Author: Allan M. Wilson
Publisher: BRILL
ISBN: 9004615245
Category : History
Languages : en
Pages : 465
Book Description
When the volume Poetae Tres Elegantissimi was produced at Paris in 1582, the poets included were Joannes Secundus, Michelle Marullo and Girolamo Angeriano, represented by his best-known work, the Eropaegnion, orginally published in Florence in 1512, which had come to enjoy particular popularity in France and had exercised a considerable influence on vernacular literature there. All 199 poems (with the few alternative versions) are assembled from the various sixteenth century editions in a newly edited Latin text. Each poem translated into English prose; substantial commentary.
The Erotopaegnion: A Trifling Book of Love of Girolamo Angeriano
Author: Allan M. Wilson
Publisher: BRILL
ISBN: 9004615245
Category : History
Languages : en
Pages : 465
Book Description
When the volume Poetae Tres Elegantissimi was produced at Paris in 1582, the poets included were Joannes Secundus, Michelle Marullo and Girolamo Angeriano, represented by his best-known work, the Eropaegnion, orginally published in Florence in 1512, which had come to enjoy particular popularity in France and had exercised a considerable influence on vernacular literature there. All 199 poems (with the few alternative versions) are assembled from the various sixteenth century editions in a newly edited Latin text. Each poem translated into English prose; substantial commentary.
Publisher: BRILL
ISBN: 9004615245
Category : History
Languages : en
Pages : 465
Book Description
When the volume Poetae Tres Elegantissimi was produced at Paris in 1582, the poets included were Joannes Secundus, Michelle Marullo and Girolamo Angeriano, represented by his best-known work, the Eropaegnion, orginally published in Florence in 1512, which had come to enjoy particular popularity in France and had exercised a considerable influence on vernacular literature there. All 199 poems (with the few alternative versions) are assembled from the various sixteenth century editions in a newly edited Latin text. Each poem translated into English prose; substantial commentary.
Italian Literature Before 1900 in English Translation
Author: Robin Healey
Publisher: University of Toronto Press
ISBN: 1442642696
Category : Literary Criticism
Languages : en
Pages : 1185
Book Description
"Italian Literature before 1900 in English Translation provides the most complete record possible of texts from the early periods that have been translated into English, and published between 1929 and 2008. It lists works from all genres and subjects, and includes translations wherever they have appeared across the globe. In this annotated bibliography, Robin Healey covers over 5,200 distinct editions of pre-1900 Italian writings. Most entries are accompanied by useful notes providing information on authors, works, translators, and how the translations were received. Among the works by over 1,500 authors represented in this volume are hundreds of editions by Italy's most translated authors - Dante Alighieri, [Niccoláo] Machiavelli, and [Giovanni] Boccaccio - and other hundreds which represent the author's only English translation. A significant number of entries describe works originally published in Latin. Together with Healey's Twentieth-Century Italian Literature in English Translation, this volume makes comprehensive information on translations accessible for schools, libraries, and those interested in comparative literature."--Pub. desc.
Publisher: University of Toronto Press
ISBN: 1442642696
Category : Literary Criticism
Languages : en
Pages : 1185
Book Description
"Italian Literature before 1900 in English Translation provides the most complete record possible of texts from the early periods that have been translated into English, and published between 1929 and 2008. It lists works from all genres and subjects, and includes translations wherever they have appeared across the globe. In this annotated bibliography, Robin Healey covers over 5,200 distinct editions of pre-1900 Italian writings. Most entries are accompanied by useful notes providing information on authors, works, translators, and how the translations were received. Among the works by over 1,500 authors represented in this volume are hundreds of editions by Italy's most translated authors - Dante Alighieri, [Niccoláo] Machiavelli, and [Giovanni] Boccaccio - and other hundreds which represent the author's only English translation. A significant number of entries describe works originally published in Latin. Together with Healey's Twentieth-Century Italian Literature in English Translation, this volume makes comprehensive information on translations accessible for schools, libraries, and those interested in comparative literature."--Pub. desc.
A Guide to Neo-Latin Literature
Author: Victoria Moul
Publisher: Cambridge University Press
ISBN: 131684904X
Category : History
Languages : en
Pages : 877
Book Description
Latin was for many centuries the common literary language of Europe, and Latin literature of immense range, stylistic power and social and political significance was produced throughout Europe and beyond from the time of Petrarch (c.1400) well into the eighteenth century. This is the first available work devoted specifically to the enormous wealth and variety of neo-Latin literature, and offers both essential background to the understanding of this material and sixteen chapters by leading scholars which are devoted to individual forms. Each contributor relates a wide range of fascinating but now little-known texts to the handful of more familiar Latin works of the period, such as Thomas More's Utopia, Milton's Latin poetry and the works of Petrarch and Erasmus. All Latin is translated throughout the volume.
Publisher: Cambridge University Press
ISBN: 131684904X
Category : History
Languages : en
Pages : 877
Book Description
Latin was for many centuries the common literary language of Europe, and Latin literature of immense range, stylistic power and social and political significance was produced throughout Europe and beyond from the time of Petrarch (c.1400) well into the eighteenth century. This is the first available work devoted specifically to the enormous wealth and variety of neo-Latin literature, and offers both essential background to the understanding of this material and sixteen chapters by leading scholars which are devoted to individual forms. Each contributor relates a wide range of fascinating but now little-known texts to the handful of more familiar Latin works of the period, such as Thomas More's Utopia, Milton's Latin poetry and the works of Petrarch and Erasmus. All Latin is translated throughout the volume.
The Hermaphrodite
Author: Antonio Beccadelli
Publisher: Harvard University Press
ISBN: 9780674047570
Category : History
Languages : en
Pages : 356
Book Description
The Hermaphrodite's open celebration of vice, particularly sodomy, earned it public burnings, threats of excommunication, banishment to the closed sections of libraries, and a devoted following. Beccadelli combined the comic realism of Italian popular verse with the language of Martial to explore the underside of the early Renaissance.
Publisher: Harvard University Press
ISBN: 9780674047570
Category : History
Languages : en
Pages : 356
Book Description
The Hermaphrodite's open celebration of vice, particularly sodomy, earned it public burnings, threats of excommunication, banishment to the closed sections of libraries, and a devoted following. Beccadelli combined the comic realism of Italian popular verse with the language of Martial to explore the underside of the early Renaissance.
Printing the Classical Text
Author: Howard Jones
Publisher: BRILL
ISBN: 900447529X
Category : History
Languages : en
Pages : 238
Book Description
The first Classical text was printed at Mainz in 1465. By the end of 1500 more than 350 printers in over 70 locations had contributed to the printing of more than 1500 separate editions. Almost every Classical Latin author had been printed, many in multiple editions, and the printing of Greek authors was well under way. Printing the Classical Text presents a comprehensive survey of this momentous period in the evolution of the Classical text. Since the course of Classical printing cannot be viewed separately from the course of printing generally, the opening chapter of the book locates Classical printing within the wider context by reviewing some of the cultural, intellectual, and commercial factors which affected the printing industry as a whole during the first fifty years of its development. The two central chapters are devoted respectively to the Latin and Greek editions themselves. With respect to Latin editions, which represent more than ninety percent of the whole, comprehensive chronological listings provide details of the printing history of each of the more than seventy authors represented. These are supplemented by a synoptic chart and by a running commentary in which the author identifies observable patterns and highlights the most distinctive features. The relatively small number of editions of Greek authors allows the author to accord them individual treatment in which each is examined in the context of its printer's instinctive publishing programme. This analysis is preceded by an account of the introduction of Greek studies into Italy, where all fifteenth-century editions of Greek authors were printed, and by a review of the typographical challenges which faced the earliest printers of Greek texts.The concluding chapter of the book takes up the controversial question of editorial quality. The author examines what the process of editing involved and attempts to assign to the earliest printed Classical editions their appropriate place in the evolution of the authoritative text in light of both the claims which the earliest editors themselves made and the less enthusiastic judgement rendered by modern critics.
Publisher: BRILL
ISBN: 900447529X
Category : History
Languages : en
Pages : 238
Book Description
The first Classical text was printed at Mainz in 1465. By the end of 1500 more than 350 printers in over 70 locations had contributed to the printing of more than 1500 separate editions. Almost every Classical Latin author had been printed, many in multiple editions, and the printing of Greek authors was well under way. Printing the Classical Text presents a comprehensive survey of this momentous period in the evolution of the Classical text. Since the course of Classical printing cannot be viewed separately from the course of printing generally, the opening chapter of the book locates Classical printing within the wider context by reviewing some of the cultural, intellectual, and commercial factors which affected the printing industry as a whole during the first fifty years of its development. The two central chapters are devoted respectively to the Latin and Greek editions themselves. With respect to Latin editions, which represent more than ninety percent of the whole, comprehensive chronological listings provide details of the printing history of each of the more than seventy authors represented. These are supplemented by a synoptic chart and by a running commentary in which the author identifies observable patterns and highlights the most distinctive features. The relatively small number of editions of Greek authors allows the author to accord them individual treatment in which each is examined in the context of its printer's instinctive publishing programme. This analysis is preceded by an account of the introduction of Greek studies into Italy, where all fifteenth-century editions of Greek authors were printed, and by a review of the typographical challenges which faced the earliest printers of Greek texts.The concluding chapter of the book takes up the controversial question of editorial quality. The author examines what the process of editing involved and attempts to assign to the earliest printed Classical editions their appropriate place in the evolution of the authoritative text in light of both the claims which the earliest editors themselves made and the less enthusiastic judgement rendered by modern critics.
The Erotopaegnion
Author: Girolamo Angeriano
Publisher: Hes & De Graff Pub B V
ISBN: 9789060044247
Category : History
Languages : en
Pages : 465
Book Description
When the volume Poetae Tres Elegantissimi was produced at Paris in 1582, the poets included were Joannes Secundus, Michelle Marullo and Girolamo Angeriano, represented by his best-known work, the Eropaegnion, originally published in Florence in 1512, which had come to enjoy particular popularity in France and had exercised a considerable influence on vernacular literature there. All 199 poems (with the few alternative versions) are assembled from the various sixteenth century editions in a newly edited Latin text. Each poem translated into English prose; substantial commentary. (Bibliotheca Humanistica & Reformatorica, Vol. LIII).
Publisher: Hes & De Graff Pub B V
ISBN: 9789060044247
Category : History
Languages : en
Pages : 465
Book Description
When the volume Poetae Tres Elegantissimi was produced at Paris in 1582, the poets included were Joannes Secundus, Michelle Marullo and Girolamo Angeriano, represented by his best-known work, the Eropaegnion, originally published in Florence in 1512, which had come to enjoy particular popularity in France and had exercised a considerable influence on vernacular literature there. All 199 poems (with the few alternative versions) are assembled from the various sixteenth century editions in a newly edited Latin text. Each poem translated into English prose; substantial commentary. (Bibliotheca Humanistica & Reformatorica, Vol. LIII).
The Renaissance Nude
Author: Thomas Kren
Publisher: Getty Publications
ISBN: 160606584X
Category : Art
Languages : en
Pages : 436
Book Description
A gloriously illustrated examination of the origins and development of the nude as an artistic subject in Renaissance Europe Reflecting an era when Europe looked to both the classical past and a global future, this volume explores the emergence and acceptance of the nude as an artistic subject. It engages with the numerous and complex connotations of the human body in more than 250 artworks by the greatest masters of the Renaissance. Paintings, sculptures, prints, drawings, illuminated manuscripts, and book illustrations reveal private, sometimes shocking, preoccupations as well as surprising public beliefs—the Age of Humanism from an entirely new perspective. This book presents works by Albrecht Dürer, Lucas Cranach, and Martin Schongauer in the north and Donatello, Raphael, and Giorgione in the south; it also introduces names that deserve to be known better. A publication this rich in scholarship could only be produced by a variety of expert scholars; the sixteen contributors are preeminent in their fields and wide-ranging in their knowledge and curiosity. The structure of the volume—essays alternating with shorter texts on individual artworks—permits studies both broad and granular. From the religious to the magical and the poetic to the erotic, encompassing male and female, infancy, youth, and old age, The Renaissance Nude examines in a profound way what it is to be human.
Publisher: Getty Publications
ISBN: 160606584X
Category : Art
Languages : en
Pages : 436
Book Description
A gloriously illustrated examination of the origins and development of the nude as an artistic subject in Renaissance Europe Reflecting an era when Europe looked to both the classical past and a global future, this volume explores the emergence and acceptance of the nude as an artistic subject. It engages with the numerous and complex connotations of the human body in more than 250 artworks by the greatest masters of the Renaissance. Paintings, sculptures, prints, drawings, illuminated manuscripts, and book illustrations reveal private, sometimes shocking, preoccupations as well as surprising public beliefs—the Age of Humanism from an entirely new perspective. This book presents works by Albrecht Dürer, Lucas Cranach, and Martin Schongauer in the north and Donatello, Raphael, and Giorgione in the south; it also introduces names that deserve to be known better. A publication this rich in scholarship could only be produced by a variety of expert scholars; the sixteen contributors are preeminent in their fields and wide-ranging in their knowledge and curiosity. The structure of the volume—essays alternating with shorter texts on individual artworks—permits studies both broad and granular. From the religious to the magical and the poetic to the erotic, encompassing male and female, infancy, youth, and old age, The Renaissance Nude examines in a profound way what it is to be human.
International Bibliography of Book Reviews of Scholarly Literature Chiefly in the Fields of Arts and Humanities and the Social Sciences
Author:
Publisher:
ISBN:
Category : Books
Languages : en
Pages : 1034
Book Description
Publisher:
ISBN:
Category : Books
Languages : en
Pages : 1034
Book Description
Sex
Author: Daniel Orrells
Publisher: Bloomsbury Publishing
ISBN: 0857739506
Category : Social Science
Languages : en
Pages : 294
Book Description
Sex is fundamental to society. We cannot think about politics, power, identity or culture without also thinking about sexuality. Despite this, the scientific study of sexual behaviour is a relatively recent phenomenon. Doctors, legal experts and other intellectuals have all pondered challenging questions in an attempt to stay abreast of the latest sexual research. How might we separate talking about sex scientifically from discussing and consuming pornography? How do we speak objectively about desire and pleasure? And how do the words that we use to talk about sex affect what we are able to say about it? Such questions increasingly inform public discourse across a variety of media. Showing how ancient words and ideas have left a significant imprint on present-day ideas about sex, Daniel Orrells offers a bold new narrative of how the scientific study of sexuality came into being. Uncovering the intriguing story of how the obscene and erotic verse of Roman epigram and love poetry became the sanitised language of nineteenth-century sexual science, this divertingly readable book demonstrates how the reception of both Latin and Greek texts was central to the development of modernmsexology and psychoanalysis. Ranging from Sappho, Catullus and Martial to Michel Foucault, Richard von Krafft-Ebing and Sigmund Freud, the author reveals just how profoundly classics has shaped the landscape of sexual identity that we inhabit today.
Publisher: Bloomsbury Publishing
ISBN: 0857739506
Category : Social Science
Languages : en
Pages : 294
Book Description
Sex is fundamental to society. We cannot think about politics, power, identity or culture without also thinking about sexuality. Despite this, the scientific study of sexual behaviour is a relatively recent phenomenon. Doctors, legal experts and other intellectuals have all pondered challenging questions in an attempt to stay abreast of the latest sexual research. How might we separate talking about sex scientifically from discussing and consuming pornography? How do we speak objectively about desire and pleasure? And how do the words that we use to talk about sex affect what we are able to say about it? Such questions increasingly inform public discourse across a variety of media. Showing how ancient words and ideas have left a significant imprint on present-day ideas about sex, Daniel Orrells offers a bold new narrative of how the scientific study of sexuality came into being. Uncovering the intriguing story of how the obscene and erotic verse of Roman epigram and love poetry became the sanitised language of nineteenth-century sexual science, this divertingly readable book demonstrates how the reception of both Latin and Greek texts was central to the development of modernmsexology and psychoanalysis. Ranging from Sappho, Catullus and Martial to Michel Foucault, Richard von Krafft-Ebing and Sigmund Freud, the author reveals just how profoundly classics has shaped the landscape of sexual identity that we inhabit today.
CURRENT CONTENTS Arts & Humanities October 19,1997 Volume 19 Number 21
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 260
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 260
Book Description