The Dramatic Writers of Scotland

The Dramatic Writers of Scotland PDF Author: Ralston Inglis
Publisher:
ISBN:
Category : Dialect drama, Scottish
Languages : en
Pages : 166

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The Dramatic Writers of Scotland

The Dramatic Writers of Scotland PDF Author: Ralston Inglis
Publisher:
ISBN:
Category : Dialect drama, Scottish
Languages : en
Pages : 166

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Book Description


Edinburgh History of Scottish Literature: From Columba to the Union (until 1707)

Edinburgh History of Scottish Literature: From Columba to the Union (until 1707) PDF Author: Ian Brown
Publisher: Edinburgh University Press
ISBN: 0748628622
Category : Literary Criticism
Languages : en
Pages : 344

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Book Description
The History begins with the first full-scale critical consideration of Scotland's earliest literature, drawn from the diverse cultures and languages of its early peoples. The first volume covers the literature produced during the medieval and early modern period in Scotland, surveying the riches of Scottish work in Gaelic, Welsh, Old Norse, Old English and Old French, as well as in Latin and Scots. New scholarship is brought to bear, not only on imaginative literature, but also law, politics, theology and philosophy, all placed in the context of the evolution of Scotland's geography, history, languages and material cultures from our earliest times up to 1707.

Edinburgh Companion to Scottish Drama

Edinburgh Companion to Scottish Drama PDF Author: Ian Brown
Publisher: Edinburgh University Press
ISBN: 0748646345
Category : Literary Criticism
Languages : en
Pages : 256

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Book Description
Combines historical rigour with an analysis of dramatic contexts, themes and formsThe 17 contributors explore the longstanding and vibrant Scottish dramatic tradition and the important developments in Scottish dramatic writing and theatre, with particular attention to the last 100 years.The first part of the volume covers Scottish drama from the earliest records to the late twentieth-century literary revival, as well as translation in Scottish theatre and non-theatrical drama. The second part focuses on the work of influential Scottish playwrights, from J. M. Barrie and James Bridie to Ena Lamont Stewart, Liz Lochhead and Edwin Morgan and right up to contemporary playwrights Anthony Neilson, Gregory Burke, Henry Adams and Douglas Maxwell.

Scottish Women's Writing in the Long Nineteenth Century

Scottish Women's Writing in the Long Nineteenth Century PDF Author: Juliet Shields
Publisher: Cambridge University Press
ISBN: 1009003054
Category : Literary Criticism
Languages : en
Pages : 390

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Book Description
Introducing the neglected tradition of Scottish women's writing to readers who may already be familiar with English Victorian realism or the historical romances of Walter Scott and Robert Louis Stevenson, this book corrects male-dominated histories of the Scottish novel by demonstrating how women appropriated the masculine genre of romance.

Gaelic Scotland in the Colonial Imagination

Gaelic Scotland in the Colonial Imagination PDF Author: Silke Stroh
Publisher: Northwestern University Press
ISBN: 0810134047
Category : Literary Criticism
Languages : en
Pages : 551

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Book Description
Can Scotland be considered an English colony? Is its experience and literature comparable to that of overseas postcolonial countries? Or are such comparisons no more than patriotic victimology to mask Scottish complicity in the British Empire and justify nationalism? These questions have been heatedly debated in recent years, especially in the run-up to the 2014 referendum on independence, and remain topical amid continuing campaigns for more autonomy and calls for a post-Brexit “indyref2.” Gaelic Scotland in the Colonial Imagination offers a general introduction to the emerging field of postcolonial Scottish studies, assessing both its potential and limitations in order to promote further interdisciplinary dialogue. Accessible to readers from various backgrounds, the book combines overviews of theoretical, social, and cultural contexts with detailed case studies of literary and nonliterary texts. The main focus is on internal divisions between the anglophone Lowlands and traditionally Gaelic Highlands, which also play a crucial role in Scottish–English relations. Silke Stroh shows how the image of Scotland’s Gaelic margins changed under the influence of two simultaneous developments: the emergence of the modern nation-state and the rise of overseas colonialism.

The Boy in the Field

The Boy in the Field PDF Author: Margot Livesey
Publisher: HarperCollins
ISBN: 0062946412
Category : Fiction
Languages : en
Pages : 216

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Book Description
A New York Times Notable Book of the Year | An O Magazine Best Book of the Year The New York Times bestselling author of The Flight of Gemma Hardy delivers another “luminous, unforgettable, and perfectly rendered” (Dennis Lehane) novel—a poignant and probing psychological drama that follows the lives of three siblings in the wake of a violent crime. One September afternoon in 1999, teenagers Matthew, Zoe, and Duncan Lang are walking home from school when they discover a boy lying in a field, bloody and unconscious. Thanks to their intervention, the boy’s life is saved. In the aftermath, all three siblings are irrevocably changed. Matthew, the oldest, becomes obsessed with tracking down the assailant, secretly searching the local town with the victim’s brother. Zoe wanders the streets of Oxford, looking at men, and one of them, a visiting American graduate student, looks back. Duncan, the youngest, who has seldom thought about being adopted, suddenly decides he wants to find his birth mother. Overshadowing all three is the awareness that something is amiss in their parents’ marriage. Over the course of the autumn, as each of the siblings confronts the complications and contradictions of their approaching adulthood, they find themselves at once drawn together and driven apart. Written with the deceptive simplicity and power of a fable, The Boy in the Field showcases Margot Livesey’s unmatched ability to “tell her tale masterfully, with intelligence, tenderness, and a shrewd understanding of all our mercurial human impulses” (Lily King, author of Euphoria).

A Contribution to the Bibliography of Scottish Topography

A Contribution to the Bibliography of Scottish Topography PDF Author: Sir Arthur Mitchell
Publisher:
ISBN:
Category : Scotland
Languages : en
Pages : 316

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History of Scottish Women's Writing

History of Scottish Women's Writing PDF Author: Douglas Gifford
Publisher: Edinburgh University Press
ISBN: 0748672664
Category : Literary Criticism
Languages : en
Pages : 741

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Book Description
This is the first comprehensive critical analysis of Scottish women's writing from its recoverable beginnings to the present day. Essays cover individual writers - such as Margaret Oliphant, Nan Shepherd, Muriel Spark and Liz Lochhead - as well as groups of writers or kinds of writing - such as women poets and dramatists, or Gaelic writing and the legacy of the Kailyard. In addition to poetry, drama and fiction, a varied body of non-fiction writing is also covered, including diaries, memoirs, biography and autobiography, didactic and polemic writing, and popular and periodical writing for and by women.

Scot-free

Scot-free PDF Author: Alasdair Cameron
Publisher: MIT Press
ISBN: 9781854590176
Category : Drama
Languages : en
Pages : 308

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Book Description
Includes: Writer's Cramp by John Byrne, Losing Venice by John Clifford, Elizabeth Gordon Quinn by Chris Hannan, The Letter Box by Ann Marie di Mambro, Dead Dad Dog by John McKay and The Steamie by Tony Roper.

Modernism and Scottish Theatre since 1969

Modernism and Scottish Theatre since 1969 PDF Author: Mark Brown
Publisher: Springer
ISBN: 3319986392
Category : Performing Arts
Languages : en
Pages : 266

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Book Description
This book argues that Scottish theatre has, since the late 1960s, undergone an artistic renaissance, driven by European Modernist aesthetics. Combining detailed research and analysis with exclusive interviews with ten leading figures in modern Scottish drama, the book sets out the case for the last half-century as the strongest period in the history of the Scottish stage. Mark Brown traces the development of Scottish theatre’s Modernist revolution from the arrival of influential theatre director Giles Havergal at the Citizens Theatre, Glasgow in 1969 through to the advent of the National Theatre of Scotland in 2006. Finally, the book contemplates the future of Scotland’s theatrical renaissance. It is essential reading for anyone interested in contemporary theatre and/or the modern history of live drama in Scotland.