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Author: Sir D. MacCarthy
Publisher:
ISBN:
Category :
Languages : en
Pages : 169
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Author: Sir D. MacCarthy
Publisher:
ISBN:
Category :
Languages : en
Pages : 169
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Book Description
Author: Desmond MacCarthy
Publisher:
ISBN:
Category : Court Theatre (London, England)
Languages : en
Pages : 204
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Book Description
Author: Desmond MacCarthy
Publisher:
ISBN: 9781436629263
Category :
Languages : en
Pages : 188
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Book Description
This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.
Author: Desmond MacCarthy
Publisher: Legare Street Press
ISBN: 9781015313255
Category :
Languages : en
Pages : 204
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Book Description
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Desmond MacCarthy
Publisher:
ISBN: 9781330548349
Category : History
Languages : en
Pages : 190
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Book Description
Excerpt from The Court Theatre, 1904-1907: A Commentary and Criticism It may sometimes depress the critic to reflect how little influence he has upon the fate of the plays and books he criticizes, but this fact is the salvation of criticism, and often, let me hasten to add, the salvation of art. If the case were otherwise, and the critic knew his opinion had a direct effect upon the commercial success of a play, he could hardly bring himself to point out carefully the defects of a performance, which he thought, nevertheless, far better than its competitors for public favour. He would feel bound, in such a case, to consider the immediate effect of what he wrote, and this preoccupation would be fatal to criticism. Happily, we need not think of this. It is obvious that success is achieved independently of the opinion of critics; the sky is red with spreading, blazing reputations which their cold water is as powerless to quench as a fire-engine a prairie fire; nor can their unanimous praise always secure even a modicum of success. For instance, in March 1905, the Court Theatre Company produced a translation of Hauptmann's Bieber Pelz, called The Thieves' Comedy. It was a first-rate performance, and an exceptionally good play. The critics praised it with one accord; not only those who had begun to see in the Vedrenne-Barker management the most notable achievement in modern dramatic production, but also those who were reluctant to admit anything of the kind. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Desmond MacCarthy
Publisher: Scholar's Choice
ISBN: 9781297151033
Category :
Languages : en
Pages : 186
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Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Desmond MacCarthy
Publisher:
ISBN:
Category : Theater
Languages : en
Pages : 200
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Book Description
Author: Library Association
Publisher:
ISBN:
Category :
Languages : en
Pages : 328
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Book Description
Author: Desmond MacCarthy
Publisher: Andesite Press
ISBN: 9781296603564
Category :
Languages : en
Pages : 196
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Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: George Rowell
Publisher: Cambridge University Press
ISBN: 9780521319195
Category : Drama
Languages : en
Pages : 246
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Book Description
This is an account of the origins, development and current state of the repertory theatre movement in Britain. The movement had its roots in ideas, experiments and traditions stretching back into the nineteenth century, and first found its voice in 1907 with Miss Horniman's company in Manchester. Since then it has played a vital - often a dominant - role in British twentieth-century theatre. As a method of theatre organisation, repertory refers to those theatres based primarily in the regions, housing a resident acting company and seeking to maintain each season a programme of plays catering for the tastes of the whole community. But the theory has never been dogmatic and the movement has evolved from a gamut of complex factors, not least the visions of particular personalities. Major landmarks in the history include the effects of the two World Wars, the advent of substantial state funding for the Arts, the growth of cinema and television and the renewal of theatre's link with the community in the form of such initiatives as Theatre- in-Education. The history concludes with a detailed study of six representative regional theatres: The Nottingham Playhouse; The Citizens' Theatre, Glasgow; The Salisbury Playhouse; The Victoria Theatre, Stoke; The Everyman, Liverpool; and The Royal Exchange, Manchester. Appendixes include a Chronology, sample repertory programmes from the period, audience attendance figures and some comparative statistics about funding. Interspersed through the text are photographs of selected theatre exteriors, auditoria, stages and productions.
