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Author: Magdalena Dabrowski
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 190
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Book Description
"This book ... [shows] how the artist worked out his developing ideas primarily through drawing. Included are examples of work from his early years, such as the preparatory drawings he made as a muralist for the WPA in the 1930s, in addition to the increasingly abstract work of the 1940s and 1950s, and the sequence of pictorial experiments that led to his reintroduction of the figure in the late 1960s. Also reproduced, in color, are a number of painterly gouaches and a series of acrylics"--Back cover.
Author: Magdalena Dabrowski
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 190
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Book Description
"This book ... [shows] how the artist worked out his developing ideas primarily through drawing. Included are examples of work from his early years, such as the preparatory drawings he made as a muralist for the WPA in the 1930s, in addition to the increasingly abstract work of the 1940s and 1950s, and the sequence of pictorial experiments that led to his reintroduction of the figure in the late 1960s. Also reproduced, in color, are a number of painterly gouaches and a series of acrylics"--Back cover.
Author: Philip Guston
Publisher: Univ of California Press
ISBN: 0520235096
Category : Art
Languages : en
Pages : 343
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Book Description
"This volume introduces the diverse voices that comprise Guston's linguistic tapestry. Guston never stopped talking for too long. There may have been periods of silence precipitated by existential moments of doubt, but such lapses seem anomalous when measured against the voluminous transcriptions gleaned and edited by Clark Coolidge. Coolidge has done an admirable job arranging and presenting the book's contents, entirely relevant to anyone curious about Guston, and by extension, American Art of the post-World War II period."—Douglas Dreishpoon, chief curator at Knox-Albright Gallery
Author: Musa Mayer
Publisher:
ISBN: 9783906915029
Category : Pen drawing, American
Languages : en
Pages : 247
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Book Description
Philip Guston?s late figurative paintings were met with overwhelmingly negative critical response when first shown at Marlborough Gallery in New York City in October 1970. After the opening, Guston fled to Italy with his wife, spending eight months at the American Academy in Rome. The following spring, Guston returned to a wounded America, still at war in Vietnam, devastated by the assassinations of its leaders, and divided by antiwar protests and the social and political upheavals begun in the 1960s. It was Richard Nixon?s first term as president.0Guston?s outpouring of satirical drawings was inspired partly by conversations with his friend Philip Roth, at work on his own scathing Nixon satire, ?Our Gang?. ?When I came back from Europe in the summer of 1971,? Guston later said, ?I was pretty disturbed about everything in the country politically, the administration specifically, and I started doing cartoon characters. And one thing led to another, and so for months I did hundreds of drawings and they seemed to form a kind of story line, a sequence.? Completed during July and August 1971, these drawings were not publicly shown for three decades.0In 1975, after the Watergate scandal led to Nixon being forced to resign under threat of impeachment, Guston created more drawings and a final painting with Nixon as subject: ?San Clemente?. This book gathers this extraordinary body of work for the first time in its entirety.00Exhibition: Hauser & Wirth, New York, USA (01.11.2016-28.01.2017) / Hauser & Wirth, London, UK (19.05.-29.07.2017).
Author: Jodi Hauptman
Publisher: The Museum of Modern Art
ISBN: 9780870706646
Category : Architecture
Languages : en
Pages : 236
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Book Description
Published on the occasion of the exhibition held at the Museum of Modern Art, New York, Mar. 30-Aug. 29, 2005.
Author: Kosme De Baranano
Publisher:
ISBN: 9783906915005
Category : Art and literature
Languages : en
Pages : 181
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Book Description
Published to accompany the exhibition ?Philip Guston and The Poets? at Gallerie dell?Accademia (May ? September 2017), this monograph exposes the artist?s oeuvre to critical literary interpretation. The exhibition draws parallels between humanist themes reflected in both Guston?s paintings and drawings as well as in the language and prose discerned in five of the twentieth century?s most prominent literary figures: D. H. Lawrence, W. B. Yeats, Wallace Stevens, Eugenio Montale and T. S. Eliot. The enormous influence that Italy itself had upon Guston and his work is also examined.0Spanning a 50-year period, ?Philip Guston and The Poets?, edited by curator Prof. Dr. Kosme de Barañano, features approximately 40 major paintings and 40 prominent drawings dating from 1930 through to 1980, the last of which were created in the final years of Guston?s life. 00Exhibition: Gallerie dell?Accademia, Venice, Italy (10.05.-03.09.2017).
Author: Karen Lang
Publisher:
ISBN: 9781910807408
Category :
Languages : en
Pages : 56
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Book Description
Published to accompany the first solo exhibition of Philip Guston at the Ashmolean Museum in Oxford from 23 November 2019 to 8 March 2020 Features many works by the American artist not seen in the UK before Philip Guston (1913-1980) was an internationally acclaimed American artist whose response to the political and social tumult of the post-war decades resulted in a prolific artistic output. Over the course of his career, his style transformed from figuration to abstraction to figuration. Born Phillip Goldstein, the artist began drawing incessantly at the age of 12. Aware of antisemitism, he changed his name in 1935, the year he moved to New York. After producing award-winning murals in a 'realist' style for President Franklin D. Roosevelt's Works Progress Administration (WPA) in the 1930s and early 1940s, Guston embraced the painting trend of Abstract Expressionism. The upheavals of the 1960s - civil rights protests, brutal state violence, race riots - made him question the relevance of gestural abstraction, however, and his drawing explored the new figuration for which he is best known. In response to the Vietnam War and the hypocrisy of the political administration under President Richard Nixon in the 1970s, his figurative drawing intensified to address universal issues facing modern humankind. Guston's productive output was driven by his desire to unify the story and the plastic structure of the artwork in response to a changing political and social landscape. 'Locating the image' through intensive periods of drawing was central to this. This exhibition at the Ashmolean Museum, curated by Professor Karen Lang with Dr Lena Fritsch, is the first solo show of Guston's work in Oxford. His artistic language, characterized by masterful technique, exuberant stylistic variety and the depiction of everyday objects, is readily recognizable. This catalog introduces Guston's art to visitors who may be unfamiliar with it by displaying works on paper from each stylistic phase. At the same time, it presents a new understanding to those familiar with Guston's practice by focusing on two themes: the role of drawing on the one hand, and the inspiration he took from literature on the other.
Author: Philip Guston
Publisher:
ISBN:
Category :
Languages : en
Pages : 280
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Book Description
Author: Robert Slifkin
Publisher: Univ of California Press
ISBN: 0520275292
Category : Art
Languages : en
Pages : 264
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Book Description
Focusing on the thirty-three paintings that Philip Guston exhibited at the Marlborough Gallery in 1970, this in-depth account reconsiders the history of postwar American art and the conception of figuration in modern art history. Through a myriad of cultural touchstones, including evidence from literary and musical vogues of the period, Robert Slifkin examines the role of history as both artistic medium and creative catalyst to GustonÕs practice as a painter. Slifkin employs a wealth of visual examples, archival materials, and original scholarship to situate GustonÕs paintings within broader artistic debates of the time, using the cultural movement of Òthe sixtiesÓ as its orienting foreground. This historical framework provides an interface between the notions of time in art and time in the material world. Lively and edifying, SlifkinÕs comprehensive text productively complicates the prescribed traditions of postwar art history and, in turn, shifts our perception of Guston and his place in the domain of modern art.
Author: Robert Storr
Publisher: Laurence King Publishing
ISBN: 9781786274168
Category : Art
Languages : en
Pages : 0
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Book Description
An authoritative and comprehensive survey of the life and work of the visionary and influential painter Philip Guston. Driven and consumed by art, Philip Guston painted and drew compulsively. This book takes the reader from his early social realist murals and easel paintings of the 1930s and 1940s, to the Abstract Expressionist works of the 1950s and early 1960s, and finally to the powerful new language of figurative painting, which he developed in the late 1960s and 1970s. Drawing on more than thirty years of his own research, the critic and curator, Robert Storr, maps Guston's entire career in one definitive volume, providing a subtantial, accessible, and revealing analysis of his work. With more than 800 images, the book illustrates Guston's key works and includes many unpublished paintings and drawings. An extensive chronology, illustrated with photographs, letters, articles, publications, and other ephemera drawn from the artist's archives and other sources, contextualizes Guston's life and provides in-depth coverage of his life at home, his work in the studio, his relationship with fellow artists and his many exhibitions. Guston was able to speak about art with unrivalled passion and fluency. In celebration of this, the book features Guston's own thoughts on his drawings and his great heroes of the Italian Renaissance.
Author: Musa Mayer
Publisher: Hauser & Wirth Publishers
ISBN: 9783906915470
Category : Figurative drawing, American
Languages : en
Pages : 188
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Book Description
Guston disagreed, famously saying: 'I got sick and tired of all that purity--I wanted to tell stories!' And what stories he told, with his Klansmen, ominous but somehow familiar, perhaps even ourselves under those hoods, as suggested in 'Untitled' (1971), which features a fleshy head enclosed by two hooded figures. This was not the path of refinement a leading abstract expressionist painter should be taking, yet Guston pushed forward: challenging tradition and expectations, guided solely by his own intuition and determination. Guston and his wife left for Italy immediately after the 1970 Marlborough opening, taking up residency at the American Academy in Rome over the next seven months. He spent the first two months brooding, despairing at the reviews and the rigidity of the art world, and revisiting the great art of the past that had first moved him to paint as a young man. .
