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Author: John Holloway
Publisher: Taylor & Francis
ISBN: 9780415372237
Category : Literary Criticism
Languages : en
Pages : 314
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Book Description
Lively, exciting, amusing - this collection of ballads reveal the bawdy, anarchic sub-culture of England before the Industrial Revolution. Drawn from the eighteenth and early nineteenth centuries, it demonstrates the great wealth and variety of the English broadside ballads during these periods. At this time political balladry was rife and Irish ballads began to be composed in English - their distinctive background giving them a unique range of poetry. Indeed, these ballads represent an extensive, varied and important area of English literature. Written, as the editors observe, 'to provide a moment in which listeners could enjoy verse, wit and song', they very much reflect the lively observation, love of detail and social awareness of the age of the novel. This volume includes 127 ballads, ranging from 'Admiral Benbow' and 'The Jolly Bacchanal' to 'The Bottle the Best Companion' and 'The Young Man's Fortune'. Reprinted from contemporary or near-contemporary broadsides in the Madden Collection at the University Library, Cambridge, the head and tail blocks, a distinguished feature of the original texts, are also reproduced for this edition. The introduction is designed to enable individuals to read the texts in perspective and with pleasure. The book further includes a select bibliography and an index of ballad titles. This book was first published in 1975.
Author: John Holloway
Publisher: Taylor & Francis
ISBN: 9780415372237
Category : Literary Criticism
Languages : en
Pages : 314
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Book Description
Lively, exciting, amusing - this collection of ballads reveal the bawdy, anarchic sub-culture of England before the Industrial Revolution. Drawn from the eighteenth and early nineteenth centuries, it demonstrates the great wealth and variety of the English broadside ballads during these periods. At this time political balladry was rife and Irish ballads began to be composed in English - their distinctive background giving them a unique range of poetry. Indeed, these ballads represent an extensive, varied and important area of English literature. Written, as the editors observe, 'to provide a moment in which listeners could enjoy verse, wit and song', they very much reflect the lively observation, love of detail and social awareness of the age of the novel. This volume includes 127 ballads, ranging from 'Admiral Benbow' and 'The Jolly Bacchanal' to 'The Bottle the Best Companion' and 'The Young Man's Fortune'. Reprinted from contemporary or near-contemporary broadsides in the Madden Collection at the University Library, Cambridge, the head and tail blocks, a distinguished feature of the original texts, are also reproduced for this edition. The introduction is designed to enable individuals to read the texts in perspective and with pleasure. The book further includes a select bibliography and an index of ballad titles. This book was first published in 1975.
Author: David Atkinson
Publisher: Routledge
ISBN: 1351544802
Category : Music
Languages : en
Pages : 374
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Book Description
Ballads are a fascinating subject of study not least because of their endless variety. It is quite remarkable that ballads taken down or recorded from singers separated by centuries in time and by hundreds of kilometres in distance, should be both different and yet recognizably the same. In The English Traditional Ballad, David Atkinson examines the ways in which the body of ballads known in England make reference both to ballads from elsewhere and to other English folk songs. The book outlines current theoretical directions in ballad scholarship: structuralism, traditional referentiality, genre and context, print and oral transmission, and the theory of tradition and revival. These are combined to offer readers a method of approaching the central issue in ballad studies - the creation of meaning(s) out of ballad texts. Atkinson focuses on some of the most interesting problems in ballad studies: the 'wit-combat' in versions of The Unquiet Grave; variable perspectives in comic ballads about marriage; incest as a ballad theme; problems of feminine motivation in ballads like The Outlandish Knight and The Broomfield Hill; murder ballads and murder in other instances of early popular literature. Through discussion of these issues and themes in ballad texts, the book outlines a way of tracing tradition(s) in English balladry, while recognizing that ballad tradition is far from being simply chronological and linear.
Author: University of Glasgow. Library
Publisher: University of Glasgow French and German Publications
ISBN:
Category : Music
Languages : en
Pages : 720
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Book Description
Author: Victor E. Neuburg
Publisher: Psychology Press
ISBN: 9780713001587
Category : English literature
Languages : en
Pages : 316
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Book Description
First Published in 1977. Routledge is an imprint of Taylor & Francis, an informa company.
Author: Patricia Fumerton
Publisher: University of Chicago Press
ISBN: 9780226269559
Category : History
Languages : en
Pages : 312
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Book Description
Migrants made up a growing class of workers in late sixteenth- and seventeenth- century England. In fact, by 1650, half of England’s rural population consisted of homeless and itinerant laborers. Unsettled is an ambitious attempt to reconstruct the everyday lives of these dispossessed people. Patricia Fumerton offers an expansive portrait of unsettledness in early modern England that includes the homeless and housed alike. Fumerton begins by building on recent studies of vagrancy, poverty, and servants, placing all in the light of a new domestic economy of mobility. She then looks at representations of the vagrant in a variety of pamphlets and literature of the period. Since seamen were a particularly large and prominent class of mobile wage-laborers in the seventeenth century, Fumerton turns to seamen generally and to an individual poor seaman as a case study of the unsettled subject: Edward Barlow (b. 1642) provides a rare opportunity to see how the laboring poor fashioned themselves, for he authored a journal of over 225,000 words and 147 pages of drawings. Barlow’s journal, studied extensively here for the first time, vividly charts what he himself termed his “unsettled mind” and the perpetual anxieties of England’s working and wayfaring poor. Ultimately, Fumerton explores representations of seamen as unsettled in the broadside ballads of Barlow’s time.
Author: Victor E. Neuburg
Publisher: Routledge
ISBN: 1136894411
Category : History
Languages : en
Pages : 316
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Book Description
First Published in 1977. This book defines popular literature, and traces its development in England from the beginnings of printing to the year 1897, and provides a critical survey of sources available for its study.
Author: Michael McKeon
Publisher: JHU Press
ISBN: 9780801869594
Category : Literary Criticism
Languages : en
Pages : 564
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Book Description
The novel emerged, McKeon contends, as a cultural instrument designed to engage the epistemological and social crises of the age.
Author: E. David Gregory
Publisher: Scarecrow Press
ISBN: 1461674174
Category : Music
Languages : en
Pages : 458
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Book Description
Victorian Songhunters is a pioneering history of the rediscovery of vernacular song—street songs that have entered oral tradition and have been passed from generation to generation—in England during the late Georgian and Victorian eras. In the nineteenth century there were four main types of vernacular song: ballads, folk lyrics, occupational songs, and national songs. The discovery, collecting, editing, and publishing of all four varieties are examined in the book, and over seventy-five selected examples are given for illustrative purposes. Key concepts, such as traditional balladry, broadside balladry, folksong, and national song, are analyzed, as well as the complicated relationship between print and oral tradition and the different methodological approaches to ballad and song editing. Organized chronologically, Victorian Songhunters sketches the history of English song collecting from its beginnings in the mid-seventeenth century; focuses on the work of important individual collectors and editors, such as William Chappell, Francis J. Child, and John Broadwood; examines the growth of regional collecting in various counties throughout England; and demonstrates the considerable efforts of two important Victorian institutions, the Percy Society and its successor, the Ballad Society. The appendixes contain discussions on interpreting songs, an assessment of relevant secondary sources, and a bibliography and alphabetical song list. Author E. David Gregory provides a solid foundation for the scholarly study of balladry and folksong, and makes a significant contribution to our understanding of Victorian intellectual and cultural life.
Author: Murray Pittock
Publisher: OUP Oxford
ISBN: 0191617008
Category : Literary Criticism
Languages : en
Pages : 304
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Book Description
Scottish and Irish Romanticism is the first single-author book to address the main non-English Romanticisms of the British Isles. Murray Pittock begins by questioning the terms of his chosen title as he searches for a definition of Romanticism and for the meaning of 'national literature'. He proposes certain determining 'triggers' for the recognition of the presence of a national literature, and also deals with two major problems which are holding back the development of a new and broader understanding of British Isles Romanticisms: the survival of outdated assumptions in ostensibly more modern paradigms, and a lack of understanding of the full range of dialogues and relationships across the literatures of these islands. The theorists whose works chiefly inform the book are Bakhtin, Fanon and Habermas, although they do not define its arguments, and an alertness to the ways in which other literary theories inform each other is present throughout the book. Pittock examines in turn the historiography, prejudices, and assumptions of Romantic criticism to date, and how our unexamined prejudices still stand in the way of our understanding of individual traditions and the dialogues between them. He then considers Allan Ramsay's role in song-collecting, hybridizing high cultural genres with broadside forms, creating in synthetic Scots a 'language really used by men', and promoting a domestic public sphere. Chapters 3 and 4 discuss the Scottish and Irish public spheres in the later eighteenth century, together with the struggle for control over national pasts, and the development of the cults of Romance, the Picturesque and Sentiment: Macpherson, Thomson, Owenson and Moore are among the writers discussed. Chapter 5 explores the work of Robert Fergusson and his contemporaries in both Scotland and Ireland, examining questions of literary hybridity across not only national but also linguistic borders, while Chapter 6 provides a brief literary history of Burns' descent into critical neglect combined with a revaluation of his poetry in the light of the general argument of the book. Chapter 7 analyzes the complexities of the linguistic and cultural politics of the national tale in Ireland through the work of Maria Edgeworth, while the following chapter considers of Scott in relation to the national tale, Enlightenment historiography, and the European nationalities question. Chapter 9 looks at the importance of the Gothic in Scottish and Irish Romanticism, particularly in the work of James Hogg and Charles Maturin, while Chapter 10, 'Fratriotism', explores a new concept in the manner in which Scottish and Irish literary, political and military figures of the period related to Empire.
Author: David Atkinson
Publisher:
ISBN:
Category : Folk songs, English
Languages : en
Pages : 56
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Book Description
