Author: Sir Joshua Reynolds
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 326

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Book Description

Author: Sir Joshua Reynolds
Publisher: The Floating Press
ISBN: 1877527327
Category : Art
Languages : en
Pages : 185

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Book Description
In the past, the distinctions between art and science weren't as clear-cut as they are today, and philosophers, researchers, and artists often shared insights and ideas. It was in that heady atmosphere that Sir Joshua Reynolds first rose to prominence, initially through his "Grand Style" paintings, but later for his work as a promoter of scientific research and the president and co-founder of the famed Royal Society. This text outlines some of Reynolds' most groundbreaking ideas about art, scholarship, and the intersection between the two.

Author: Sir Joshua Reynolds
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 324

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Author: John Barrell
Publisher: Yale University Press
ISBN: 9780300063554
Category : Art
Languages : en
Pages : 384

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Book Description
What is the function of painting in a commercial society? This text describes how British artists of the late-18th and early-19th centuries attempted to answer this question.

Author: Sir Joshua Reynolds
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 474

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Book Description

Author: Joseph Farington
Publisher:
ISBN:
Category : Painters
Languages : en
Pages : 194

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Book Description

Author: Mark Hallett
Publisher: Paul Mellon Centre
ISBN: 9780300196979
Category : Portrait painting, English
Languages : en
Pages : 0

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Book Description
A deeply researched and elegantly written study on Sir Joshua Reynolds (1723-1792)--Georgian England's most celebrated portraitist and the first president of the British Royal Academy of Arts--this lavishly illustrated volume explores all aspects of Reynolds's portraiture. Mark Hallett provides detailed, compelling readings of Reynolds's most celebrated and striking works, investigating the ways in which they were appreciated and understood in his own lifetime. Recovering the artist's dynamic interaction with his sitters and patrons, and revealing the dramatic impact of his portraits within the burgeoning exhibition culture of late-18th-century London, Hallett also unearths the intimate relationship between Reynolds's paintings and graphic art. Reynolds: Portraiture in Action offers a new understanding of the artist's career within the extremely competitive London art world and takes readers into the engrossing debates and controversies that captivated the city and its artists. Published for the Paul Mellon Centre for Studies in British Art

Author: Joshua Reynolds
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 334

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Book Description

Author: Bruce Redford
Publisher: Getty Publications
ISBN: 0892369248
Category : Art
Languages : en
Pages : 240

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Book Description
Bruce Redford re-creates the vibrant culture of connoisseurship in Enlightenment England by investigating the multifaceted activities and achievements of the Society of Dilettani. Elegantly and wittily he dissects the British connoisseurs whose expeditions, collections, and publications laid the groundwork for the Neoclassical revival and for the scholarly study of Graeco-Roman antiquity. After the foundation of the society in 1732, the Dilettani commissioned portraits of the members. Including a striking group of mock-classical and mock-religious representations, these portraits were painted by George Knapton, Sir Joshua Reynolds, and Sir Thomas Lawrence. During the second half of the century, the society’s expeditions to the Levant yielded a series of pioneering architectural folios, beginning with the first volume The Antiquities of Athens in 1762. These monumental volumes aspired to empirical exactitude in text and image alike. They prepared the way for Specimens of Antient Sculpture (1809), which combines the didactic (detailed investigations into technique, condition, restoration, and provenance) with the connoisseurial (plates that bring the illustration of ancient sculpture to new artistic heights). The Society of Dilettanti’s projects and publications exemplify the Enlightenment ideal of the gentleman amateur, which is linked in turn to a culture of wide-ranging curiosity.

Author: Kate Fullagar
Publisher: Yale University Press
ISBN: 0300249276
Category : History
Languages : en
Pages : 319

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Book Description
A portrait of empire through the biographies of a Native American, a Pacific Islander, and the British artist who painted them both Three interconnected eighteenth-century lives offer a fresh account of the British Empire and its intrusion into Indigenous societies. This engaging history brings together the stories of Joshua Reynolds and two Indigenous men, the Cherokee Ostenaco and the Raiatean Mai. Fullagar uncovers the life of Ostenaco, tracing his emergence as a warrior, his engagement with colonists through war and peace, and his eventual rejection of imperial politics during the American Revolution. She delves into the story of Mai, his confrontation with conquest and displacement, his voyage to London on Cook’s imperial expedition, and his return home with a burning ambition to right past wrongs. Woven throughout is a new history of Reynolds, growing up in Devon near a key port in England, becoming a portraitist of empire, rising to the top of Britain’s art world and yet remaining ambivalent about his nation’s expansionist trajectory.