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Author: Anna Marie Roos
Publisher: Springer Nature
ISBN: 303109722X
Category : Science
Languages : en
Pages : 388
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Book Description
This book brings together leading scholars in the history of science, history of universities, intellectual history, and the history of the Royal Society, to honor Professor Mordechai Feingold. The essays collected here reflect the impact Feingold's scholarship has had on a range of fields and address several topics, including: the dynamic pedagogical techniques employed in early modern universities, networks of communication through which scientific knowledge was shared, experimental techniques and knowledge production, the life and times of Isaac Newton, Newton's reception, and the scientific culture of the Royal Society. Modeling the interdisciplinary approaches championed by Feingold as well as the essential role of archival studies, the volume attests to the enduring value of his scholarship and sets a benchmark for future work in the history of science and its allied fields.
Author: Anna Marie Roos
Publisher: Springer Nature
ISBN: 303109722X
Category : Science
Languages : en
Pages : 388
Get Book Here
Book Description
This book brings together leading scholars in the history of science, history of universities, intellectual history, and the history of the Royal Society, to honor Professor Mordechai Feingold. The essays collected here reflect the impact Feingold's scholarship has had on a range of fields and address several topics, including: the dynamic pedagogical techniques employed in early modern universities, networks of communication through which scientific knowledge was shared, experimental techniques and knowledge production, the life and times of Isaac Newton, Newton's reception, and the scientific culture of the Royal Society. Modeling the interdisciplinary approaches championed by Feingold as well as the essential role of archival studies, the volume attests to the enduring value of his scholarship and sets a benchmark for future work in the history of science and its allied fields.
Author: The Center for Medieval and Renaissance Studies
Publisher: Univ of California Press
ISBN: 0520327322
Category : History
Languages : en
Pages : 487
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Book Description
Author: Wigan (England). Free Public Library. Reference Dept
Publisher:
ISBN:
Category :
Languages : en
Pages : 352
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Book Description
Author: Pamela Edwards
Publisher: Columbia University Press
ISBN: 023113178X
Category : History
Languages : en
Pages : 307
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Book Description
This innovative book examines the fundamental continuities in Samuel Taylor Coleridge's writing during the revolutionary period of 1794 through 1834 to demonstrate his importance as a political philosopher and to recover romanticism as both an aesthetic and political movement.
Author: Peter Betjemann
Publisher: University of Virginia Press
ISBN: 081393169X
Category : Literary Criticism
Languages : en
Pages : 381
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Book Description
Describing everything from bread and cappuccinos to mass-market furnishings, a language of the "artisanal" saturates our culture today. That language, Peter Betjemann proposes, has a rich and specifiable history. Between 1840 and 1920, the cultural appetite for handmade chairs, tables, cabinets, and other material odds and ends flowed through narrative and texts as much as through dusty workshops or the physical surfaces of clay, wood, or metal. Judged by classic axioms about labor’s virtue—axioms originating with Plato and foundational to modern theories of workmanship—the vigorous life of craft as represented in these texts might seem a secondhand version of an ideal and purposeful activity. But Talking Shop celebrates these texts as a cultural phenomenon of their own. In the first book to consider the literary representation of craft rather than of labor in general, Peter Betjemann asks how nineteenth and early twentieth-century craftspeople, writers, and consumers managed craft’s traditional attachment to physical objects and activities while also celebrating craft in iconic, emblematic, preeminently textual terms. The durable model of workmanship that was created around correlations of craft and narrative, physical process and representation, and body and text blurred the boundaries between craft and its consumption. Discussing a wide range of material from fiction and essays to artifacts, the book explores how the era paved the way for the vitality and the viability of a language of craft in much later decades.
Author: Bentley Layton
Publisher: Yale University Press
ISBN: 0300208545
Category : Gnosticism
Languages : en
Pages : 761
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Book Description
A collection of extra-biblical scriptures written by the gnostics, updated with three ancient texts including the recently discovered Gospel of Judas This definitive introduction to the gnostic scriptures provides a crucial look at the theology, religious atmosphere, and literary traditions of ancient Christianity and Hellenistic Judaism. It provides authoritative translations of ancient texts from Greek, Latin, and Coptic, with introductions, bibliographies, and annotations. The texts are organized to reflect the history of gnosticism in the second through fourth centuries CE. This second edition provides updates throughout and adds three new ancient texts, including the recently discovered Gospel of Judas.
Author: Betsy Chunko-Dominguez
Publisher: BRILL
ISBN: 900434120X
Category : History
Languages : en
Pages : 201
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Book Description
English Gothic Misericord Carvings: History from the Bottom Up by Betsy Chunko-Dominguez is the first book to move beyond textual dependence and traditional iconographic analysis when examining misericords. It likewise builds the most thorough discussion to date of the relationship between the misericord’s several potential audiences – including patron, craftsman, occupant of the seat, and modern viewer. Beyond the bounds of misericord studies, there are implications here for study of the relationship between center and margin in late medieval art; and, indeed, what constitutes ‘center’ and ‘margin’ as conceptual realms. Ultimately, this book attempts both to re-integrate the study of misericords into the study of Gothic art in general, and to re-center them in relation to our understanding of late medieval culture.
Author: Irene Emery
Publisher: Thames and Hudson
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 364
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Book Description
1 Components of fabric structures ; 2 Classification of the structures of fabrics ; 3 Structures accessory to fabrics
Author:
Publisher: BRILL
ISBN: 9004315209
Category : History
Languages : en
Pages : 382
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Book Description
This collective study focuses on a unique anonymous medieval document on ornamental geometry featuring geometrical constructions and textual instructions in Persian. Selections from the unpublished work of Alpay Özdural (d. 2003) on this subject have been updated with original contributions by Jan P. Hogendijk, Elaheh Kheirandish, Gülru Necipoğlu, and Wheeler M. Thackston. The chapters interpreting this fascinating document are followed, for the first time, by a facsimile, transcription, and translation, as well as drawings of incised construction lines invisible in the photographed facsimile. This publication intersects with the current interest in Islamic geometrical patterning as an inspiration for tessellation and parametrically derived forms in contemporary architecture and the arts. It aims to make this celebrated source more accessible, given its multifaceted relevance to historians of art, architecture, and science, as well as mathematicians, physicists, artists, and architects. For those who wish to obtain a copy of the full, unedited original book manuscript of Alpay Özdural, where he discusses the mathematical properties of all geometrical constructions in the Anonymous Compendium as well as the step-by-step method for drawing each one, his work is available online at https://doi.org/10.6084/m9.figshare.5255416
Author: Carma Gorman
Publisher: Cambridge Scholars Publishing
ISBN: 1443809462
Category : Design
Languages : en
Pages : 200
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Book Description
In Objects, Audiences, and Literatures: Alternative Narratives in the History of Design, five art historians tap a variety of unexpected literary sources to reveal the dynamic relationship between intention and reception in architecture, interior design, costume, and the decorative arts. The essays consider both handcrafted and serially produced objects from the eighteenth to the mid-twentieth centuries, including a japanned high chest from colonial Boston, German and Austrian Artistic Dress, Tiffany lamps, the architecture of the 1925 Exposition Internationale des Arts Décoratifs et Industriels in Paris, and the “dream homes” portrayed in two popular postwar American films. The five chapters demonstrate that a complex and even contradictory mixture of stakeholders determines the meanings of designed objects. Each author examines popular forms of literature in order to reveal the preconceptions that viewers brought with them to the experience of looking at and using objects. The authors’ attentiveness to viewers’ class and gender provides a methodological model for approaching the study of reception within the field of design history. "Objects, Audiences, and Literatures introduces a new generation of historians of design and decorative arts with five superb case studies. Looking beyond the laconic historical data that has formed the backbone of scholarship in this field these authors plumb popular culture—films, advertisements, and especially novels—to understand contemporaneous meanings of objects. Using these polyglot sources with an eye particularly on narrative and gender they suss out heretofore unnoticed dissonances between the prescriptive pronouncements of avant-garde “insiders” and the reception that design innovation found in broader publics. These wide-ranging essays are marked by imagination, exuberance, and acuity; I look forward to using it in my teaching." —Margaretta M. Lovell, University of California, Berkeley "This is a welcome addition to the literature that addresses the growing scholarly and popular interest in design and design history. Drawing on an impressive array of examples, the authors explore how class, gender, and cultural context shaped the reception of architecture, interior design, costume, and the decorative arts at various moments in the modern era. The collection is noteworthy for the way each of the contributors draws upon literary sources for insights into design and material culture that transcend the specific examples under review. Models of methodological rigor, these essays should appeal to scholars in multiple disciplines." —Dennis P. Doordan, University of Notre Dame
