Author: Maxim W. Furek
Publisher: iUniverse
ISBN: 0595463193
Category : Crafts & Hobbies
Languages : en
Pages : 246
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Book Description
Taking a hard, penetrating look at the despondent heart of darkness of the 1990s, The Death Proclamation of Generation X is a probing chronicle of America's thirteenth generation caught between the idealistic Baby Boomers and the well-financed Generation Y. Generation X was scapegoated and dismissed without the chance to prove themselves. Blending tenets of psychology, sociology, and cultural anthropology, author Maxim Furek offers a unique perspective to the post-modernist discourse by exploring the impact that personalities such as Andrew Wood, Kurt Cobain, Layne Staley, River Phoenix, Marilyn Manson, and Anna Nicole Smith left on that generation. Evaluating the psychological and sociological variables of goth, grunge, and heroin, Furek weaves a dark tapestry of this unique demographic group born between 1965 and 1978. The Death Proclamation of Generation X pieces together the complexities of Generation X to acknowledge their individuality, honor their existence, and to celebrate their future. They are a group with their own identity of music, attitude, and culture. The resilience of Generation X is but another example of the power of this special collection of people-a group of highly skilled and adaptive individuals.
Author: Arthur Flannigan Saint-Aubin
Publisher: LSU Press
ISBN: 0807174696
Category : Music
Languages : en
Pages : 270
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Book Description
The year 2019 marked the twenty-fifth anniversary of the death of Kurt Cobain, an artist whose music, words, and images continue to move millions of fans worldwide. As the first academic study that provides a literary analysis of Cobain’s creative writings, Arthur Flannigan Saint-Aubin’s The Pleasures of Death: Kurt Cobain’s Masochistic and Melancholic Persona approaches the journals and songs crafted by Nirvana’s iconic front man from the perspective of cultural theory and psychoanalytic aesthetics. Drawing on critiques and reformulations of psychoanalytic theory by feminist, queer, and antiracist scholars, Saint-Aubin considers the literary means by which Cobain creates the persona of a young, white, heterosexual man who expresses masochistic and melancholic behaviors. On the one hand, this individual welcomes pain and humiliation as atonement for unpardonable sins; on the other, he experiences a profound sense of loss and grief, seeking death as the ultimate act of pleasure. The first-person narrators and characters that populate Cobain’s texts underscore the political and aesthetic repercussions of his art. Cobain’s distinctive version of grunge, understood as a subculture, a literary genre, and a cultural practice, represents a specific performance of race and gender, one that facilitates an understanding of the self as part of a larger social order. Saint-Aubin approaches Cobain’s writings independently of the artist’s biography, positioning these texts within the tradition of postmodern representations of masculinity in twentieth-century American fiction, while also suggesting connections to European Romantic traditions from the nineteenth century that postulate a relation between melancholy (or depression) and creativity. In turn, through Saint-Aubin’s elegant analysis, Cobain’s creative writings illuminate contradictions and inconsistencies within psychoanalytic theory itself concerning the intersection of masculinity, masochism, melancholy, and the death drive. By foregrounding Cobain’s ability to challenge coextensive links between gender, sexuality, and race, The Pleasures of Death reveals how the cultural politics and aesthetics of this tragic icon’s works align with feminist strategies, invite queer readings, and perform antiracist critiques of American culture.
Author: Catherine Strong
Publisher: Routledge
ISBN: 1317124367
Category : Music
Languages : en
Pages : 192
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Book Description
Grunge has been perceived as the music that defined 'Generation X'. Twenty years after the height of the movement there is still considerable interest in its rise and fall, and its main figures such as Kurt Cobain and Courtney Love. As a form of 'retro' music it is even experiencing a resurgence, and Cobain remains an icon to many young music fans today. But what was grunge, and what has it become? This book explores how grunge has been remembered by the fans that grew up with it, and asks how memory is both formed by and forms popular culture. It looks at the relationship between media, memory and music fans and demonstrates how different groups can use and shape memory as part of an ongoing struggle for power in society. Grunge was the site of such a struggle, as popular music so often is, with the young people of the time asking questions about their place in the world and the way society is organized. This book examines what these questions were, and what has happened to them over time. It shows that although grunge challenged many social structures, the way it, and youth itself, are remembered often work to reinforce the status quo.
Author: Kevin Mattson
Publisher: Oxford University Press
ISBN: 0190908246
Category : Music
Languages : en
Pages : 417
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Book Description
Many remember the 1980s as the era of Ronald Reagan, a conservative decade populated by preppies and yuppies dancing to a soundtrack of electronic synth pop music. In some ways, it was the "MTV generation." However, the decade also produced some of the most creative works of punk culture, from the music of bands like the Minutemen and the Dead Kennedys to avant-garde visual arts, literature, poetry, and film. In We're Not Here to Entertain, Kevin Mattson documents what Kurt Cobain once called a "punk rock world" --the all-encompassing hardcore-indie culture that incubated his own talent. Mattson shows just how widespread the movement became--ranging across the nation, from D.C. through Ohio and Minnesota to LA--and how democratic it was due to its commitment to Do-It-Yourself (DIY) tactics. Throughout, Mattson puts the movement into a wider context, locating it in a culture war that pitted a blossoming punk scene against the new president. Reagan's talk about end days and nuclear warfare generated panic; his tax cuts for the rich and simultaneous slashing of school lunch program funding made punks, who saw themselves as underdogs, seethe at his meanness. The anger went deep, since punks saw Reagan as the country's entertainer-in-chief; his career, from radio to Hollywood and television, synched to the very world punks rejected. Through deep archival research, Mattson reignites the heated debates that punk's opposition generated in that era-about everything from "straight edge" ethics to anarchism to the art of dissent. By reconstructing the world of punk, Mattson demonstrates that it was more than just a style of purple hair and torn jeans. In so doing, he reminds readers of punk's importance and its challenge to simplistic assumptions about the 1980s as a one-dimensional, conservative epoch.
Author: Karl Spracklen
Publisher: Emerald Group Publishing
ISBN: 1787439305
Category : Social Science
Languages : en
Pages : 214
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Book Description
In this book, Spracklen and Spracklen use the idea of collective memory to explore the controversies and boundary-making surrounding the genesis and progression of the modern gothic alternative culture. They suggest that the only way for goth culture to survive is if it becomes transgressive and radical again.
Author: W. J. Rorabaugh
Publisher: Cambridge University Press
ISBN: 1107049237
Category : History
Languages : en
Pages : 249
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Book Description
This short overview of the United States hippie social movement examines hippie beliefs and practices.
Author:
Publisher: PediaPress
ISBN:
Category :
Languages : en
Pages : 365
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Book Description
Author: Mary Beth Ray
Publisher: Springer Nature
ISBN: 3031552172
Category :
Languages : en
Pages : 231
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Book Description
Author:
Publisher: PediaPress
ISBN:
Category :
Languages : en
Pages : 463
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Book Description
Author: Maxim W. Furek
Publisher: Untold Publishing
ISBN:
Category : Body, Mind & Spirit
Languages : en
Pages : 230
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Book Description
"Paranormal author and rock journalist Maxim Furek has emerged as the 21st-century incarnation of John Keel. In "The Lost Tribes of Bigfoot," Furek explores the uncharted waters surrounding the cryptid's forbidden realm in a rousing and controversial exposé." - Doug Hajicek, MonsterQuest In his latest book, Maxim Furek, a former psychologist and rock journalist, delves into the intriguing world of Bigfoot synchronicity, embracing interdimensional theories, mass hallucinations, and Jung's collective unconscious. Furek's dedication to the subject is evident in the hundreds of accounts from researchers who strive to answer the question, "If it's not flesh and blood, then what is it?" This question forms the heart of the author's evocative thesis as he tirelessly scours American and Canadian records for evidence of this elusive cryptid. For centuries, early newspapers printed accounts of bipedal creatures, variously listed as "Wild Men," "Hairy Giants," or "Sasquatch," a narrative that has expanded into a larger scientific, religious, and paranormal reality. This reality, as Furek presents it, is a complex web of scientific theories, religious interpretations, and paranormal phenomena that intersect in the study of Bigfoot. Furek's investigation into the tribes of true believers congregating at conferences, campsites, and online websites is a testament to their shared philosophy and "Bigfoot's sociocultural energy." He takes issue with hoaxers, whom he charges "have sold their souls," but his respect for the believers is unwavering. The author challenges traditional beliefs about Bigfoot and encourages readers to embrace the seemingly impossible. After reading this book, your perspective on Sasquatch will be forever changed as you look at traditional science, anthropology, and religion through a different lens and with a different expectation.
