History of the American Stage PDF Download
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Author: Thomas Allston Brown
Publisher:
ISBN:
Category : Actors
Languages : en
Pages : 436
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Book Description
Author: Thomas Allston Brown
Publisher:
ISBN:
Category : Actors
Languages : en
Pages : 436
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Book Description
Author: Amanda Giguere
Publisher: McFarland
ISBN: 078646187X
Category : Performing Arts
Languages : en
Pages : 185
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Book Description
The seven plays to date of Yasmina Reza, one of France's most prominent female playwrights, are popular both in France and abroad. Despite her commercial success, her plays have often been ignored in academic circles, and few scholars have attempted to explore the mechanics of her playwriting. This text seeks to unpack the essentials of Reza's style and to explore each play as a component of Reza's theatrical oeuvre. The result is a fuller understanding of her theatrical poetics and her development as an artist.
Author:
Publisher:
ISBN:
Category : American drama
Languages : en
Pages :
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Author:
Publisher:
ISBN:
Category : English drama
Languages : en
Pages :
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Author:
Publisher:
ISBN:
Category : American drama
Languages : en
Pages : 302
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Book Description
Author: Roy Harris
Publisher: Heinemann Drama
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 168
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Book Description
A highly readable, informative book about the professional lives of some of the foremost actresses working in theatre and film today.
Author: Richard Eyre
Publisher: Bloomsbury Publishing
ISBN: 9780747552543
Category : Great Britain
Languages : en
Pages : 400
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Book Description
An authoritative, spirited account of the history of twentieth century theatre by two of its most distinguished practitioners.
Author: Walter Prichard Eaton
Publisher: Boston : Small, Maynard
ISBN:
Category : Theater
Languages : en
Pages : 360
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Book Description
Author: Susan Jonas
Publisher: Cengage Learning
ISBN:
Category : Literary Criticism
Languages : en
Pages : 622
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Book Description
This comprehensive work is truly the first textbook in the field of dramaturgy. Most of the material-much of it by leaders in all areas of the theater-was commissioned for this collection, rather than being reprinted. Its currency and importance cannot be overestimated. A review of the history of dramaturgy as a profession, together with its European antecedents, gives students a sense of historical context. Selections from respected and recognized names in theater provoke student interest and communicate the benefits of those experts' experiences.
Author: Emily Klein
Publisher: Routledge
ISBN: 1135087725
Category : Drama
Languages : en
Pages : 206
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Book Description
American adaptations of Aristophanes’ enduring comedy Lysistrata have used laughter to critique sex, war, and feminism for nearly a century. Unlike almost any other play circulating in contemporary theatres, Lysistrata has outlived its classical origins in 411 BCE and continues to shock and delight audiences to this day. The play’s "make love not war" message and bawdy humor render it endlessly appealing to college campuses, activist groups, and community theatres – so much so that none of Aristophanes’ plays are performed in the West as frequently as Lysistrata. Starting with the play’s first mainstream production in the U.S. in 1930, Emily B. Klein explores the varied iterations of Lysistrata that have graced the American stage, page, and screen since the Great Depression. These include the Federal Theatre’s 1936 Negro Repertory production, the 1955 movie musical The Second Greatest Sex and Spiderwoman Theater’s openly political Lysistrata Numbah!, as well as Douglas Carter Beane’s Broadway musical, Lysistrata Jones, and the international Lysistrata Project protests, which updated the classic in the contemporary context of the Iraq War. Although Aristophanes’ oeuvre has been the subject of much classical scholarship, Lysistrata has received little attention from feminist theatre scholars or performance theorists. In response, this book maps current debates over Lysistrata’s dubious feminist underpinnings and uses performance theory, cultural studies, and gender studies to investigate how new adaptations reveal the socio-political climates of their origins. Emily B. Klein is Assistant Professor of English and Drama at Saint Mary's College of California. Her work has appeared in Women and Performance and Frontiers as well as Political and Protest Theater After 9/11: Patriotic Dissent (Routledge, 2012).