Author: William Thomas Lowndes
Publisher:
ISBN:
Category :
Languages : en
Pages : 628
Book Description
The Bibliographer's Manual of English Literature
“The” Bibliographer's Manual of English Literature, Containing an Account of Rare, Curious, and Useful Books, Published in Or Relating to Great Britain and Ireland, from the Invention of Printing
Author: William Thomas Lowndes
Publisher:
ISBN:
Category :
Languages : en
Pages : 296
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 296
Book Description
A Fortnights Ramble Through London
Author:
Publisher:
ISBN:
Category : London (England)
Languages : en
Pages : 104
Book Description
Publisher:
ISBN:
Category : London (England)
Languages : en
Pages : 104
Book Description
The Making of English Popular Culture
Author: John Storey
Publisher: Routledge
ISBN: 1317519663
Category : Social Science
Languages : en
Pages : 275
Book Description
The Making of English Popular Culture provides an account of the making of popular culture in the nineteenth century. While a form of what we might describe as popular culture existed before this period, John Storey has assembled a collection that demonstrates how what we now think of as popular culture first emerged as a result of the enormous changes that accompanied the industrial revolution. Particularly significant are the technological changes that made the production of new forms of culture possible and the concentration of people in urban areas that created significant audiences for this new culture. Consisting of fourteen original chapters that cover diverse topics ranging from seaside holidays and the invention of Christmas tradition, to advertising, music and popular fiction, the collection aims to enhance our understanding of the relationship between culture and power, as explored through areas such as ‘race’, ethnicity, class, sexuality and gender. It also aims to encourage within cultural studies a renewed historical sense when engaging critically with popular culture by exploring the historical conditions surrounding the existence of popular texts and practices. Written in a highly accessible style The Making of English Popular Culture is an ideal text for undergraduates studying cultural and media studies, literary studies, cultural history and visual culture.
Publisher: Routledge
ISBN: 1317519663
Category : Social Science
Languages : en
Pages : 275
Book Description
The Making of English Popular Culture provides an account of the making of popular culture in the nineteenth century. While a form of what we might describe as popular culture existed before this period, John Storey has assembled a collection that demonstrates how what we now think of as popular culture first emerged as a result of the enormous changes that accompanied the industrial revolution. Particularly significant are the technological changes that made the production of new forms of culture possible and the concentration of people in urban areas that created significant audiences for this new culture. Consisting of fourteen original chapters that cover diverse topics ranging from seaside holidays and the invention of Christmas tradition, to advertising, music and popular fiction, the collection aims to enhance our understanding of the relationship between culture and power, as explored through areas such as ‘race’, ethnicity, class, sexuality and gender. It also aims to encourage within cultural studies a renewed historical sense when engaging critically with popular culture by exploring the historical conditions surrounding the existence of popular texts and practices. Written in a highly accessible style The Making of English Popular Culture is an ideal text for undergraduates studying cultural and media studies, literary studies, cultural history and visual culture.
The Bibliographer's Manual of English Literature, Containing an Account of Rare, Curious, and Useful Books, Published in Or Relating to Great Britain and Ireland, from the Invention of Printing ... and the Prices at which They Have Been Sold in the Present Century
Author: William Thomas Lowndes
Publisher:
ISBN:
Category :
Languages : en
Pages : 298
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 298
Book Description
Catalogue of twelve thousand tracts, pamphlets and unbound books, in all branches of literature
Author: Thomas Rodd
Publisher:
ISBN:
Category : Booksellers' catalogs
Languages : en
Pages : 462
Book Description
Publisher:
ISBN:
Category : Booksellers' catalogs
Languages : en
Pages : 462
Book Description
Catalogue of Printed Books in the Library of the British Museum
Author: British Museum. Department of Printed Books
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 1028
Book Description
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 1028
Book Description
The Bibliographer's Manual of English Literature
Author: William Thomas Lowndes
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 892
Book Description
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 892
Book Description
The Jester's Magazine: Or, The Monthly Merrymaker
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 476
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 476
Book Description
Labyrinth of Digressions
Author: René Bosch
Publisher: Rodopi
ISBN: 9042022914
Category : Literary Criticism
Languages : en
Pages : 321
Book Description
With their appearance during the 1760s, the five instalments of Laurence Sterne's The Life and Opinions of Tristram Shandy, Gentleman caused something like a booksellers' hype. Small publishers and anonymous imitators seized on Sterne's success by bringing out great numbers of spurious new volumes, critical or ironic pamphlets, and works that in style and title express a congeniality with Tristram Shandy. This study explores these eighteenth-century imitations as indicators of contemporary assumptions about Sterne's intentions. Comparisons between the original, the first reactions, and a number of late eighteenth-century imitations, show that Tristram Shandy was initially read against the background of Augustan and Grub-street satire. The earliest imitators harked back to traditions of banter and folklore, bawdy and grotesque humour, pathetic stories and orthodox religiosity, reaffirming a pattern of moral and aesthetic values that was conservative for its time. Philosophical Sentimentalism appears to have been a late development. It is also argued that, partly because of their bad reputation, some of the authors of forgeries and parodies had a greater influence on the original than the reviewers to whom Sterne is often said to have listened. The imitators followed leads and themes in the first instalments, developing them according to their own conception of Sterne's project and the reasons for his success. As a consequence, they unintentially put a pressure on Sterne to alter his course, and even to abandon some of the narrative lines and themes he had set out for himself. The literature section contains a chronological checklist of English eighteenth-century Sterneana.
Publisher: Rodopi
ISBN: 9042022914
Category : Literary Criticism
Languages : en
Pages : 321
Book Description
With their appearance during the 1760s, the five instalments of Laurence Sterne's The Life and Opinions of Tristram Shandy, Gentleman caused something like a booksellers' hype. Small publishers and anonymous imitators seized on Sterne's success by bringing out great numbers of spurious new volumes, critical or ironic pamphlets, and works that in style and title express a congeniality with Tristram Shandy. This study explores these eighteenth-century imitations as indicators of contemporary assumptions about Sterne's intentions. Comparisons between the original, the first reactions, and a number of late eighteenth-century imitations, show that Tristram Shandy was initially read against the background of Augustan and Grub-street satire. The earliest imitators harked back to traditions of banter and folklore, bawdy and grotesque humour, pathetic stories and orthodox religiosity, reaffirming a pattern of moral and aesthetic values that was conservative for its time. Philosophical Sentimentalism appears to have been a late development. It is also argued that, partly because of their bad reputation, some of the authors of forgeries and parodies had a greater influence on the original than the reviewers to whom Sterne is often said to have listened. The imitators followed leads and themes in the first instalments, developing them according to their own conception of Sterne's project and the reasons for his success. As a consequence, they unintentially put a pressure on Sterne to alter his course, and even to abandon some of the narrative lines and themes he had set out for himself. The literature section contains a chronological checklist of English eighteenth-century Sterneana.