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Author: Katherine Borland
Publisher: University of Arizona Press
ISBN: 0816551154
Category : Social Science
Languages : en
Pages : 238
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Book Description
Masaya, a provincial capital of Nicaragua, cultivates an aggressively traditional identity that contrasts with Managua’s urban modernity. In 2001 the city was officially designated Capital of Nicaraguan Folklore, yet residents have engaged in a vibrant folk revival since at least the 1960s. This book documents the creative innovations of Masaya’s performing artists. The first extended study in English of Nicaraguan festival arts, Unmasking Class, Gender, and Sexuality in Nicaraguan Festival is an ethnographically and historically grounded inquiry into three festival enactments during the Somoza, Sandinista, and Neoliberal periods: the carnivalesque torovenado masquerades, the transvestite Negras marimba dances, and the wagon pilgrimage to Popoyuapa. Through a series of interlinked essays, Katherine Borland shows that these enactments constitute a people’s theater, articulating a range of perspectives on the homegrown and the global; on class, race, and ethnicity; on gender and sexuality; and on religious sensibilities. Borland’s book is a case study of how the oppositional power of popular culture resides in the process of cultural negotiation itself as communities deploy cherished traditions to assert their difference from the nation and the world. It addresses both the gendered dimensions of a particular festival masquerade and the ways in which sexuality is managed in traditional festival transvestism. It demonstrates how performativity and theatricality interact to negotiate certain crucial realities in a festival complex. By showing how one locale negotiates, incorporates, and resists globally circulating ideas, identities, and material objects, it makes a major contribution to studies of ritual and festival in Latin America.
Author: Katherine Borland
Publisher: University of Arizona Press
ISBN: 0816551154
Category : Social Science
Languages : en
Pages : 238
Get Book Here
Book Description
Masaya, a provincial capital of Nicaragua, cultivates an aggressively traditional identity that contrasts with Managua’s urban modernity. In 2001 the city was officially designated Capital of Nicaraguan Folklore, yet residents have engaged in a vibrant folk revival since at least the 1960s. This book documents the creative innovations of Masaya’s performing artists. The first extended study in English of Nicaraguan festival arts, Unmasking Class, Gender, and Sexuality in Nicaraguan Festival is an ethnographically and historically grounded inquiry into three festival enactments during the Somoza, Sandinista, and Neoliberal periods: the carnivalesque torovenado masquerades, the transvestite Negras marimba dances, and the wagon pilgrimage to Popoyuapa. Through a series of interlinked essays, Katherine Borland shows that these enactments constitute a people’s theater, articulating a range of perspectives on the homegrown and the global; on class, race, and ethnicity; on gender and sexuality; and on religious sensibilities. Borland’s book is a case study of how the oppositional power of popular culture resides in the process of cultural negotiation itself as communities deploy cherished traditions to assert their difference from the nation and the world. It addresses both the gendered dimensions of a particular festival masquerade and the ways in which sexuality is managed in traditional festival transvestism. It demonstrates how performativity and theatricality interact to negotiate certain crucial realities in a festival complex. By showing how one locale negotiates, incorporates, and resists globally circulating ideas, identities, and material objects, it makes a major contribution to studies of ritual and festival in Latin America.
Author: Alex Solis
Publisher:
ISBN: 9780997308105
Category :
Languages : en
Pages :
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Book Description
Ever wonder if the characters you see on TV, in movies and in comic books are hiding something behind their masks? That perhaps they're really someone -- or something -- else? When pop culture is such a huge part of our lives, we're bombarded with these characters everywhere we turn. Each time we see a new character in a movie, video game or commercial, we feel a sudden sense deja vu. There's something about their goofy grin, that creepy laugh, or those boogly eyes that feels eerily familiar...This got me thinking. Is anything we see ever 100% original? Or is everything we experience really just our minds piecing together past experiences to create something that feels unique and new?In Icons Unmasked, I'm trying to bring a new sense of discovery to characters everyone has seen hundreds of times. I wanted to recreate the experience of what it might be like to see one iconic character from your childhood for the first time as an adult. Proceed at your own caution and keep in mind the following illustrations cannot be unseen. Your childhood might possibly be destroyed forever
Author: R.M. Soedarsono
Publisher: UGM PRESS
ISBN: 979420174X
Category : Performing Arts
Languages : en
Pages : 483
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Book Description
Preface I have been teaching the history of performing arts and Javanese dance, Yogyakarta style, for twenty years, and there have always been two features of this history that made me think and rethink: (1) wayang wong was never performed outside the palace’s walls until the first quarter of the twentieth century, becase it was considered a pusaka (sacred heiloom): and (2) wayang wong performances were always put on the Tratag Bangsal Kĕncana stage and started at dawn. Numerous ex-wayang wong dancers of the Yogyakarta court gave me the same answers to my questions about hese facts. They said that: (1) wayang wong was a pusaka because it was created by Sultan Hamĕngkubuwana I; and (2) wayang wong performances we put on stage at the dawn of the day because it was karsa-Dalĕm, the Sultan’s will. In my opinion, there must be something particularly significant behind the creation of wayang wong, because the Surakarta court never performed this dance genre, and I realized that to obtain satisfactory answers to these questions I would have to do extensive research on this subject. In August, 1977, when I participated in the World Music Congress at Berkeley, I met Professor Judith Becker. On onve occasion I taled with her concerning the possibility of my pursuin a Ph.D. degree at the University of Michigan with a dissertation topic, “Wayang Wong”. She responded wholeheartedly and, without any delay, made a long distance call to her husband, Professor Alton L. Becker. Both of them became my teachers, advisors and co-chairmen. After my return from Berkeley I started to do research on some aspects of wayang wong. In 1980 I began my course work in Southeast Asian Studies at the University of Michigan emphasizing three areas of study: (1) Southeast Asian Performance Traditions; (2) Southeast Asian History; and (3) Southeast Asian Literature. With the assistance of the Asian Cultural Council I continued my research at the Asia Society and the Library of Performing Arts in New York. There I scrutinized wayang wong films, especially the one of the lakon Mintaraga made by Mr. Tassilo Adam in 1926. Although the film is very choppy, it gave me priceless information about he magnificent production and also about the large audience of kawula-Dalĕm, the Sultan’s subjects. Who witnessed the perfor-mance. With the assistance of the Asian Cultural Council, the Ford Foundation and the University of Michigan I returned to Java during the summer of 1981 to continue by research at the Yogya-karta court libraries. The Sanabudaya Museum, and to interview numerous ex-wayang wong dancers. From these activities the first evidence for my hypothesis emerged, i.e., that wayang wong was a state ritual and not just a mere entertainment in the Yogyakarta court. By reading numerous wayang wong texts –Sĕrat Kandha and Sĕrat Pocapan, all in Javanese handwriting--, manuscripts about he Yogyakarta’s pusakas, and by analysing the conception of kingship of Mataram, I obtainded enough data to confirm my hypothesis further. It became apparent to me that wayang wong was created by Sultan Hamĕngkubuwana I in the late 1970’s as a revival of the Old javanese wayang wang. Photographs play a significant role in this work, since visual information about this dance drama gives us a clear image of numerous scenes. With the exception of figures nos. 1317, 69 and 84 all the photographs and pictures are from my own collection and drawing. Photographs are, nevertheless, motionless shots of dance movement and, therefore, cannot distinguish the movements of one character from another. Hence I have felt it necessary to put the basic movements of the twenty-one wayang wong types of character in Labanotation.
Author: Isabelle Goddard
Publisher: Harlequin
ISBN: 037330661X
Category : Man-woman relationships
Languages : en
Pages : 282
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Book Description
Jack Beaufort, Earl of Frensham, is taking an enforced sojourn in the country. He hardly expects to confront a highwayman in this quiet retreat. Or to discover, when he lays hands on the villain, a form that is undeniably female.
Author: Teresa Southwick
Publisher: Harlequin
ISBN: 1488093873
Category : Fiction
Languages : en
Pages : 241
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Book Description
Releasing his inner cowboy Rust Creek Ramblings Rugged ex-marine Brendan Tanner and his muscles recently took up residence at the Stockton ranch, presumably for a short-term stay. Could Fiona O’Reilly make him rethink his wandering ways? The sparks between those two could light up all of Rust Creek Falls, if only they weren’t so darned wary of falling in love. Bundle up, dear readers, and warm your hearts as Fiona and Brendan try to find their way home—to each other!
Author: Peter Kaminsky
Publisher: University Rochester Press
ISBN: 1580463371
Category : Music
Languages : en
Pages : 354
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Book Description
Collection of critical and analytical scholarly essays on the music of Ravel by prominent scholars. Unmasking Ravel: New Perspectives on the Music fills a unique place in Ravel studies by combining critical interpretation and analytical focus. From the premiere of his works up to the present, Ravel has been associated with masks and the related notions of artifice and imposture. This has led scholars to perceive a lack of depth in his music and, consequently, to discourage investigation of his musical language. This volume balances and interweavesthese modes of inquiry. Part 1, "Orientations and Influences," illuminates the sometimes contradictory aesthetic, biographical, and literary strands comprising Ravel's artistry and our understanding of it. Part 2, "Analytical Case Studies," engages representative works from Ravel's major genres using a variety of methodologies, focusing on structural process and his complex relation to stylistic convention. Part 3, "Interdisciplinary Studies," integratesmusical analysis and art criticism, semiotics, and psychoanalysis in creating novel methodologies. Contributors include prominent scholars of Ravel's and fin-de-siècle music: Elliott Antokoletz, Gurminder Bhogal, Sigrun B. Heinzelmann, Volker Helbing, Steven Huebner, Peter Kaminsky, Barbara Kelly, David Korevaar, Daphne Leong, Michael Puri, and Lauri Suurpää. Peter Kaminsky is Professor of Music at the University of Connecticut, Storrs.
Author: Karl King
Publisher: Karl King
ISBN:
Category : Psychology
Languages : en
Pages : 125
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Book Description
UNRAVELING THE SECRETS OF DARK PSYCHOLOGY FOR PERSONAL GROWTH Discover how to decode human behavior, safeguard your mind and cultivate mental resilience in the face of manipulation and deception. Are you ready to uncover the mysteries behind manipulation and deception while enhancing your resilience and awareness? Have you ever felt unease delving into the darker aspects of human behavior? Empower yourself with the knowledge to defend against manipulative tactics and foster personal growth. "Dark Psychology Unmasked" delves into the intricate world of Dark Psychology; providing insights into manipulation; safeguarding your mind; and fostering resilience. With chapters on critical thinking, emotional intelligence and setting boundaries, "Dark Psychology Unmasked" equips you with practical strategies to navigate manipulative influences. You will discover: - Decoding Human Behavior - Navigate social interactions with heightened awareness. - Safeguarding Your Mind - Learn how to safeguard your mind against manipulation. - The Ethical Application of Dark Psychology - Foster empathy, improve communication skills and build meaningful connections Who will benefits from this guide? Curious individuals; psychologists; law enforcement professionals; and those interested in personal growth and ethical decisionmaking. What will readers gain? Readers will gain valuable insights into recognizing and defending against manipulative tactics; enhancing personal safety; and increasing awareness of potential deception in various interactions. Apply the knowledge gained to: 1) enhance personal safety 2) protect mental wellbeing 3) navigate interpersonal dynamics effectively ...And much more! TAKE THE FIRST STEP TOWARDS PERSONAL GROWTH AND RESILIENCE BY DIVING INTO "DARK PSYCHOLOGY UNMASKED" TODAY.
Author: Lynn C. Miller
Publisher: University of New Mexico Press
ISBN: 0826361714
Category : Fiction
Languages : en
Pages : 246
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Book Description
"The Unmasking is smart, irreverent, and wickedly tender."--Jesse Lee Kercheval, author of My Life as a Silent Movie: A Novel
Author: Teri Wilson
Publisher: Harlequin
ISBN: 1460330137
Category : Fiction
Languages : en
Pages : 218
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Book Description
Rival chocolatiers become lovers in this foodie romantic comedy from a USA Today–bestselling author. Ever since she was a little girl learning to make decadent truffles in her family’s chocolate shop, Juliet Arabella has been aware of the bitter feud between the Arabellas and the Mezzanottes. With their rival chocolate boutiques on the same street in Napa Valley, these families never mix. Until one night, when Juliet anonymously attends the annual masquerade ball. In a moonlit vineyard, she finds herself falling for a gorgeous stranger, a man who reminds her what passion is like outside of the kitchen. But her bliss is short-lived when she discovers her masked prince is actually Leo Mezzanotte, newly returned from Paris and the heir to her archenemy’s confection dynasty. With her mind in a whirl, Juliet leaves for Italy to represent the Arabellas in a prestigious chocolate competition. The prize money will help her family’s struggling business, and Juliet figures it’s a perfect opportunity to forget Leo—only to find him already there and gunning for victory. As they compete head-to-head, Leo and Juliet’s fervent attraction boils over. But Juliet’s not sure whether to trust her adversary, or give up on the sweetest love she’s ever tasted. . . .
Author: Elizabeth Keysian
Publisher: Entangled: Scandalous
ISBN: 1633759725
Category : Fiction
Languages : en
Pages : 278
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Book Description
Oxfordshire, England, 1821 Devastated by the disappearance of his sister, the Earl of Stranraer has gone to extraordinary lengths to find the notorious rake responsible, and enters his household incognito to wreak his vengeance. But his enemy has an unexpected protector--the innocent but headstrong Miss Cassandra Blythe. Cassie is determined to learn the art of seduction. But she is blindsided by her body's thrilling response to the wrong man--a mysterious servant who shows up at the most inauspicious moments to spoil her lessons in love with warnings of her imminent ruin. When she learns the handsome servant's identity and the reason for his deception, she resolves to help Stranraer, but only if he abandons his vow to destroy his enemy. The earl is sorely tempted to give the meddlesome beauty a lesson in seduction she'll never forget. But she turns the tables, and he gets his own lesson in forgiveness...and love. Each book in the Wayward in Wessex series is STANDALONE: * Distracting the Duke * Unmasking the Earl * Vanquishing the Viscount
