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Author: Alex Goody
Publisher: Edinburgh Companions to Litera
ISBN: 9781474460545
Category : Literary Criticism
Languages : en
Pages : 0
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Book Description
The first comprehensive reference book to define and delineate the intersections of modernism and technology Though modernism's emergence in an environment of techno-cultural acceleration has long been recognised, recent scholarship has deepened and challenged our understanding of the connections between twentieth-century cultural production and its technological interlocutors. In twenty-eight chapters by leading academics, The Edinburgh Companion to Modernism and Technology re-examines the machines and media that functioned as modernism's contexts and competitors. Grounded in an interdisciplinary approach informed by the theoretical and socio-historical frames of current teaching and research on modernism and technology, this research volume makes a crucial and timely intervention in the field of modernist studies. The scholarly contributions on machines that govern transport, production and public utilities, on media and communication technologies, on the intersections of technology with the human body, and on the technological systems of the early twentieth century capture the contemporary state of modernist technology studies and chart the future directions of this vibrant area. The Editors Alex Goody is Professor of Twentieth-Century Literature & Culture at Oxford Brookes University, UK. She is the author of Gender, Leisure Technology and Modernist Poetry: Machine Amusements (2019), Technology, Literature and Culture (2011) and Modernist Articulations: A Cultural Study of Djuna Barnes, Mina Loy and Gertrude Stein (2007), and co-editor of Reading Westworld (2019) and American Modernism: Cultural Transactions (2009). Ian Whittington is Associate Professor of English at the University of Mississippi. He is the author of Writing the Radio War: Literature, Politics and the BBC, 1939-1945 (2018) as well as a number of essays on radio studies and twentieth-century British, Irish, and Anglophone literature, and is editor of a special issue of The Global South on 'Radio Cultures of the Global South' (2022).
Author: Alex Goody
Publisher: Edinburgh Companions to Litera
ISBN: 9781474460545
Category : Literary Criticism
Languages : en
Pages : 0
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Book Description
The first comprehensive reference book to define and delineate the intersections of modernism and technology Though modernism's emergence in an environment of techno-cultural acceleration has long been recognised, recent scholarship has deepened and challenged our understanding of the connections between twentieth-century cultural production and its technological interlocutors. In twenty-eight chapters by leading academics, The Edinburgh Companion to Modernism and Technology re-examines the machines and media that functioned as modernism's contexts and competitors. Grounded in an interdisciplinary approach informed by the theoretical and socio-historical frames of current teaching and research on modernism and technology, this research volume makes a crucial and timely intervention in the field of modernist studies. The scholarly contributions on machines that govern transport, production and public utilities, on media and communication technologies, on the intersections of technology with the human body, and on the technological systems of the early twentieth century capture the contemporary state of modernist technology studies and chart the future directions of this vibrant area. The Editors Alex Goody is Professor of Twentieth-Century Literature & Culture at Oxford Brookes University, UK. She is the author of Gender, Leisure Technology and Modernist Poetry: Machine Amusements (2019), Technology, Literature and Culture (2011) and Modernist Articulations: A Cultural Study of Djuna Barnes, Mina Loy and Gertrude Stein (2007), and co-editor of Reading Westworld (2019) and American Modernism: Cultural Transactions (2009). Ian Whittington is Associate Professor of English at the University of Mississippi. He is the author of Writing the Radio War: Literature, Politics and the BBC, 1939-1945 (2018) as well as a number of essays on radio studies and twentieth-century British, Irish, and Anglophone literature, and is editor of a special issue of The Global South on 'Radio Cultures of the Global South' (2022).
Author: Anne Whitehead
Publisher: Edinburgh University Press
ISBN: 1474400051
Category : Medical
Languages : en
Pages : 673
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Book Description
In this landmark Companion, expert contributors from around the world map out the field of the critical medical humanities. This is the first volume to introduce comprehensively the ways in which interdisciplinary thinking across the humanities and social sciences might contribute to, critique and develop medical understanding of the human individually and collectively. The thirty-six newly commissioned chapters range widely within and across disciplinary fields, always alert to the intersections between medicine, as broadly defined, and critical thinking. Each chapter offers suggestions for further reading on the issues raised, and each section concludes with an Afterword, written by a leading critic, outlining future possibilities for cutting-edge work in this area. Topics covered in this volume include: the affective body, biomedicine, blindness, breath, disability, early modern medical practice, fatness, the genome, language, madness, narrative, race, systems biology, performance, the postcolonial, public health, touch, twins, voice and wonder. Together the chapters generate a body of new knowledge and make a decisive intervention into how health, medicine and clinical care might address questions of individual, subjective and embodied experience.
Author: Delia da Sousa Correa
Publisher: Edinburgh University Press
ISBN: 0748693130
Category : Literary Criticism
Languages : en
Pages : 720
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Book Description
Provides a pioneering interdisciplinary overview of the literature and music of nine centuriesOffers research essays by literary specialists and musicologists that provides access to the best current interdisciplinary scholarship on connections between literature and musicIncludes five historical sections from the Middle Ages to the present, with editorial introductions to enhance understanding of relationships between literature and music in each periodCharts and extends work in this expanding interdisciplinary field to provide an essential resource for researchers with an interest in literature and other mediaBringing together seventy-one newly commissioned original chapters by literary specialists and musicologists, this book presents the most recent interdisciplinary research into literature and music. In five parts, the chapters cover the Middle Ages to the present. The volume introduction and methodology chapters define key concepts for investigating the interdependence of these two art forms and a concluding chapter looks to the future of this interdisciplinary field. An editorial introduction to each historical part explains the main features of the relationships between literature and music in the period and outlines recent developments in scholarship. Contributions represent a multiplicity of approaches: theoretical, contextual and close reading. Case studies reach beyond literature and music to engage with related fields including philosophy, history of science, theatre, broadcast media and popular culture.This trailblazing companion charts and extends the work in this expanding interdisciplinary field and is an essential resource for researchers with an interest in literature and other media.
Author: Maggie Humm
Publisher: Edinburgh University Press
ISBN: 074863553X
Category : Literary Criticism
Languages : en
Pages : 512
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Book Description
The Edinburgh Companion to Virginia Woolf and the Arts is the most authoritative and up-to-date guide to Virginia Woolf's artistic influences and associations. In original, extensive and newly researched chapters by internationally recognised authors, the Companion explores Woolf's ideas about creativity and the nature of art in the context of the recent 'turn to the visual' in modernist studies with its focus on visual technologies and the significance of material production. The in-depth chapters place Woolf's work in relation to the most influential aesthetic theories and artistic practices, including Bloomsbury aesthetics, art and race, Vanessa Bell and painting, art galleries, theatre, music, dance, fashion, entertaining, garden and book design, broadcasting, film, and photography. No previous book concerned with Woolf and the arts has been so wide ranging or has paid such close attention to both public and domestic art forms.Illustrated with 16 olour as well as 39 black and white illustrations and with guides to further reading, the Companion will be an essential reference work for scholars, students and the general public.Key Features* An essential reference tool for all those working on or interested in Virginia Woolf, the arts, visual culture and modernist studies* Provides a new intellectual framework for the exciting discoveries of the past decades*Draws on archival and historical research into Virginia Woolf's manuscripts and her Bloomsbury milieu*Original chapters from expert contributors newly commissioned by Maggie Humm, widely known for her important work on Virginia Woolf and visual culture*Combines broad synthesis and original reflection setting Woolf's work in historical, cultural and artistic contexts
Author: Adam Piette
Publisher: Edinburgh University Press
ISBN: 0748653937
Category : History
Languages : en
Pages : 719
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Book Description
The first reference book to deal so fully and incisively with the cultural representations of war in 20th-century English and US literature and film. The volume covers the two World Wars as well as specific conflicts that generated literary and imaginativ
Author: Maud Ellmann
Publisher: EUP
ISBN: 9781474456692
Category : History
Languages : en
Pages : 0
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Book Description
Redefines Irish modernism as resistance to religious, sociopolitical and aesthetic orthodoxies Edinburgh Companion to Irish Modernism presents a fresh perspective on received understandings of Irish modernism. The introduction draws connections between modernism in the arts and modernism as a resistant, liberal, relativist movement within the Catholic Church that was gathering momentum in the same period. In religion as in culture, resistance to orthodoxy has persisted, and for this reason this companion explores modernist heresies - cultural, aesthetic, critical, epistemological - that stretch back to the late nineteenth-century and forward to present day. Contributors widen the temporal, conceptual, generic, and geographical definitions of Irish modernism by investigating crosscurrents between literary form and cultural transformation through the twentieth and twenty-first centuries. The book enriches the canon of Irish modernism by recovering lesser-known works by both neglected and canonical writers, especially women poets and novelists. Maud Ellmann is the Randy L. and Melvin R. Berlin Professor of the Development of the Novel in English at the University of Chicago. Siân White is Associate Professor of English at James Madison University. Vicki Mahaffey is the Clayton and Thelma Kirkpatrick Professor of English at the University of Illinois at Urbana-Champaign.
Author: Jeanne Dubino
Publisher: Edinburgh Companions to Litera
ISBN: 9781474448475
Category : Literary Criticism
Languages : en
Pages : 464
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Book Description
A collection of original essays exploring the diverse impact of Virginia Woolf's writing on contemporary global literature and culture To capture the many Woolfian currents circulating today, the twenty-three chapters in this companion examine the global responses Woolf's work has inspired and explore her international influence. Authors address ways Woolf is received by writers, publishers, reading audiences and academics in countries around the world; how she is translated into multiple languages; and how her life is transformed into global contemporary biofiction. This collection is dialogic and comparative, incorporating both transnational and local tendencies insofar as they epitomize Woolf's global reception and legacy. It contests the 'centre' and 'periphery' binary, offering new models for Woolf global studies and promoting cross-cultural understandings. Jeanne Dubino is a Professor of English and Global Studies at Appalachian State University, USA. Paulina Pająk is a Lecturer in English Studies at the University of Wroclaw, Poland. Catherine Hollis is an Instructor at the University of California-Berkeley, USA. Celiese Lypka is a Postdoctoral Fellow in English Literature at the University of Manitoba, Canada. Vara Neverow is a Professor of English and Women's and Gender Studies at Southern Connecticut State University, USA.
Author: Frances Dickey
Publisher: Edinburgh University Press
ISBN: 1474405304
Category : Literary Criticism
Languages : en
Pages : 328
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Book Description
From his early "e;Curtain Raiser"e; to the late Four Quartets, T. S. Eliot took an interest in all the arts, drawing on them for poetic inspiration and for analysis in his prose. T. S. Eliot and the Arts provides extensive, high quality research about his many-sided engagement with painting, sculpture, museum artefacts, architecture, music, drama, music hall, opera and dance, as well as the emerging media of recorded sound, film and radio. Building on the newly published editions of Eliot's prose and poetry, this contemporary research collection opens avenues for understanding Eliot both in his own right as a poet and critic and as a foremost exemplar of interarts modernism.
Author: Shannon Vallor
Publisher: Oxford University Press
ISBN: 019085118X
Category : Philosophy
Languages : en
Pages : 697
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Book Description
The Oxford Handbook of Philosophy of Technology gives readers a view into this increasingly vital and urgently needed domain of philosophical understanding, offering an in-depth collection of leading and emerging voices in the philosophy of technology. The thirty-two contributions in this volume cut across and connect diverse philosophical traditions and methodologies. They reveal the often-neglected importance of technology for virtually every subfield of philosophy, including ethics, epistemology, philosophy of science, metaphysics, aesthetics, philosophy of language, and political theory. The Handbook also gives readers a new sense of what philosophy looks like when fully engaged with the disciplines and domains of knowledge that continue to transform the material and practical features and affordances of our world, including engineering, arts and design, computing, and the physical and social sciences. The chapters reveal enduring conceptual themes concerning technology's role in the shaping of human knowledge, identity, power, values, and freedom, while bringing a philosophical lens to the profound transformations of our existence brought by innovations ranging from biotechnology and nuclear engineering to artificial intelligence, virtual reality, and robotics. This new collection challenges the reader with provocative and original insights on the history, concepts, problems, and questions to be brought to bear upon humanity's complex and evolving relationship to technology.
Author: Nicola Wilson, Claire Battershill, Sophie Heywood, Marrisa Joseph, Daniela La Penna, Helen Southworth, Alice Staveley and Elizabeth Willson Gordon
Publisher: Edinburgh University Press
ISBN: 1399500368
Category : Literary Criticism
Languages : en
Pages : 840
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Book Description
Women's creative labour in publishing has often been overlooked. This book draws on dynamic new work in feminist book history and publishing studies to offer the first comparative collection exploring women's diverse, deeply embedded work in modern publishing. Highlighting the value of networks, collaboration, and archives, the companion sets out new ways of reading women's contributions to the production and circulation of global print cultures. With an international, intergenerational set of contributors using diverse methodologies, essays explore women working in publishing transatlantically, on the continent, and beyond the Anglosphere. The book combines new work on high-profile women publishers and editors alongside analysis of women's work as translators, illustrators, booksellers, advertisers, patrons, and publisher's readers; complemented by new oral histories and interviews with leading women in publishing today. The first collection of its kind, the companion helps establish and shape a thriving new research field.
