The Dictionary of British book illustrators and caricaturists. 1800-1914. With introductory chapters on the rise and progress of the art. [Illustr.] PDF Download
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Author: Simon Houfe
Publisher:
ISBN:
Category :
Languages : en
Pages : 520
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Book Description
Author: Simon Houfe
Publisher:
ISBN:
Category : Caricature
Languages : en
Pages : 520
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Book Description
![The Dictionary of British book illustrators and caricaturists. 1800-1914. With introductory chapters on the rise and progress of the art. [Illustr.] PDF](https://books.google.com/books/content/images/frontcover/QPhWAQAACAAJ?fife=w80-h100)
Author: Simon Houfe
Publisher:
ISBN:
Category :
Languages : en
Pages : 520
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Book Description
Author: Simon Houfe
Publisher: ACC Distribution
ISBN:
Category : Art
Languages : en
Pages : 386
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Book Description
This book has been extensively revised with additional entries and colour illustrations. It contains details of more than 2,700 artists, and is an indispensable standard reference with useful sociological content.
Author: Mark Bryant
Publisher: Taylor & Francis
ISBN: 100059940X
Category : Humor
Languages : en
Pages : 391
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Book Description
British cartoonists and caricaturists are renowned worldwide. Originally published in 2000, this indispensable handbook offers a unique ‘who’s who’ of all the major artists working in Britain in the twentieth century and contains nearly 500 entries. Extensively illustrated, the book provides information on the work of artists such as Steve Bell, Gerald Scarfe, Posy Simmonds, Ronald Searle, Trog, mac and Larry as well as such past masters as David Low, Vicky, H. M. Bateman, Illingworth, Heath Robinson and more. The dictionary concentrates primarily on political cartoonists, caricaturists and joke or ‘gag’ cartoonists, actively working for the main Fleet Street national dailies and weeklies from 1900 to 1995. Each entry is cross-referenced and provides a concise biographical outline with an account of the artist’s style, influences and preferred medium. Where relevant the entry includes suggestions for further reading and notes solo exhibitions, books illustrated and works held in public collections. The Dictionary of Twentieth-Century British Cartoonists and Caricaturists offers an insight into the lives of satirical artists working during a century that provoked cartoonists and caricaturists to a pitch of comic and artistic invention that has rarely been matched.
Author: Mark Bryant
Publisher: Routledge
ISBN: 1000531414
Category : Humor
Languages : en
Pages : 389
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Book Description
Originally published in 1994, this dictionary provides a unique 'who’s who' of the major figures in the world of British cartoons and caricatures. It was the first book to encompass the entire field from c.1730 when Hogarth published the first of his 'modern moral pictures' to 1980. In addition to describing the careers and achievements of the artists and the characteristics of their styles, more than 500 entries give details of their publications, their illustrations to books and periodicals, exhibitions of their work, public collections in which their work is represented and literature on or referring to them. More than 150 illustrations are included. This is a comprehensive reference work and will be of interest to social and political historians as well as cartoon and caricature enthusiasts.
Author: Joanne Shattock
Publisher: Cambridge University Press
ISBN: 9780521391009
Category : English literature
Languages : en
Pages : 74
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Book Description
Author: Delia Gaze
Publisher: Taylor & Francis
ISBN: 9781884964213
Category : Art
Languages : en
Pages : 928
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Book Description
First Published in 1997. Routledge is an imprint of Taylor & Francis, an informa company.
Author: Sara Duke
Publisher: Lulu.com
ISBN: 130485888X
Category : Comics & Graphic Novels
Languages : en
Pages : 344
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Book Description
Inside this book are short biographical sketches about the many artists represented in the Library of Congress' Swann Collection compiled by Erwin Swann (1906-1973). In the early 1960s, Swann, a New York advertising executive started collecting original cartoon drawings of artistic and humorous interest. Included in the collection are political prints and drawings, satires, caricatures, cartoon strips and panels, and periodical illustrations by more than 500 artists, most of whom are American. The 2,085 items range from 1780-1977, with the bulk falling between 1890-1970. The Collection includes 1,922 drawings, 124 prints, 14 paintings, 13 animation cels, 9 collages, 1 album, 1 photographic print, and 1 scrapbook.
Author: Malcolm Cook
Publisher: Springer
ISBN: 3319734296
Category : Performing Arts
Languages : en
Pages : 282
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Book Description
This book is the first history of British animated cartoons, from the earliest period of cinema in the 1890s up to the late 1920s. In this period cartoonists and performers from earlier traditions of print and stage entertainment came to film to expand their artistic practice, bringing with them a range of techniques and ideas that shaped the development of British animation. These were commercial rather than avant-garde artists, but they nevertheless saw the new medium of cinema as offering the potential to engage with modern concerns of the early 20th century, be it the political and human turmoil of the First World War or new freedoms of the 1920s. Cook’s examination and reassessment of these films and their histories reveals their close attention and play with the way audiences saw the world. As such, this book offers new insight into the changing understanding of vision at that time as Britain’s place in the world was reshaped in the early 20th century.
Author: Brian Maidment
Publisher: Routledge
ISBN: 1317062132
Category : Design
Languages : en
Pages : 194
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Book Description
Robert Seymour and Nineteenth-Century Print Culture is the first book-length study of the original illustrator of Dickens’s Pickwick Papers. Discussion of the range and importance of Seymour’s work as a jobbing illustrator in the 1820s and 1830s is at the centre of the book. A bibliographical study of his prolific output of illustrations in many different print genres is combined with a wide-ranging account of his major publications. Seymour’s extended work for The Comic Magazine, New Readings of Old Authors and Humorous Sketches, all described in detail, are of particular importance in locating the dialogue between image and text at the moment when the Victorian illustrated novel was coming into being.
