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Author: David Schiff
Publisher: Univ of California Press
ISBN: 0520245873
Category : Music
Languages : en
Pages : 336
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Book Description
“The Ellington Century is a wonderful journey through the world of music and art. If you are already an aficionado of Ellington's music, you will enjoy the author's informative and detailed analysis of the composer's work and musical influences. If you are less familiar, this book puts Ellington's music in perspective with the great ‘classical’ composers of the twentieth century. David Schiff's remarkable insight into the historical and musical parallels between these composers is a delight to read and his references are vast, from Schoenberg’s Pierrot Lunaire and Stravinsky’s Agon to television’s Sesame Street. Schiff writes with a sense of humor and an enthusiasm for Ellington's music that comes out on every page.”—George Manahan, Music Director, American Composers Orchestra “David Schiff points us forward, observing that ‘Ellington’s music asks us to see with our ears and hear with our eyes.’ Writing as a composer and scholar, he has a gift for making complex ideas strikingly clear. His insights move across a huge terrain of twentieth-century culture, as he builds bridges in his musical and cultural analysis where many have not seen a connection. Yet each musical work, each artist, is given his or her equal due. In this sense, he has met the spiritual and cultural challenge of Ellington’s life work.”—Marty Ehrlich, Composer/Instrumentalist, Associate Professor of Improvisation and Contemporary Music, Hampshire College
Author: David Schiff
Publisher: Univ of California Press
ISBN: 0520245873
Category : Music
Languages : en
Pages : 336
Get Book Here
Book Description
“The Ellington Century is a wonderful journey through the world of music and art. If you are already an aficionado of Ellington's music, you will enjoy the author's informative and detailed analysis of the composer's work and musical influences. If you are less familiar, this book puts Ellington's music in perspective with the great ‘classical’ composers of the twentieth century. David Schiff's remarkable insight into the historical and musical parallels between these composers is a delight to read and his references are vast, from Schoenberg’s Pierrot Lunaire and Stravinsky’s Agon to television’s Sesame Street. Schiff writes with a sense of humor and an enthusiasm for Ellington's music that comes out on every page.”—George Manahan, Music Director, American Composers Orchestra “David Schiff points us forward, observing that ‘Ellington’s music asks us to see with our ears and hear with our eyes.’ Writing as a composer and scholar, he has a gift for making complex ideas strikingly clear. His insights move across a huge terrain of twentieth-century culture, as he builds bridges in his musical and cultural analysis where many have not seen a connection. Yet each musical work, each artist, is given his or her equal due. In this sense, he has met the spiritual and cultural challenge of Ellington’s life work.”—Marty Ehrlich, Composer/Instrumentalist, Associate Professor of Improvisation and Contemporary Music, Hampshire College
Author: Terry Teachout
Publisher: Penguin
ISBN: 0698138589
Category : Biography & Autobiography
Languages : en
Pages : 498
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Book Description
A major new biography of Duke Ellington from the acclaimed author of Pops: A Life of Louis Armstrong Edward Kennedy “Duke” Ellington was the greatest jazz composer of the twentieth century—and an impenetrably enigmatic personality whom no one, not even his closest friends, claimed to understand. The grandson of a slave, he dropped out of high school to become one of the world’s most famous musicians, a showman of incomparable suavity who was as comfortable in Carnegie Hall as in the nightclubs where he honed his style. He wrote some fifteen hundred compositions, many of which, like “Mood Indigo” and “Sophisticated Lady,” remain beloved standards, and he sought inspiration in an endless string of transient lovers, concealing his inner self behind a smiling mask of flowery language and ironic charm. As the biographer of Louis Armstrong, Terry Teachout is uniquely qualified to tell the story of the public and private lives of Duke Ellington. A semi-finalist for the National Book Award, Duke peels away countless layers of Ellington’s evasion and public deception to tell the unvarnished truth about the creative genius who inspired Miles Davis to say, “All the musicians should get together one certain day and get down on their knees and thank Duke.”
Author: John Bankston
Publisher: Mitchell Lane Publishers, Inc.
ISBN: 1612289290
Category : Juvenile Nonfiction
Languages : en
Pages : 52
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Book Description
More than any other musician in the early twentieth century, Duke Ellington brought jazz into nightclubs and later into the living rooms of America. The music he played sprang in part from the blues and gospel rhythms of the plantation slaves living in the mid-nineteenth century, infused with the sounds of ragtime from the turn of the century. Jazz has been called the first musical form created in the United States. It was a type of sharp improvisation for which band members played anything they wanted along a chosen key or set of chords, so every night the music was different. Duke led with his piano playing, but he allowed various other members of his band to shine, too. Embracing new technologies such as radio receivers and record players, Duke Ellington was an early pop star.
Author: Steven Brower
Publisher: Rizzoli Publications
ISBN: 0847848132
Category : Music
Languages : en
Pages : 229
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Book Description
Beautifully illustrated and unparalleled in scope, this is an elegant visual celebration befitting the life and work of the "prince of the piano." Duke Ellington was the undisputed father of the American songbook. A prolific writer and consummate performer, Ellington was the author of such standards as "Solitude," "Prelude to a Kiss," and "It Don’t Mean a Thing (If It Ain’t Got that Swing)." With a career that spanned five decades, he is one of the defining composers of the Jazz Age. With unprecedented access to the Ellington family archives, this long overdue book illuminates the life and work of an icon of twentieth-century music from his humble beginnings to his long-lasting success. Every stage of Ellington’s career is brought to life, from sepia photographs of his early days in Washington, DC, to colorful playbills from the Harlem Renaissance of the 1920s, his triumphant tours of Europe in the 1930s, and his pioneering explosion of form and genre in the 1940s and beyond. Alongside more than two hundred stunning images, contributions from peers such as Dave Brubeck, Cornel West, Quincy Jones, and Tony Bennett shed light on Ellington’s musical legacy, while the voice of his granddaughter Mercedes reveals the character behind the charisma, and the man behind the piano.
Author: Mark Tucker
Publisher: Oxford University Press, USA
ISBN: 9780195093919
Category : Biography & Autobiography
Languages : en
Pages : 564
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Book Description
A collection of writings by and about Duke Ellington and his place in jazz history.
Author: Alex Ross
Publisher: Farrar, Straus and Giroux
ISBN: 1429932880
Category : Music
Languages : en
Pages : 706
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Book Description
Winner of the 2007 National Book Critics Circle Award for Criticism A New York Times Book Review Top Ten Book of the Year Time magazine Top Ten Nonfiction Book of 2007 Newsweek Favorite Books of 2007 A Washington Post Book World Best Book of 2007 In this sweeping and dramatic narrative, Alex Ross, music critic for The New Yorker, weaves together the histories of the twentieth century and its music, from Vienna before the First World War to Paris in the twenties; from Hitler's Germany and Stalin's Russia to downtown New York in the sixties and seventies up to the present. Taking readers into the labyrinth of modern style, Ross draws revelatory connections between the century's most influential composers and the wider culture. The Rest Is Noise is an astonishing history of the twentieth century as told through its music.
Author: Clarence Lusane
Publisher: City Lights Books
ISBN: 0872866114
Category : History
Languages : en
Pages : 662
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Book Description
The Black History of the White House presents the untold history, racial politics, and shifting significance of the White House as experienced by African Americans, from the generations of enslaved people who helped to build it or were forced to work there to its first black First Family, the Obamas. Clarence Lusane juxtaposes significant events in White House history with the ongoing struggle for democratic, civil, and human rights by black Americans and demonstrates that only during crises have presidents used their authority to advance racial justice. He describes how in 1901 the building was officially named the “White House” amidst a furious backlash against President Roosevelt for inviting Booker T. Washington to dinner, and how that same year that saw the consolidation of white power with the departure of the last black Congressmember elected after the Civil War. Lusane explores how, from its construction in 1792 to its becoming the home of the first black president, the White House has been a prism through which to view the progress and struggles of black Americans seeking full citizenship and justice. “Clarence Lusane is one of America’s most thoughtful and critical thinkers on issues of race, class and power.”—Manning Marable "Barack Obama may be the first black president in the White House, but he's far from the first black person to work in it. In this fascinating history of all the enslaved people, workers and entertainers who spent time in the president's official residence over the years, Clarence Lusane restores the White House to its true colors."—Barbara Ehrenreich "Reading The Black History of the White House shows us how much we DON'T know about our history, politics, and culture. In a very accessible and polished style, Clarence Lusane takes us inside the key national events of the American past and present. He reveals new dimensions of the black presence in the US from revolutionary days to the Obama campaign. Yes, 'black hands built the White House'—enslaved black hands—but they also built this country's economy, political system, and culture, in ways Lusane shows us in great detail. A particularly important feature of this book its personal storytelling: we see black political history through the experiences and insights of little-known participants in great American events. The detailed lives of Washington's slaves seeking freedom, or the complexities of Duke Ellington's relationships with the Truman and Eisenhower White House, show us American racism, and also black America's fierce hunger for freedom, in brand new and very exciting ways. This book would be a great addition to many courses in history, sociology, or ethnic studies courses. Highly recommended!"—Howard Winant "The White House was built with slave labor and at least six US presidents owned slaves during their time in office. With these facts, Clarence Lusane, a political science professor at American University, opens The Black History of the White House(City Lights), a fascinating story of race relations that plays out both on the domestic front and the international stage. As Lusane writes, 'The Lincoln White House resolved the issue of slavery, but not that of racism.' Along with the political calculations surrounding who gets invited to the White House are matters of musical tastes and opinionated first ladies, ingredients that make for good storytelling."—Boston Globe Dr. Clarence Lusane has published in The Washington Post, The Miami Herald, The Baltimore Sun, Oakland Tribune, Black Scholar, and Race and Class. He often appears on PBS, BET, C-SPAN, and other national media.
Author: John E. Hasse
Publisher: WilliamMr
ISBN: 9780688170745
Category : Music
Languages : en
Pages : 246
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Book Description
It's been called America's classical music. The infinite art. The heart and soul of all popular music. But whatever the label, jazz has played an immense cultural role worldwide, opening up vast vistas of musical creativity, generating unforgettable performances, and giving us such iconic artists as Miles Davis, Louis Armstrong, and Duke Ellington. Jazz: The First Century marks the passage of the music's first hundred years by bringing together text and art in a rich, illustrated chronicle that opens up the vibrant world of jazz to everyone. Jazz: The First Century is edited by John Edward Hasse, Curator of American Music at the Smithsonian Institution, leading a writing team of today's finest and most widely respected jazz authorities. Their compelling essays are complemented by an engrossing and sophisticated design packed with more than 300 images, including vintage photographs, sheet music covers, rare album jackets, posters, and more. From the beginning, jazz offered a new kind of musical expression perfectly suited to the innovation and rapid pace of life in the twentieth century. Jazz: The First Century vividly illuminates the circumstances of the music's birth, examines the contributions of its most consequential musicians, and brings to life its many pleasures, from the emotionalism of early blues and the infectious syncopation of ragtime to the exhilaration of 1930s big-band swing and the awesome musical flights of bebop-from the understated sophistication of cool jazz and the boundless expressiveness of free improvisation to the electrifying power of fusion and the potent grooves of jazz-rap and hip-hop. In addition, seventy concise sidebars focus on important songs, key landmarks and personalities, and conventions of jazz performance and composition. They also examine the confluence of jazz with radio and television and with such art forms as film, painting, literature, poetry, classical music, and dance. Here also are hundreds of recommended recordings-selections based on opinions gathered in an international survey of historians, educators, critics, musicians, and broadcasters. For newcomers and aficionados alike, Jazz: The First Century offers a wealth of enlightening information. It's an essential and comprehensive overview of the music Tony Bennett calls "Amrica's greatest contribution to the world...a celebration of life itself."
Author: Vaughn A. Booker
Publisher: NYU Press
ISBN: 1479890804
Category : Social Science
Languages : en
Pages : 340
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Book Description
Explores the role of jazz celebrities like Ella Fitzgerald, Cab Calloway, Duke Ellington, and Mary Lou Williams as representatives of African American religion in the twentieth century Beginning in the 1920s, the Jazz Age propelled Black swing artists into national celebrity. Many took on the role of race representatives, and were able to leverage their popularity toward achieving social progress for other African Americans. In Lift Every Voice and Swing, Vaughn A. Booker argues that with the emergence of these popular jazz figures, who came from a culture shaped by Black Protestantism, religious authority for African Americans found a place and spokespeople outside of traditional Afro-Protestant institutions and religious life. Popular Black jazz professionals—such as Ella Fitzgerald, Cab Calloway, Duke Ellington, and Mary Lou Williams—inherited religious authority though they were not official religious leaders. Some of these artists put forward a religious culture in the mid-twentieth century by releasing religious recordings and putting on religious concerts, and their work came to be seen as integral to the Black religious ethos. Booker documents this transformative era in religious expression, in which jazz musicians embodied religious beliefs and practices that echoed and diverged from the predominant African American religious culture. He draws on the heretofore unexamined private religious writings of Duke Ellington and Mary Lou Williams, and showcases the careers of female jazz artists alongside those of men, expanding our understanding of African American religious expression and decentering the Black church as the sole concept for understanding Black Protestant religiosity. Featuring gorgeous prose and insightful research, Lift Every Voice and Swing will change the way we understand the connections between jazz music and faith.
Author: Stephanie Stein Crease
Publisher: Chicago Review Press
ISBN: 1556527241
Category : Biography & Autobiography
Languages : en
Pages : 162
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Book Description
Duke Ellington, one of the most influential figures in American music, comes alive in this comprehensive biography with engaging activities. Ellington was an accomplished and influential jazz pianist, composer, band leader, and cultural diplomat. Activities include creating a ragtime rhythm, making a washtub bass, writing song lyrics, thinking like an arranger, and learning to dance the Lindy Hop. It explores Ellington's life and career along with many topics related to African American history, including the Harlem Renaissance. Kids will learn about the musical evolution of jazz that coincided with Ellington's long life from ragtime through the big band era on up to the 1970s. Kids learn how music technology has changed over the years from piano rolls to record albums through CDs, television, and portable music devices. The extensive resources include a time line, glossary, list of Ellington's greatest recordings, related books, Web sites, and DVDs for further study.
