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Author: Fabian Zschiesche
Publisher: GRIN Verlag
ISBN: 3668465770
Category : Literary Criticism
Languages : en
Pages : 24
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Book Description
Seminar paper from the year 2012 in the subject English Language and Literature Studies - Literature, grade: 2,3, Friedrich-Alexander University Erlangen-Nuremberg, language: English, abstract: "Who is Fagin?" is not only a question one might come across when reading Charles Dickens’s "Oliver Twist" or watching one of its screen adaptations. In fact, this question has so far concerned different literary critics all approaching various aspects from his role as the "Jew" (Paganoni, Steyn, Morse), over the question whether he is actually villainous or not, to debates concerning gender issues (Foley) and therefore asking if he fulfils either a maternal or paternal role for the children of his gang. Without a doubt there is probably no other character in Charles Dickens‘s novel that offers so many points of critique and or possible interpretations. Although the main plot of the story is about Oliver Twist, it is Fagin who‘s depiction in the novel and later on screen adaptations gets most of the attention by reviews and discussions. Consequently in my term paper I will mainly deal with Fagin in Charles Dickens’s "Oliver Twist" and will focus on the way Fagin is depicted. Before going into detail on several very distinctive issues, I will analyse his behaviour, language and appearance in general throughout the novel. One of those distinctive issues is his special role for the children as he could be regarded not only as a villain figure but to a certain extent also as some caring paternal or maternal figure. Moreover the question about Fagin‘s depiction as the Jew will be taken care of in a very detailed way since this had been a extremely polarising issue throughout the ages. Since several of those aspect also come up in Ben Kingsley’s interpretation of his role as Fagin in Roman Polanski’s film version of the novel, I will also analyse whether Polanski’s Fagin is a ‘realistic’ adaptation of the character Dickens portrays in his novel or whether Polanski and Kingsley create their own Fagin and to what extent Polanski‘s adaptation shows similarities with and differences to the novel. Nevertheless I will mainly focus on Dickens’s Fagin and his importance for the story of Oliver.
Author: Fabian Zschiesche
Publisher: GRIN Verlag
ISBN: 3668465770
Category : Literary Criticism
Languages : en
Pages : 24
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Book Description
Seminar paper from the year 2012 in the subject English Language and Literature Studies - Literature, grade: 2,3, Friedrich-Alexander University Erlangen-Nuremberg, language: English, abstract: "Who is Fagin?" is not only a question one might come across when reading Charles Dickens’s "Oliver Twist" or watching one of its screen adaptations. In fact, this question has so far concerned different literary critics all approaching various aspects from his role as the "Jew" (Paganoni, Steyn, Morse), over the question whether he is actually villainous or not, to debates concerning gender issues (Foley) and therefore asking if he fulfils either a maternal or paternal role for the children of his gang. Without a doubt there is probably no other character in Charles Dickens‘s novel that offers so many points of critique and or possible interpretations. Although the main plot of the story is about Oliver Twist, it is Fagin who‘s depiction in the novel and later on screen adaptations gets most of the attention by reviews and discussions. Consequently in my term paper I will mainly deal with Fagin in Charles Dickens’s "Oliver Twist" and will focus on the way Fagin is depicted. Before going into detail on several very distinctive issues, I will analyse his behaviour, language and appearance in general throughout the novel. One of those distinctive issues is his special role for the children as he could be regarded not only as a villain figure but to a certain extent also as some caring paternal or maternal figure. Moreover the question about Fagin‘s depiction as the Jew will be taken care of in a very detailed way since this had been a extremely polarising issue throughout the ages. Since several of those aspect also come up in Ben Kingsley’s interpretation of his role as Fagin in Roman Polanski’s film version of the novel, I will also analyse whether Polanski’s Fagin is a ‘realistic’ adaptation of the character Dickens portrays in his novel or whether Polanski and Kingsley create their own Fagin and to what extent Polanski‘s adaptation shows similarities with and differences to the novel. Nevertheless I will mainly focus on Dickens’s Fagin and his importance for the story of Oliver.
Author: Fredrik Backman
Publisher: Simon and Schuster
ISBN: 1501160575
Category : Fiction
Languages : en
Pages : 96
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Book Description
A little book with a big heart—from the New York Times bestselling author of A Man Called Ove and Anxious People. “I read this beautifully imagined and moving novella in one sitting, utterly wowed, wanting to share it with everyone I know.” —Lisa Genova, bestselling author of Still Alice From the New York Times bestselling author of A Man Called Ove, My Grandmother Asked Me to Tell You She’s Sorry, Britt-Marie Was Here, and Anxious People comes an exquisitely moving portrait of an elderly man’s struggle to hold on to his most precious memories, and his family’s efforts to care for him even as they must find a way to let go. With all the same charm of his bestselling full-length novels, here Fredrik Backman once again reveals his unrivaled understanding of human nature and deep compassion for people in difficult circumstances. This is a tiny gem with a message you’ll treasure for a lifetime.
Author: Deborah Cartmell
Publisher: John Wiley & Sons
ISBN: 1118917537
Category : Literary Criticism
Languages : en
Pages : 450
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Book Description
This is a comprehensive collection of original essays that explore the aesthetics, economics, and mechanics of movie adaptation, from the days of silent cinema to contemporary franchise phenomena. Featuring a range of theoretical approaches, and chapters on the historical, ideological and economic aspects of adaptation, the volume reflects today’s acceptance of intertextuality as a vital and progressive cultural force. Incorporates new research in adaptation studies Features a chapter on the Harry Potter franchise, as well as other contemporary perspectives Showcases work by leading Shakespeare adaptation scholars Explores fascinating topics such as ‘unfilmable’ texts Includes detailed considerations of Ian McEwan’s Atonement and Conrad’s Heart of Darkness
Author: John Glavin
Publisher: Routledge
ISBN: 1351944568
Category : Literary Criticism
Languages : en
Pages : 613
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Book Description
From their first appearance in print, Dickens's fictions immediately migrated into other media, and particularly, in his own time, to the stage. Since then Dickens has continuously, apparently inexhaustibly, functioned as the wellspring for a robust mini-industry, sourcing plays, films, television specials and series, operas, new novels and even miniature and model villages. If in his lifetime he was justly called 'The Inimitable', since his death he has become just the reverse: the Infinitely Imitable. The essays in this volume, all appearing within the past twenty years, cover the full spectrum of genres. Their major shared claim to attention is their break from earlier mimetic criteria - does the film follow the novel? - to take the new works seriously within their own generic and historical contexts. Collectively, they reveal an entirely 'other' Dickensian oeuvre, which ironically has perhaps made Dickens better known to an audience of non-readers than to those who know the books themselves.
Author: Robert L. Patten
Publisher: Oxford University Press
ISBN: 0191061115
Category : Literary Criticism
Languages : en
Pages : 865
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Book Description
The Oxford Handbook of Charles Dickens is a comprehensive and up-to-date collection on Dickens's life and works. It includes original chapters on all of Dickens's writing and new considerations of his contexts, from the social, political, and economic to the scientific, commercial, and religious. The contributions speak in new ways about his depictions of families, environmental degradation, and improvements of the industrial age, as well as the law, charity, and communications. His treatment of gender, his mastery of prose in all its varieties and genres, and his range of affects and dramatization all come under stimulating reconsideration. His understanding of British history, of empire and colonization, of his own nation and foreign ones, and of selfhood and otherness, like all the other topics, is explained in terms easy to comprehend and profoundly relevant to global modernity.
Author: Georgina Campbell
Publisher:
ISBN: 9781578400157
Category : Literary Criticism
Languages : en
Pages : 68
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Book Description
The orphaned Oliver Twist falls in with thieves and pickpockets in Charles Dickens' novel of adventure, escapades, and some of the most beloved characters in literature. Full color illustrations.
Author: Andrew Whittaker
Publisher: Thorogood Publishing
ISBN: 1854186272
Category : British
Languages : en
Pages : 373
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Book Description
British culture is strewn with names that strike a chord the world over such as Shakespeare, Churchill, Dickens, Pinter, Lennon and McCartney. This book examines the people, history and movements that have shaped Britain as it now is, providing key information in easily digested chunks.
Author: Wyschogrod
Publisher: Wm. B. Eerdmans Publishing
ISBN: 9780802813558
Category : Religion
Languages : en
Pages : 272
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Book Description
Abraham's Promise presents a selection of important writings by noted Jewish philosopher-theologian Michael Wyschogrod, who is widely admired for his singular contributions to Jewish- Christian relations. Including several pieces never published before, this reader aptly captures the broad scope of Wyschogrod's work on Judaism and the Jewish-Christian encounter, collecting seminal essays, articles, and reviews that address such topics as the God of Abraham and the God of philosophy, sin and atonement, Judaism and the land, the Six Day War, Paul on Jews and Gentiles, and the theology of Karl Barth. An introductory essay by editor R. Kendall Soulen sets Wyschogrod's career and writings in context.
Author: Pankaj Kumar
Publisher: GRIN Verlag
ISBN: 3656895147
Category : Literary Criticism
Languages : en
Pages : 15
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Book Description
Research Paper (undergraduate) from the year 2013 in the subject English Language and Literature Studies - Literature, Jawaharlal Nehru University , course: Mphil, language: English, abstract: This paper will examine the treatment of children in the following novels of Dickens "Oliver Twist" (1839) and "David Copperfield" (1850). In my analysis of Dickens’ novels, I am going to deal with how poor children became a source of cheap labour and how they were forced to work in hard and tough conditions.
Author: Marc Napolitano
Publisher: Oxford University Press
ISBN: 0199364834
Category : Performing Arts
Languages : en
Pages : 305
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Book Description
When the show was first produced in 1960, at a time when transatlantic musical theatre was dominated by American productions, Oliver! already stood out for its overt Englishness. But in writing Oliver!, librettist and composer Lionel Bart had to reconcile the Englishness of his Dickensian source with the American qualities of the integrated book musical. To do so, he turned to the musical traditions that had defined his upbringing: English music hall, Cockney street singing, and East End Yiddish theatre. This book reconstructs the complicated biography of Bart's play, from its early inception as a pop musical inspired by a marketable image, through its evolution into a sincere Dickensian adaptation that would push English musical theatre to new dramatic heights. The book also addresses Oliver!'s phenomenal reception in its homeland, where audiences responded to the musical's Englishness with a nationalistic fervor. The musical, which has more than fulfilled its promise as one of the most popular English musicals of all time, remains one of the country's most significant shows. Author Marc Napolitano shows how Oliver!'s popularity has ultimately exerted a significant influence on two separate cultural trends. Firstly, Bart's adaptation forever impacted the culture text of Dickens's Oliver Twist; to this day, the general perception of the story and the innumerable allusions to the novel in popular media are colored heavily by the sights, scenes, sounds, and songs from the musical, and virtually every major adaptation of from the 1970s on has responded to Bart's work in some way. Secondly, Oliver! helped to move the English musical forward by establishing a post-war English musical tradition that would eventually pave the way for the global dominance of the West End musical in the 1980s. As such, Napolitano's book promises to be an important book for students and scholars in musical theatre studies as well as to general readers interested in the megamusical.
