The Drama of German Expressionism PDF Download
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Author: Claude Hill
Publisher: University of North Carolina S
ISBN: 9780807888285
Category : Drama
Languages : en
Pages : 0
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Book Description
Originally published in 1960, this bibliography with more than five thousand items provided an indispensable tool for those interested in the German expressionist plays. The volume contains a general bibliography on German expressionistic drama and as well as sixteen leading German playwrights: Barlach, Brecht, Bronnen, Goering, Hasenclever, Jahnn, Johst, Kaiser, Kokoschka, Kornfeld, Rubiner, Sorge, Sternheim, Toller, Unruh, and Werfel.
Author: Claude Hill
Publisher: University of North Carolina S
ISBN: 9780807888285
Category : Drama
Languages : en
Pages : 0
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Book Description
Originally published in 1960, this bibliography with more than five thousand items provided an indispensable tool for those interested in the German expressionist plays. The volume contains a general bibliography on German expressionistic drama and as well as sixteen leading German playwrights: Barlach, Brecht, Bronnen, Goering, Hasenclever, Jahnn, Johst, Kaiser, Kokoschka, Kornfeld, Rubiner, Sorge, Sternheim, Toller, Unruh, and Werfel.
Author: Claude Hill
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
Author: Neil H. Donahue
Publisher: Camden House
ISBN: 1571131752
Category : Literary Criticism
Languages : en
Pages : 392
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Book Description
New essays examining the complex period of rich artistic ferment that was German literary Expressionism.
Author: Brill Olaf Brill
Publisher: Edinburgh University Press
ISBN: 1474411193
Category : Performing Arts
Languages : en
Pages : 444
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Book Description
One of the most visually striking traditions in cinema, for too long Expressionism has been a neglected critical category of research in film history and aesthetics. The fifteen essays in this anthology remedies this by revisiting key German films like The Cabinet of Dr. Caligari (1920) and Nosferatu (1922), and also provide original critical research into more obscure titles like Nerven (1919) and The Phantom Carriage (1921), films that were produced in the silent and early sound era in countries ranging from France, Sweden and Hungary, to the United States and Mexico.An innovative and wide-ranging collection, Expressionism in the Cinema re-canonizes the classical Expressionist aesthetic, extending the critical and historical discussion beyond pre-existing scholarship into comparative and interdisciplinary areas of film research that reach across national boundaries.
Author: David F. Kuhns
Publisher: Cambridge University Press
ISBN: 0521583403
Category : Drama
Languages : en
Pages : 325
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Book Description
German Expressionist Theatre: The Actor and the Stage considers the powerfully stylized, anti-realistic styles of acting on the German Expressionist stage from 1916 to 1921. It relates this striking departure from the dominant European acting tradition of realism to the specific cultural crises that enveloped the German nation during the course of its involvement in World War I. This book describes three distinct Expressionist acting styles, all of which in their own ways attempted to show how symbolic stage performance could be a powerful rhetorical resource for a culture struggling to come to terms with the crises of historical change. The examination of Expressionist script and actor memoirs allows for an unprecedented focus on description and analysis of acting itself.
Author: Lisa Marie Anderson
Publisher: BRILL
ISBN: 9401200513
Category : Literary Criticism
Languages : en
Pages : 210
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Book Description
This book reads messianic expectation as the defining characteristic of German culture in the first decades of the twentieth century. It has long been accepted that the Expressionist movement in Germany was infused with a thoroughly messianic strain. Here, with unprecedented detail and focus, that strain is traced through the work of four important Expressionist playwrights: Ernst Barlach, Georg Kaiser, Ernst Toller and Franz Werfel. Moreover, these dramatists are brought into new and sustained dialogues with the theorists and philosophers of messianism who were their contemporaries: Walter Benjamin, Ernst Bloch, Martin Buber, Hermann Cohen, Gershom Scholem. In arguing, for example, that concepts like Bloch’s utopian self-encounter (Selbstbegegnung) and Benjamin’s messianic now-time (Jetztzeit) reappear as the framework for Expressionism’s staging of collective redemption in a new age, Anderson forges a previously underappreciated link in the study of Central European thought in the early twentieth century.
Author: Renate Benson
Publisher: London : Macmillan Press
ISBN: 9780333305867
Category : Expressionism
Languages : en
Pages : 179
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Book Description
Author: Claude Hill
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 240
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Book Description
Contains citations to books, dissertations, and articles in English and German concerning German expressionist drama of the early twentieth century, including separate sections devoted to German dramatists Ernst Barlach, Bertolt Brecht, Arnolt Bronnen, Reinhard Goering, Walter Hasenclever, Hans Henny Jahnn, Hanns Johst, Georg Kaiser, Oskar Kokoschka, Paul Kornfeld, Ludwig Rubiner, Reinhard Johannes Sorge, Carl Sternheim, Ernst Toller, Fritz von Unruh, and Franz Werfel.
Author: Claude Hill
Publisher:
ISBN:
Category : German drama
Languages : en
Pages : 211
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Book Description
Author: Julia A. Walker
Publisher: Cambridge University Press
ISBN: 1139446274
Category : Drama
Languages : en
Pages : 314
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Book Description
Although often dismissed as a minor offshoot of the better-known German movement, expressionism on the American stage represents a critical phase in the development of American dramatic modernism. Situating expressionism within the context of early twentieth-century American culture, Walker demonstrates how playwrights who wrote in this mode were responding both to new communications technologies and to the perceived threat they posed to the embodied act of meaning. At a time when mute bodies gesticulated on the silver screen, ghostly voices emanated from tin horns, and inked words stamped out the personality of the hand that composed them, expressionist playwrights began to represent these new cultural experiences by disarticulating the theatrical languages of bodies, voices and words. In doing so, they not only innovated a new dramatic form, but redefined playwriting from a theatrical craft to a literary art form, heralding the birth of American dramatic modernism.
