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Author: Leo Bersani
Publisher: Cambridge University Press
ISBN: 9780521115674
Category : Literary Criticism
Languages : en
Pages : 0
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Book Description
In this highly original and provocative study, Bersani takes us away from the interpretative questions which the competing critics of Mallarmé familiarly raise, and explores a fundamental paradox within his work as a whole. On the one hand Mallarmé can be taken as a prime example of textual imperialism in modern literature: his hermetic poems seem to demand ever more interpretative ingenuity from his readers and to provide a foretaste of the supreme Book which he dreamed of - 'the Orphic explanation of the Earth'. On the other hand he mounted an extraordinary assault on literature's claims to importance. He went so far as to propose a view of literature as an essentially wordless fiction incapable both of communicating the nature of reality and of producing knowledge of reality. He comes to be engaged in the somewhat eerie strategy of celebrating literature as a way of burying it. He does not, however, give up writing; in fact, he begins what Leo Bersani considers to be his revolutionary subversion of literature at the very moment when he becomes a man of letters. In tracing this paradox, Bersani brings fresh insights to much of Mallarmé's work and suggests a unique way of understanding Mallarmé's place in modern literature.
Author: Leo Bersani
Publisher: Cambridge University Press
ISBN: 9780521115674
Category : Literary Criticism
Languages : en
Pages : 0
Get Book Here
Book Description
In this highly original and provocative study, Bersani takes us away from the interpretative questions which the competing critics of Mallarmé familiarly raise, and explores a fundamental paradox within his work as a whole. On the one hand Mallarmé can be taken as a prime example of textual imperialism in modern literature: his hermetic poems seem to demand ever more interpretative ingenuity from his readers and to provide a foretaste of the supreme Book which he dreamed of - 'the Orphic explanation of the Earth'. On the other hand he mounted an extraordinary assault on literature's claims to importance. He went so far as to propose a view of literature as an essentially wordless fiction incapable both of communicating the nature of reality and of producing knowledge of reality. He comes to be engaged in the somewhat eerie strategy of celebrating literature as a way of burying it. He does not, however, give up writing; in fact, he begins what Leo Bersani considers to be his revolutionary subversion of literature at the very moment when he becomes a man of letters. In tracing this paradox, Bersani brings fresh insights to much of Mallarmé's work and suggests a unique way of understanding Mallarmé's place in modern literature.
Author: Stéphane Mallarmé
Publisher:
ISBN: 9781878972422
Category : Poetry
Languages : en
Pages : 240
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Book Description
The French poet Stephane Mallarme (1842-1898) was modernism's great champion of the book as both a conceptual and material entity: probably his most famous pronouncement is 'everything in the world exists in order to end up as a book.' The Book was Mallarme's total artwork, a book to encompass all books. Frequently quoted, sometimes excerpted, but never before translated in its entirety, The Book is a visual poem about its own construction, the scaffolding of a cosmic architecture intended to reveal 'all existing relations between everything.'
Author: Stéphane Mallarmé
Publisher: New Directions Publishing
ISBN: 9780811215930
Category : Poetry
Languages : en
Pages : 222
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Book Description
An immensely moving poetic work addressing inconsolable sorrow: a father's pain over the death of his child. Bilingual.
Author: Stéphane Mallarmé
Publisher: Routledge
ISBN: 9780415967679
Category :
Languages : en
Pages : 0
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Book Description
"In October 1879 Stephane Mallarme's eight-year-old son Anatole died after several months of illness. Mallarme (1842-1898), the great poet of French Symbolism, heir of Baudelaire and one of the founders of modern poetry, made notes towards a poem that was to become the Tombeau d'Anatole - Anatole's Tomb. The poem was never written, and Mallarme makes no reference to the project in his correspondence. When they were first published in French in 1961, the notes revealed a largely unknown side of Mallarme, which even now disturbs the idea of the poet of pristine impersonality and detachment. In the Tombeau d'Anatole he expresses his 'fury against the formless'; the consolations - and inconsolability - of bereavement."--BOOK JACKET.
Author: Anna Sigrídur Arnar
Publisher:
ISBN: 9780226027012
Category : Artists' books
Languages : en
Pages : 0
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Book Description
Anna Sigrídur Arnar explores how the book became a stretegic site for encouraging a modern public to actively partake in the creative act, an idea that informed later 20-century developments such as conceptual and performance art.
Author: Leo Bersani
Publisher: University of California Press
ISBN: 0520368762
Category : Literary Criticism
Languages : en
Pages : 160
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Book Description
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1977.
Author: Stéphane Mallarmé
Publisher:
ISBN: 9781950268948
Category : Design
Languages : en
Pages : 0
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Book Description
A contemporary and authentically designed translation of one of Stéphane Mallarmé's most famous poems.
Author: Stéphane Mallarmé
Publisher: Univ of California Press
ISBN: 0520268148
Category : Literary Criticism
Languages : en
Pages : 304
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Book Description
In this classic tale, Richard Kim paints seven vivid scenes from a boyhood and early adolescence in Korea at the height of the Japanese occupation, 1932 to 1945. Taking its title from the grim fact that the occupiers forced the Koreans to renounce their own names and adopt Japanese names instead, the book follows one Korean family through the Japanese occupation to the surrender of the Japanese empire. Lost Names is at once a loving memory of family and a vivid portrayal of life in a time of anguish.
Author: R. Howard Bloch
Publisher: Liveright Publishing
ISBN: 1631490869
Category : Literary Criticism
Languages : en
Pages : 384
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Book Description
In the tradition of The Swerve comes this thrilling, detective-like work of literary history that reveals how a poem created the world we live in today. It was, improbably, the forerunner of our digital age: a French poem about a shipwreck published in 1897 that, with its mind-bending possibilities of being read up and down, backward and forward, even sideways, launched modernism. Stéphane Mallarmé’s "One Toss of the Dice," a daring, twenty-page epic of ruin and recovery, provided an epochal “tipping point,” defining the spirit of the age and anticipating radical thinkers of the twentieth century, from Albert Einstein to T. S. Eliot. Celebrating its intrinsic influence on our culture, renowned scholar R. Howard Bloch masterfully decodes the poem still considered among the most enigmatic ever written. In Bloch’s shimmering portrait of Belle Époque Paris, Mallarmé stands as the spiritual giant of the era, gathering around him every Tuesday a luminous cast of characters including Émile Zola, Victor Hugo, Claude Monet, André Gide, Claude Debussy, Oscar Wilde, and even the future French prime minister Georges Clemenceau. A simple schoolteacher whose salons and prodigious literary talent won him the adoration of Paris’s elite, Mallarmé achieved the reputation of France’s greatest living poet. He was so beloved that mourners crowded along the Seine for his funeral in 1898, many refusing to depart until late into the night, leaving Auguste Renoir to ponder, “How long will it take for nature to make another such a mind?” Over a century later, the allure of Mallarmé’s linguistic feat continues to ignite the imaginations of the world’s greatest thinkers. Featuring a new, authoritative translation of the French poem by J. D. McClatchy, One Toss of the Dice reveals how a literary masterpiece launched the modernist movement, contributed to the rise of pop art, influenced modern Web design, and shaped the perceptual world we now inhabit. And as Alex Ross remarks in The New Yorker, "If you can crack [Mallarmé’s] poems, it seems, you can crack the riddles of existence." In One Toss of the Dice, Bloch finally, and brilliantly, dissects one of literary history’s greatest mysteries to reveal how a poem made us modern.
Author: Stphane Mallarm
Publisher: Harvard University Press
ISBN: 0674032403
Category : Literary Criticism
Languages : en
Pages : 313
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Book Description
"This is a book just the way I don't like them," the father of French Symbolism, Stphane Mallarm, informs the reader in his preface to Divagations: "scattered and with no architecture." On the heels of this caveat, Mallarm's diverting, discursive, and gorgeously disordered 1897 masterpiece tumbles forth--and proves itself to be just the sort of book his readers like most. The salmagundi of prose poems, prose-poetic musings, criticism, and reflections that is Divagations has long been considered a treasure trove by students of aesthetics and modern poetry. If Mallarm captured the tone and very feel of fin-de-sicle Paris, he went on to captivate the minds of the greatest writers of the twentieth century--from Valry and Eliot to Paul de Man and Jacques Derrida. This was the only book of prose he published in his lifetime and, in a new translation by Barbara Johnson, is now available for the first time in English as Mallarm arranged it. The result is an entrancing work through which a notoriously difficult-to-translate voice shines in all of its languor and musicality. Whether contemplating the poetry of Tennyson, the possibilities of language, a masturbating priest, or the transporting power of dance, Mallarm remains a fascinating companion--charming, opinionated, and pedantic by turns. As an expression of the Symbolist movement and as a contribution to literary studies, Divagations is vitally important. But it is also, in Johnson's masterful translation, endlessly mesmerizing.
