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Author: Tony Hilfer
Publisher: University of Texas Press
ISBN: 1477300082
Category : Literary Criticism
Languages : en
Pages : 225
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Book Description
Drawing upon the philosophical theories of William James, Dewey, and Mead and focusing upon major works by Whitman, Stein, Howells, Dreiser, and Henry James, Anthony Hilfer explores how these authors have structured their characters' consciousness, their purpose in doing so, and how this presentation controls the reader's moral response. Hilfer contends that there was a significant change in the mode of character presentation in American literature of the late nineteenth and early twentieth centuries. The self defined in terms of a Victorian ethic and judged adversely for its departures from that code shifted to the self defined in terms of emotional intensity and judged adversely for its failures of nerve. In the first mode, characters are almost always wrong to yield to desire; in the second, characters are frequently wrong not to and, in fact, are seen less as the sum of their ethical choices than as the process of their longings. His conclusion: modern fiction is as overbalanced toward pathos as Victorian fiction was toward ethos. but the continued dialectic between the two is a tension that ought not be resolved.
Author: Tony Hilfer
Publisher: University of Texas Press
ISBN: 1477300082
Category : Literary Criticism
Languages : en
Pages : 225
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Book Description
Drawing upon the philosophical theories of William James, Dewey, and Mead and focusing upon major works by Whitman, Stein, Howells, Dreiser, and Henry James, Anthony Hilfer explores how these authors have structured their characters' consciousness, their purpose in doing so, and how this presentation controls the reader's moral response. Hilfer contends that there was a significant change in the mode of character presentation in American literature of the late nineteenth and early twentieth centuries. The self defined in terms of a Victorian ethic and judged adversely for its departures from that code shifted to the self defined in terms of emotional intensity and judged adversely for its failures of nerve. In the first mode, characters are almost always wrong to yield to desire; in the second, characters are frequently wrong not to and, in fact, are seen less as the sum of their ethical choices than as the process of their longings. His conclusion: modern fiction is as overbalanced toward pathos as Victorian fiction was toward ethos. but the continued dialectic between the two is a tension that ought not be resolved.
Author: Anthony Channell Hilfer
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 232
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Book Description
Author: Jack Salzman
Publisher: Cambridge University Press
ISBN: 9780521266888
Category : Art
Languages : en
Pages : 224
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Book Description
This is an annotated bibliography of 20th century books through 1983, and is a reworking of American Studies: An Annotated Bibliography of Works on the Civilization of the United States, published in 1982. Seeking to provide foreign nationals with a comprehensive and authoritative list of sources of information concerning America, it focuses on books that have an important cultural framework, and does not include those which are primarily theoretical or methodological. It is organized in 11 sections: anthropology and folklore; art and architecture; history; literature; music; political science; popular culture; psychology; religion; science/technology/medicine; and sociology. Each section contains a preface introducing the reader to basic bibliographic resources in that discipline and paragraph-length, non-evaluative annotations. Includes author, title, and subject indexes. ISBN 0-521-32555-2 (set) : $150.00.
Author: David Halliburton
Publisher: Cambridge University Press
ISBN: 9780521362740
Category : Literary Criticism
Languages : en
Pages : 364
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Book Description
David Halliburton's book is a richly textured study of the complete writings of Stephen Crane. Offering close readings of the works within a broad framework, Halliburton sets out to explore the imaginative world Crane created in his total œuvre of fiction, poetry and reportage.
Author: Susan Clair Imbarrato
Publisher: Univ. of Tennessee Press
ISBN: 9781572330122
Category : Biography & Autobiography
Languages : en
Pages : 200
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Book Description
In this ambitious work, Susan Clair Imbarrato examines the changes in the American autobiographical voice as it speaks through the transition from a colonial society to an independent republic.Imbarrato charts the development of early American autobiography from the self-examination mode of the Puritan journal and diary to the self-inventive modes of eighteenth-century writings, which in turn anticipate the more romantic voices of nineteenth-century American literature. She focuses especially on the ways in which first-person narrative displayed an ever-stronger awareness of its own subjectivity. The eighteenth century, she notes, remained closer in temper to its Puritan communal foundations than to its Romantic progeny, but there emerged, nevertheless, a sense of the individual voice that anticipated the democratic celebration of the self. Through acts of self-examination, this study shows, self-construction became possible.In tracing this development, the author focuses on six writers in three literary genres. She begins with the spiritual autobiographies of Jonathan Edwards and Elizabeth Ashbridge and then considers the travel narratives of Dr. Alexander Hamilton and Elizabeth House Trist. She concludes with an examination of political autobiography as exemplified in the writings of John Adams and Thomas Jefferson. These authors, Imbarrato finds, were invigorated by their choices in a social-political climate that revered the individual in proper relationship to the republic. Their writings expressed a revolutionary spirit that was neither cynical nor despairing but one that evinced a shared conviction about the bond between self and community.
Author: Carol E. Henderson
Publisher: Fairleigh Dickinson Univ Press
ISBN: 0838641326
Category : Art
Languages : en
Pages : 295
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Book Description
"America and the Black Body is a timely exploration into the creative, literary, and visual uses of the black body in American print and visual culture. More specifically, this volume contemplates the social development of American identity and the multifarious ways this identity coalesces in the small gestures of preclusion that establish discemable markers of national belonging. Such investigations underscore issues of power and disenfranchisement, of race, class, and gender that mediate the representations of the black male and the black female body in real and imagined ways, as it also reveals the invisible social and political ties that connect white men and women's identities to these racial imaginings." --Book Jacket.
Author: Helga Schier
Publisher: Walter de Gruyter
ISBN: 3110910772
Category : Literary Criticism
Languages : en
Pages : 229
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Book Description
Author: Nancy Glazener
Publisher: Duke University Press
ISBN: 9780822318705
Category : Language Arts & Disciplines
Languages : en
Pages : 398
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Book Description
Reading for Realism presents a new approach to U.S. literary history that is based on the analysis of dominant reading practices rather than on the production of texts. Nancy Glazener's focus is the realist novel, the most influential literary form of the nineteenth and twentieth centuries--a form she contends was only made possible by changes in the expectations of readers about pleasure and literary value. By tracing readers' collaboration in the production of literary forms, Reading for Realism turns nineteenth-century controversies about the realist, romance, and sentimental novels into episodes in the history of readership. It also shows how works of fiction by Rebecca Harding Davis, Henry James, Nathaniel Hawthorne, and others participated in the debates about literary classification and reading that, in turn, created and shaped their audiences. Combining reception theory with a materialist analysis of the social formations in which realist reading practices circulated, Glazener's study reveals the elitist underpinnings of literary realism. At the book's center is the Atlantic group of magazines, whose influence was part of the cultural machinery of the Northeastern urban bourgeoisie and crucial to the development of literary realism in America. Glazener shows how the promotion of realism by this group of publications also meant a consolidation of privilege--primarily in terms of class, gender, race, and region--for the audience it served. Thus American realism, so often portrayed as a quintessentially populist form, actually served to enforce existing structures of class and power.
Author: Robert D. Richardson Jr.
Publisher: Univ of California Press
ISBN: 0520908856
Category : Literary Criticism
Languages : en
Pages : 472
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Book Description
The two years Thoreau spent at Walden Pond and the night he spent in the Concord jail are among the most familiar features of the American intellectual landscape. In this new biography, based on a reexamination of Thoreau's manuscripts and on a retracing of his trips, Robert Richardson offers a view of Thoreau's life and achievement in their full nineteenth century context.
Author: Judith A. Jones
Publisher: Vanderbilt University Press
ISBN: 9780826513007
Category : Biography & Autobiography
Languages : en
Pages : 276
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Book Description
A challenging, iconoclastic study that makes clear the underlying unity of Whitehead's vision of the world. This important and provocative book on the work of Alfred North Whitehead (1861-1947) explores how his avowed atomism is consistent with his equally essential commitment to a view of reality as a thoroughly interconnected sphere of relations. Judith Jones challenges Whitehead's readers to reconsider certain prevailing interpretations of his organic philosophy. To Jones, a rereading of Whitehead's overall philosophic project is essential to evaluating his contributions to metaphysics and ontology. SinceWhitehead's basic worldview is holistic, a return to viewing Whitehead's work as a whole helps clarify his ontological intentions and contributions to metaphysics. For this purpose, the concept of "intensity," which Jones defines as the quality and form of feeling involved in subjective experience, is basic to Whitehead's thinking about process at all naturalistic levels and is therefore particularly useful as a lens through which to view his entire system. "Intensity" is at once Whitehead's most basic metaphysical idea and a notion useful in deciphering the overall unity of purpose in his writings. A central aim of this book is to develop an aesthetically sensitive sense of being that demonstrates the profound and original contributions of process philosophy to realism. Jones shows that a thorough understanding of the concept of intensity yields modes of thought that help overcome knotty problems in conceiving Whitehead's distinction between the private experience of individuals and the public relations those individuals experience in relationship to other entities. Drawing frequently on poetic allusions to aid her interpretations, she focuses specifically on the status of intensity in intellectual and moral experience and develops an ethics of "attention" as an elaboration of Whitehead's aesthetic metaphysics. The result is a book that should be enthusiastically greeted and debated by scholars of Whitehead and by all who are interested in the field of process thought, including students of theology, literature, and feminist studies. Jones's unorthodox conclusions, backed up with scrupulous attention to both the Whitehead canon and related secondary literature, present challenges to accepted interpretations that cannot be ignored.
