The Exhibition of the Royal Academy, MDCCLXX. The Second
Author: Royal Academy of Arts (Great Britain)
Publisher:
ISBN:
Category :
Languages : en
Pages : 22
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 22
Book Description
The Exhibition of the Royal Academy
Author: Royal Academy of Arts (Great Britain)
Publisher:
ISBN:
Category : Art, English
Languages : en
Pages :
Book Description
Publisher:
ISBN:
Category : Art, English
Languages : en
Pages :
Book Description
Exhibition of the Royal Academy
Author: Royal Academy of Arts (Great Britain)
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 748
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 748
Book Description
The Exhibition of the Royal Academy, M.DCC.LXXVI. The Eighth
Author: Royal Academy of Arts (Grande-Bretagne).
Publisher:
ISBN:
Category :
Languages : en
Pages : 30
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 30
Book Description
Eighteenth-Century Engravings and Visual History in Britain
Author: Isabelle Baudino
Publisher: Taylor & Francis
ISBN: 1000843386
Category : Art
Languages : en
Pages : 248
Book Description
Extending the scholarly discussion of visual history, this book examines eighteenth-century engraved book illustrations in order to outline the genealogy of the modern visualisation of the past in Britain. This study is based on a body of more than a hundred engraved historical plates designed in the second half of the eighteenth century in Britain and published in more than a dozen pictorial histories. Focusing on these previously unstudied engravings, this work contributes to the study of eighteenth-century visual culture and is informed by current interdisciplinary approaches at the intersection of visual and book studies. Eighteenth-Century Engravings and Visual History in Britain is about the urge to envision the past and about the establishment of the new relationship between visual media, visuality, and history in eighteenth-century Britain. The book will be of interest to scholars working in art history, British history, book studies, and visual culture.
Publisher: Taylor & Francis
ISBN: 1000843386
Category : Art
Languages : en
Pages : 248
Book Description
Extending the scholarly discussion of visual history, this book examines eighteenth-century engraved book illustrations in order to outline the genealogy of the modern visualisation of the past in Britain. This study is based on a body of more than a hundred engraved historical plates designed in the second half of the eighteenth century in Britain and published in more than a dozen pictorial histories. Focusing on these previously unstudied engravings, this work contributes to the study of eighteenth-century visual culture and is informed by current interdisciplinary approaches at the intersection of visual and book studies. Eighteenth-Century Engravings and Visual History in Britain is about the urge to envision the past and about the establishment of the new relationship between visual media, visuality, and history in eighteenth-century Britain. The book will be of interest to scholars working in art history, British history, book studies, and visual culture.
The Exhibition of the Royal Academy
Author: Royal Academy of Arts (Great Britain)
Publisher:
ISBN:
Category : Art, British
Languages : en
Pages : 760
Book Description
Publisher:
ISBN:
Category : Art, British
Languages : en
Pages : 760
Book Description
"Exhibiting Outside the Academy, Salon and Biennial, 1775-1999 "
Author: Andrew Graciano
Publisher: Routledge
ISBN: 1351567519
Category : Art
Languages : en
Pages : 366
Book Description
In recent years, there has been increasing scholarly interest in the history of museums, academies and major exhibitions. There has been, however, little to no sustained interest in the histories of alternative exhibitions (single artwork, solo artist, artist-mounted, entrepreneurial, privately funded, ephemeral, etc.) with the notable exception of those publications that deal with situations involving major artists or those who would become so - for example J.L. David?s exhibition of Intervention of the Sabine Women (1799) and The First Impressionist Exhibition of 1874 - despite the fact that these sorts of exhibitions and critical scholarship about them have become commonplace (and no less important) in the contemporary art world. The present volume uses and contextualizes eleven case studies to advance some overarching themes and commonalities among alternative exhibitions in the long modern period from the late-eighteenth to the late-twentieth centuries and beyond. These include the issue of control in the interrelation and elision of the roles of artist and curator, and the relationship of such alternative exhibitions to the dominant modes, structures of display and cultural ideology.
Publisher: Routledge
ISBN: 1351567519
Category : Art
Languages : en
Pages : 366
Book Description
In recent years, there has been increasing scholarly interest in the history of museums, academies and major exhibitions. There has been, however, little to no sustained interest in the histories of alternative exhibitions (single artwork, solo artist, artist-mounted, entrepreneurial, privately funded, ephemeral, etc.) with the notable exception of those publications that deal with situations involving major artists or those who would become so - for example J.L. David?s exhibition of Intervention of the Sabine Women (1799) and The First Impressionist Exhibition of 1874 - despite the fact that these sorts of exhibitions and critical scholarship about them have become commonplace (and no less important) in the contemporary art world. The present volume uses and contextualizes eleven case studies to advance some overarching themes and commonalities among alternative exhibitions in the long modern period from the late-eighteenth to the late-twentieth centuries and beyond. These include the issue of control in the interrelation and elision of the roles of artist and curator, and the relationship of such alternative exhibitions to the dominant modes, structures of display and cultural ideology.
The Exhibition of the Royal Academy, M, DCC, XCVIII. The Thirtieth
The Exhibition of the Royal Academy, M, DCC, XCVIII. The Thirtieth
Author: Royal Academy of Arts (Great Britain)
Publisher:
ISBN:
Category :
Languages : en
Pages : 35
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 35
Book Description