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Author: Amelia Faye Rauser
Publisher: Associated University Presse
ISBN: 9780874139860
Category : Art
Languages : en
Pages : 168
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Book Description
"This book is the first to examine the meaning encoded in the very form of caricature, and to explain its rise as a consequence of the emergence of modernity, especially the modern self."--BOOK JACKET.
Author: Amelia Faye Rauser
Publisher: Associated University Presse
ISBN: 9780874139860
Category : Art
Languages : en
Pages : 168
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Book Description
"This book is the first to examine the meaning encoded in the very form of caricature, and to explain its rise as a consequence of the emergence of modernity, especially the modern self."--BOOK JACKET.
Author: Jack P. Greene
Publisher: Cambridge University Press
ISBN: 1107030552
Category : History
Languages : en
Pages : 407
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Book Description
This book analyzes how Britons celebrated and critiqued their empire during the short eighteenth century, from about 1730 to 1790. It focuses on the emergence of an early awareness of the undesirable effects of British colonialism on both overseas Britons and subaltern people in the British Empire, whether in India, the Americas, Africa, or Ireland.
Author: William Makepeace Thackeray
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 108
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Book Description
Author: James Edward Tobin
Publisher: Biblo & Tannen Publishers
ISBN: 9780819601889
Category : Literary Criticism
Languages : en
Pages : 204
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Book Description
Author: Selwyn Brinton
Publisher:
ISBN:
Category : Caricatures and cartoons
Languages : en
Pages : 144
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Book Description
Author: George Henry Nettleton
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 396
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Book Description
Author: Alexandre Beljame
Publisher: Psychology Press
ISBN: 9780415176101
Category : Authors and readers
Languages : en
Pages : 528
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Book Description
First Published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.
Author: James Anthony Froude
Publisher:
ISBN:
Category : British
Languages : en
Pages : 632
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Book Description
Author: William Edward Hartpole Lecky
Publisher:
ISBN:
Category : Great Britain
Languages : en
Pages :
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Book Description
Author: Kenneth R. Richards
Publisher: Routledge
ISBN: 1000030865
Category : Literary Criticism
Languages : en
Pages : 254
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Book Description
The eighteenth century produced more inventive actors than fine dramatists, and it displayed its actors to increasing advantage as theatre management became more expert, and stage design more ambitious. First published in 1972, the eleven papers collected in The Eighteenth-Century English Stage, originally read at a Manchester University Symposium in July 1971, follow this historical emphasis. Two papers are centred on dramatists, four on actors, three on managers, and two on designers. Malcolm Kelsall analyses Steele’s debt to Terence, using his classical scholarship as illuminatingly as Edgar Roberts uses his musical scholarship in writing about the songs in Fielding’s plays. George Taylor compares and evaluates a number of theories of acting, and speculates on the likely relevance of the best-known books on rhetoric, whilst Kathleen Barker, Arnold Hare, and David Rostron consider the work of individual actors – Powell, Cooke, and John Kemble. Theatre managers are represented by John Rich in Paul Sawyer’s sympathetic account, Thomas Harris, who is given new life in the recent researches of Cecil Price, and Stephen Kemble, fixed by Kenneth Robinson in canny control of the Newcastle theatre circuit. Finally, Graham Barlow reaches some controversial conclusions about the dimensions of the Theatre Royal, Drury Lane, by subjecting Thornhill’s sketches to a practising designer’s statistical examination, and Sybil Rosenfeld carries a stage further her pioneering work on eighteenth-century scene-painting and design. The two last are attractively illustrated by 8 pages of plates. This book’s particular value lies in its bringing together several simply presented but deeply informed explorations of often neglected aspects of the eighteenth-century theatre. The papers, with their general sense of enthusiasm and concern for their subject, will interest all students of the eighteenth century, and theatre enthusiasts in particular.
