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ISBN: 9785558637946
Category :
Languages : en
Pages :
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Author:
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ISBN: 9785558637946
Category :
Languages : en
Pages :
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Author: James BEGG (the Younger.)
Publisher:
ISBN:
Category : Music in churches
Languages : en
Pages : 286
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Author:
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ISBN: 9785558637809
Category :
Languages : en
Pages :
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Author: James Begg
Publisher: Puritan Publications
ISBN: 193746640X
Category : Religion
Languages : en
Pages : 180
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The Regulative Principle states that God alone determines the manner in which sinners are to approach him. More specifically, this work by the Scotsman James Begg applies the Regulative Principle and much scriptural proof to demonstrate that the use of musical instruments in the worship of God’s church in these latter days is, as Begg states, “indefensible.” Begg begins his work quoting John Calvin who says, “In Popery they employed organs and many other such ludicrous things, by which the Word and worship of God are exceedingly profaned.” Begg continues this sentiment throughout the entire work which is a powerful argument against most of contemporary worship that is seen each Sunday in modern churches – even those that “say” they stand on the Bible and the 1647 Westminster Confession. Chapters in this work include: The Scriptural Principle Which Regulates Christian Worship; The Inconsistent Use of Musical Instruments in the House of God Under the New Testament; The Impact of Art on Religion; Dancing in Worship; The Westminster Divines on the Greek term “psalmos,” and much more!
Author: James Glasgow
Publisher: Legare Street Press
ISBN: 9781021207265
Category :
Languages : en
Pages : 0
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Heart and Voice: Instrumental Music in Christian Worship Not Divinely Authorised is a detailed critique of the use of instrumental music in Christian worship. Drawing on the Bible, church history, and music theory, Glasgow argues that the use of instruments is incompatible with the spirit of true worship. A thought-provoking and challenging work for anyone interested in the role of music in religious practice. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Richard J. Coleman
Publisher: CSS Publishing
ISBN: 078801949X
Category : Religion
Languages : en
Pages : 161
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When was the last time you took a moment to consider the purpose and effectiveness of your children's sermons? After all, nothing is more important than sowing the seeds of faith early in life. In this comprehensive look at all aspects of preaching the gospel to young people, Richard Coleman challenges you to examine your approach with a critical eye and gives you plenty of practical guidance for developing simple, direct messages that help children form a relationship with Jesus Christ. In the first section of Gospel-Telling, Coleman discusses what constitutes meaningful children's sermons, offering a thoughtful rationale for the idea that we must proclaim the gospel so youngsters experience God's love. You'll learn how you can mine your own experience for inspiration and proclaim gospel stories that flow from your specific circumstances. Then in the second portion of the book you'll see this process at work, with over thirty examples illustrating several different types of children's sermons. Whether you're a pastor, Christian educator, or engaged in the teaching ministry, you're sure to profit from the practical advice and in-depth reflection in these pages. With Gospel-Telling, you'll be equipped to share with young people the good news -- with creativity and theological integrity. Gospel-Telling is an enriching book that treats children with the spiritual respect they deserve. Richard Coleman understands the transformative language of children -- play and metaphor -- and shows how our weekly children's sermons can reach the heart of the child and not simply the mind of the adult. This is a must-have resource for educators and pastors alike. Mickie O'Donnell Executive Director, Children's Ministries of America Richard Coleman understands the core of the biblical message as well as the learning processes of children and puts them together in theory and practice. This is a valuable treatment of a too long neglected topic. Rev. Ray Kostulias Pastor, First Congregational Church Park Ridge, New Jersey Author of Character Witness and I Witness Richard J. Coleman has served as the teaching minister of a university church, the pastor of a small-town congregation, and the director of an interdenominational inner-city Christian center. He has published children's sermons, leadership training articles, and seasonal devotionals, as well as books on the dialogue between science and theology and the dialogue between Evangelicals and Liberals. Coleman is a graduate of Johns Hopkins University and Princeton Theological Seminary.
Author: John Lafayette Girardeau
Publisher:
ISBN:
Category : Music in churches
Languages : en
Pages : 220
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Author:
Publisher:
ISBN:
Category : Church music
Languages : en
Pages : 252
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Author: John Lafayette Girardeau
Publisher: Theclassics.Us
ISBN: 9781230443805
Category :
Languages : en
Pages : 54
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This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1888 edition. Excerpt: ... II. Aegument Prom The Old Testament. In the Jewish dispensation God was pleased to proceed in accordance with the great principle which has been signalized, in regard to the introduction of instrumental music into the public worship of his people. He kept the ordering of this part of his formal and instituted worship in his own hands. There is positive proof that it was never made an element of that worship except by his express command. Without his warrant it was excluded; only with it was it employed. 1. Let us notice the operation of this principle with reference to the tabernacle-worship. Moses received the mode of constructing the tabernacle and the order of its worship by divine revelation. "See, saith he, that thou make all things according to the pattern showed to thee in the mount." It will be admitted that the instructions thus divinely given descended to the most minute details--the sort of fabrics and skins to be used, and their diverse colors, the pins, the ouches and the taches, the ablutions, the vestments and the actions of the officiating priests and Levites, the ingredients of the holy ointment and the incense, the parts, the arrangements, the instruments of worship, --to everything connected with the tabernacle these specific directions referred. Of course, if God had intended instrumental music to be employed, it would have been included in these particular directions; the instruments would have been specified for its performance, and regulations enjoined for its use. What, now, are the facts? No directions are given respecting instruments of music. Two instruments of sound are provided for, but they were of such a character as to make it impracticable to use them ordinarily as accompaniments of the voice in singing....
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ISBN: 9785558638042
Category :
Languages : en
Pages :
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