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Author: Brigitte Léal
Publisher:
ISBN: 9783777432625
Category : Avant-garde (Aesthetics)
Languages : en
Pages : 0
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Book Description
'The Cubist Cosmos' traces the development of Cubsm between 1907 and 1917. The publciation reveals the boundless innovative power of the works of Pablo Picasso and Geoprges Braque. it also shows how the Cubist pictorial language was received and advanced by the artists of the Parisian avant-garde--such as Fernand Léger and Sonia Delaunay--and how it evolved into the colourful large-format pictures. The volume reflects not only the enormous range of this stylistic direction but also its revolutionary potential, which went on to influence the further development of twentieth-century art.
Author: Brigitte Léal
Publisher:
ISBN: 9783777432625
Category : Avant-garde (Aesthetics)
Languages : en
Pages : 0
Get Book Here
Book Description
'The Cubist Cosmos' traces the development of Cubsm between 1907 and 1917. The publciation reveals the boundless innovative power of the works of Pablo Picasso and Geoprges Braque. it also shows how the Cubist pictorial language was received and advanced by the artists of the Parisian avant-garde--such as Fernand Léger and Sonia Delaunay--and how it evolved into the colourful large-format pictures. The volume reflects not only the enormous range of this stylistic direction but also its revolutionary potential, which went on to influence the further development of twentieth-century art.
Author:
Publisher: Univ. Press of Mississippi
ISBN: 9781617033377
Category :
Languages : en
Pages : 328
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Book Description
Author: Giovanni Casini
Publisher: Penn State Press
ISBN: 0271096020
Category : Art
Languages : en
Pages : 255
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Book Description
The history of modernism has generally been written as a story of artists and their creations alongside the collectors, gallerists, and curators who supported them. This is especially true of Cubism, where the received narrative centers on a tightly circumscribed group of artists and agents connected to the dealer Daniel-Henry Kahnweiler. Léonce Rosenberg’s Cubism shakes up the canon, revealing its artificial nature and pointing to a different, more inclusive understanding of the development of Cubism. Kahnweiler’s Cubism was narrowly focused. In contrast, Giovanni Casini shows us, the influential art dealer Léonce Rosenberg bought virtually any piece that could be labeled “Cubist” and proposed a radically different understanding of the movement. At Rosenberg’s Galerie L’Effort Moderne in Paris, artists such as Joseph Csáky, Auguste Herbin, Jean Metzinger, Diego Rivera, Gino Severini, and Georges Valmier were accorded the same treatment as Pablo Picasso or Georges Braque. In this book, Casini considers Rosenberg’s contribution to the history of Cubism, reflecting on the ways in which artistic movements are manufactured—and interpretive paradigms adopted. Deftly weaving biography with a scholarly analysis built on extensive archival research, Léonce Rosenberg’s Cubism is a fresh look at the history of interwar modernism and the definitive study of a figure who has been unjustly sidelined in the history of art. It will be compulsory reading for scholars of Cubism and Modernism.
Author: Douglas Cooper
Publisher: Metropolitan Museum of Art
ISBN: 0714814482
Category : Art, Modern
Languages : en
Pages : 322
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Book Description
Cubism has been one of the most important and influential movements in twentieth-century art. In the eight years between 1906 and 1914, Cubism, and in particular Pablo Picasso and Georges Braque, were to change the technique and form of painting radically and for ever. Originating in Paris, the movement became a truly international force, and one with a profound impact on human visual experience. This book, illustrated with over 300 photographs, presents a vivid evocation of Cubism as a historic and aesthetic force. Copyright © Libri GmbH. All rights reserved.
Author: Guillaume Apollinaire
Publisher: Univ of California Press
ISBN: 9780520243545
Category : Art
Languages : en
Pages : 306
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Book Description
This is a new, authoritative translation and critical edition of one of the twentieth-century's most important and poetically resonant books on Picasso, Braque, Cubism, and the beginnings of modern art.
Author: Lynn Gamwell
Publisher: Princeton University Press
ISBN: 0691121125
Category : Art
Languages : en
Pages : 344
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Book Description
This sumptuous and stunningly illustrated book shows through words and images how directly, profoundly, and indisputably modern science has transformed modern art. Beginning in the mid-nineteenth century, a strange and exciting new world came into focus--a world of microorganisms in myriad shapes and colors, prehistoric fossils, bizarre undersea creatures, spectrums of light and sound, molecules of water, and atomic particles. Exploring the Invisible reveals that the world beyond the naked eye--made visible by advances in science--has been a major inspiration for artists ever since, influencing the subjects they choose as well as their techniques and modes of representation. Lynn Gamwell traces the evolution of abstract art through several waves, beginning with Romanticism. She shows how new windows into telescopic and microscopic realms--combined with the growing explanatory importance of mathematics and new definitions of beauty derived from science--broadly and profoundly influenced Western art. Art increasingly reflected our more complex understanding of reality through increasing abstraction. For example, a German physiologist's famous demonstration that color is not in the world but in the mind influenced Monet's revolutionary painting with light. As the first wave of enthusiasm for science crested, abstract art emerged in Brussels and Munich. By 1914, it could be found from Moscow to Paris. Throughout the book are beautiful images from both science and art--some well known, others rare--that reveal the scientific sources mined by Impressionist and Symbolist painters, Art Nouveau sculptors and architects, Cubists, and other nineteenth- and twentieth-century artists. With a foreword by astronomer Neil deGrasse Tyson, Exploring the Invisible appears in an age when both artists and scientists are exploring the deepest meanings of life, consciousness, and the universe.
Author: Lydia Gasman
Publisher: iUniverse
ISBN: 0595399002
Category : Art
Languages : en
Pages : 426
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Book Description
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Author: Susie Brooks
Publisher: Compass Point Books
ISBN: 0756562368
Category : Juvenile Nonfiction
Languages : en
Pages : 49
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Book Description
"First published in Great Britain in 2018 by Wayland"--Verso.
Author: John Golding
Publisher: Harvard University Press
ISBN:
Category : Art
Languages : en
Pages : 372
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Book Description
Cubism is one of the most significant turning points in the history of Western art. John Golding recapitulates the creative excitement of this revolution in pictorial concept and shows its influence and its place in the general history of twentieth century art. He describes the way Cubism evolved, from the early experiments of Picasso and Braque -- through the new techniques developed by these two sovereign creators and Gris -- to the dissemination of the style and the Cubist work of Léger, Delaunay, and others. In defining the characteristics of Cubism, Golding proceeds from the evidence of the paintings themselves, giving illuminating readings of major works. Halftone reproductions of 160 works illustrate the analysis. -- From publisher's description.
Author: Guillaume Apollinaire
Publisher: Parkstone International
ISBN:
Category : Art
Languages : en
Pages : 98
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Book Description
Les Demoiselles d'Avignon: five young women that changed modern art forever. Faces seen simultaneously from the front and in profile, angular bodies whose once voluptuous feminine forms disappear behind asymmetric lines - with this work, Picasso revolutionised the entire history of painting. Cubism was thus born in 1907. Transforming natural forms into cylinders and cubes, painters like Juan Gris and Robert Delaunay, led by Braque and Picasso, imposed a new vision upon the world that was in total opposition to the principles of the Impressionists. Largely diffused in Europe, Cubism developed rapidly in successive phases that brought art history to all the richness of the 20th-century: from the futurism of Boccioni to the abstraction of Kandinsky, from the Suprematism of Malevich to the Constructivism of Tatlin. Linking the core text of Guillaume Apollinaire with the studies of Dr Dorothea Eimert, this work offers a new interpretation of modernity's crucial moment and permits the reader to rediscover, through their biographies, the principal representatives of the movement.