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Author: Margaret Garlake
Publisher: Routledge
ISBN: 1351775081
Category : Social Science
Languages : en
Pages : 194
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Book Description
This title was first published in 2003. Peter Lanyon stood at the forefront of landscape painting in Europe during the late 1950s and early 60s. A prominent St Ives artist, he was associated with Barbara Hepworth, Ben Nicholson and Naum Gabo; his work also has affinities with abstract expressionism. Lanyon's career started just as the study of drawing was being liberated from 19th-century academic constrictions. His many drawings range from records of trips to the Netherlands and Italy to portrait sketches and abstract studies. Lanyon also used drawings extensively in the development of some of his most important paintings. In this study, Margaret Garlake explores Lanyon's theory and practice of drawing; the contribution of drawings to the evocation of place in paintings; his use of models and the metamorphosis of the human body into landscape images, as well as his use of three-dimensional constructions as equivalents to drawing.
Author: Margaret Garlake
Publisher: Ashgate Publishing, Ltd.
ISBN:
Category : Art
Languages : en
Pages : 128
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Book Description
Peter Lanyon stood at the forefront of landscape painting in Europe during the late 1950s and early 60s. A prominent St Ives artist, he was associated with Barbara Hepworth, Ben Nicholson and Naum Gabo; his work also has affinities with abstract expressionism. Lanyon's career started just as the study of drawing was being liberated from 19th-century academic constrictions. His many drawings range from records of trips to the Netherlands and Italy to portrait sketches and abstract studies. Lanyon also used drawings extensively in the development of some of his most important paintings. In this study, Margaret Garlake explores Lanyon's theory and practice of drawing; the contribution of drawings to the evocation of place in paintings; his use of models and the metamorphosis of the human body into landscape images, as well as his use of three-dimensional constructions as equivalents to drawing.
Author: Peter Lanyon
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 84
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Book Description
Author: MARGARET. GARLAKE
Publisher:
ISBN: 9781138710597
Category :
Languages : en
Pages :
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Book Description
Author: Peter Lanyon
Publisher:
ISBN:
Category :
Languages : en
Pages : 6
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Book Description
Author: Peter Lanyon
Publisher:
ISBN:
Category :
Languages : en
Pages : 68
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Book Description
Author: Andrew Causey
Publisher: Reaktion Books
ISBN: 9781861892751
Category : Architecture
Languages : en
Pages : 244
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Book Description
Causey examines the elegiac nature of some of Lanyon's early work and asks to what extent his experience of war, death and physical destruction map onto his presentation of the imagery of western Cornwall.
Author: Peter Lanyon
Publisher:
ISBN:
Category :
Languages : en
Pages : 59
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Book Description
Author: Margaret Garlake
Publisher: Tate
ISBN:
Category : Art
Languages : en
Pages : 94
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Book Description
Margaret Garlake's study of Peter Lanyon provides a unique survey of his life and work, from his childhood friendship with Patrick Heron to international acclaim in the 1960s. He was the only Cornishman among the leading members of the St. Ives group.
Author: Toby Treves
Publisher: Paul Holberton Publishing
ISBN: 9781907372858
Category : Art
Languages : en
Pages : 0
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Book Description
Published to accompany the exhibition of the same name held at The Courtauld Gallery, London, 15 October 2015-17 January 2016.
Author: Margaret Garlake
Publisher: Routledge
ISBN: 1351775081
Category : Social Science
Languages : en
Pages : 194
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Book Description
This title was first published in 2003. Peter Lanyon stood at the forefront of landscape painting in Europe during the late 1950s and early 60s. A prominent St Ives artist, he was associated with Barbara Hepworth, Ben Nicholson and Naum Gabo; his work also has affinities with abstract expressionism. Lanyon's career started just as the study of drawing was being liberated from 19th-century academic constrictions. His many drawings range from records of trips to the Netherlands and Italy to portrait sketches and abstract studies. Lanyon also used drawings extensively in the development of some of his most important paintings. In this study, Margaret Garlake explores Lanyon's theory and practice of drawing; the contribution of drawings to the evocation of place in paintings; his use of models and the metamorphosis of the human body into landscape images, as well as his use of three-dimensional constructions as equivalents to drawing.
