The Windsor Beauties PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download The Windsor Beauties PDF full book. Access full book title The Windsor Beauties by Lewis Melville. Download full books in PDF and EPUB format.
Author: Lewis Melville
Publisher: Modern HIstory Press
ISBN: 1932690131
Category : History
Languages : en
Pages : 244
Get Book Here
Book Description
From the Preface to The Windsor Beauties: "The Duchess of York wished to have the portraits of the most beautiful women at Court," Anthony Hamilton wrote in the Memoirs of Count Grammont. "Lely painted them, and employed all his art in the execution. He could not have had more alluring sitters. Every portrait is a masterpiece." The original set of 'Beauties' painted by Lely were, as we find from James II's catalogue, eleven in number, their names being Barbara, Duchess of Cleveland (nee Villiers); Frances, Duchess of Richmond and Lennox (nee Stuart); Mrs. Jane Myddleton (nee Needham); Elizabeth, Countess of Northumberland (nee Wriothesley); Elizabeth, Countess of Falmouth (nee Bagot); Elizabeth, Lady Denham (nee Brooke); Frances, Lady Whitmore (nee Brooke); Henrietta, Countess of Rochester (nee Boyle); Elizabeth, Countess de Grammont (nee Hamilton); and Madame d'Orleans. It will be seen that in this list of 'Beauties' Anne Hyde, Duchess of York, does not figure; but since she was responsible for the collection, it would be peculiarly ungracious to omit her from a volume that treats of it. Also, she deserves inclusion for her supreme courage in selecting the sitters--for what must the ladies who were not chosen have said and thought of her?ÿ Nor in the series are Nell Gwyn, Louise de Keroualle, and the Duchess Mazarin; but no account of the social life of the Court of Charles II can possibly omit mention of them, and therefore something has been said about each of these ladies. The new Revised Edition restores Melville's masterpiece of the intricate relationships and day-by-day account of court life in the reign of Charles II of England. This edition also adds a new glossary, bibliography, and extended footnotes for the lay history reader. Also included are first-ever translations of French language poems, letters, and epitaphs completed by Coby Fletcher
Author: Lewis Melville
Publisher: Modern HIstory Press
ISBN: 1932690131
Category : History
Languages : en
Pages : 244
Get Book Here
Book Description
From the Preface to The Windsor Beauties: "The Duchess of York wished to have the portraits of the most beautiful women at Court," Anthony Hamilton wrote in the Memoirs of Count Grammont. "Lely painted them, and employed all his art in the execution. He could not have had more alluring sitters. Every portrait is a masterpiece." The original set of 'Beauties' painted by Lely were, as we find from James II's catalogue, eleven in number, their names being Barbara, Duchess of Cleveland (nee Villiers); Frances, Duchess of Richmond and Lennox (nee Stuart); Mrs. Jane Myddleton (nee Needham); Elizabeth, Countess of Northumberland (nee Wriothesley); Elizabeth, Countess of Falmouth (nee Bagot); Elizabeth, Lady Denham (nee Brooke); Frances, Lady Whitmore (nee Brooke); Henrietta, Countess of Rochester (nee Boyle); Elizabeth, Countess de Grammont (nee Hamilton); and Madame d'Orleans. It will be seen that in this list of 'Beauties' Anne Hyde, Duchess of York, does not figure; but since she was responsible for the collection, it would be peculiarly ungracious to omit her from a volume that treats of it. Also, she deserves inclusion for her supreme courage in selecting the sitters--for what must the ladies who were not chosen have said and thought of her?ÿ Nor in the series are Nell Gwyn, Louise de Keroualle, and the Duchess Mazarin; but no account of the social life of the Court of Charles II can possibly omit mention of them, and therefore something has been said about each of these ladies. The new Revised Edition restores Melville's masterpiece of the intricate relationships and day-by-day account of court life in the reign of Charles II of England. This edition also adds a new glossary, bibliography, and extended footnotes for the lay history reader. Also included are first-ever translations of French language poems, letters, and epitaphs completed by Coby Fletcher
Author: Catharine MacLeod
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 266
Get Book Here
Book Description
This text provides an exploration and reconsideration of Restoration portraiture, considering some of the most beautiful paintings of the period, portraits of women of prominence and influence within the court of Charles II, from royal brides and daughters to mistresses and actresses.
Author: James Robinson Planché
Publisher: CUP Archive
ISBN: 9780521284417
Category : Drama
Languages : en
Pages : 262
Get Book Here
Book Description
James Robinson Planché was one of the most prolific and successful of nineteenth-century playwrights. In a career spanning fifty years he wrote over one hundred and eighty pieces of all types, from pantomime and farce to melodrama and opera, for production at a wide range of London theatres. This book offers a representative selection of his most popular plays. It includes one melodrama - The Vampire; or The Bride of the Isles (1820), which represents the first treatment of the vampire theme on the English stage; one farce - The Garrick Fever (1839); three 'fairy' extravaganzas - Beauty and the Beast (1841), Fortunio and his Seven Gifted Servants (1843), and The Discreet Princess; or, The Three Glass Distaffs (1855); one 'classical' extravaganza - The Golden Fleece; or, Jason in Colchis and Medea in Corinth (1845); and one revue of events in contemporary London - The Camp at the Olympic (1853). The volume includes a lengthy introduction which sets the plays in the theatrical context of their time, a chronological record of Planché's life, a complete list of his plays, and a bibliography.
Author: Brett Dolman
Publisher: Scala Arts Publishers Incorporated
ISBN: 9781857597561
Category : Courts and courtiers in art
Languages : en
Pages : 0
Get Book Here
Book Description
Charles II's reign was a period of revolutionary experimentation: in science, art and sexual etiquette. For the first time in British history, Royal mistresses - such as Nell Gwyn - played an active, public role in court life. Women sensed new possibilities and freedoms, appearing on stage, managing their own financial, matrimonial - and extra-marital - affairs. Encouraged by a licentious King, 'being beautiful' could get you what you wanted. But if beauty was admired and revered, praised by poets and idealised by artists, it was also distrusted and feared, pursued and possessed. Beautiful women were chased and abused, pilloried as whores. This equivocal nature of beauty explains the lives of some of the most charismatic and controversial men and women in British history - those Restoration mistresses and degenerate libertines who lived, loved and died amidst the bespangled luxury of the late Stuart Court. This beautiful book, published to accompany an exhibition at Hampton Court Palace, traces the rise and fall of the 'beautiful revolution' from the Restoration of Charles II to the death of Queen Anne in 1714. It is also a book about beauty itself: its ambiguity, its authority and its transience. This is a timeless tale about our continuing obsession with beauty, celebrity, power and love. AUTHOR: Brett Dolman is Curator of Collections at Hampton Court Palace and joint author of several publications including The Royal Palaces of London. SELLING POINTS: *Showcases familiar and little-known paintings from The Royal Collection and other public and private houses across the country *Features the 'Windsor Beauties' and the 'Hampton Court Beauties' - portraits of ladies at court by the leading royal artists, Peter Lely and Godfrey Kneller - each with their own stories to tell *Reveals Charles II's own exotic artistic tastes, and his own 'collection' of beautiful women 97 colour illustrations
Author: Cindy McCreery
Publisher: Oxford University Press
ISBN: 9780199267569
Category : Art
Languages : en
Pages : 316
Get Book Here
Book Description
This is the first scholarly study to focus on satirical prints of women in the late eighteenth century. This was the golden age of graphic satire: thousands of prints were published, and they were viewed by nearly all sections of the population. These prints both reflected and sought to shape contemporary debate about the role of women in society. Cindy McCreery's study examines the beliefs and prejudices of Georgian England which they revealed.
Author: Brandon Henderson
Publisher: Universal-Publishers
ISBN: 1599426889
Category :
Languages : en
Pages : 190
Get Book Here
Book Description
The Dutch-born English Baroque portrait painter Sir Peter Lely (1618-1680) is chiefly known for his drowsy, sensual beauties and bewigged courtiers associated with the Restoration court of Charles II. He is often seen as merely successor or "imitator" of Sir Anthony Van Dyck (1599-1641), with a common resemblance in all his sitters and an inability to capture a true likeness, as well as an absence of any personal characterization or psychological interest. Alternately, this dissertation aims to reveal Lely's genius of superb draughtsmanship, fine color and lively composition, as well as to examine and reinstate the artist's impact and deep impress on British painting. Lely's early style owes much to his Dutch origin and training with the pioneers of Dutch classicism, and the distinctive qualities of his early work and the change in his traditions and techniques are examined. The development of Lely's portrait style is examined - from his arrival in England in the early 1640s through his years as leading aristocratic and society portraitist and Principal Painter to the King in the 1660s, to his mature work in the 1670s when his work is characterized by a restricted palette and cool restraint. And finally, Lely as collector is examined. He assembled one of the largest and most impressive private collections of art in seventeenth-century Europe, and his acquisitions and their influences, benefits and effects are considered. Upon Lely's death, his highly important collection was dispersed by auction in a series of four well-publicized sales in 1681, 1682, 1688 and 1694, respectively. These sales brought many important works to the London art market, and were some of the most important sales to date in England, as well as the most spectacular of the modern auction world. Although Lely initially emulated the style and techniques of Van Dyck, he juxtaposed his profound Dutch qualities of rich color, dramatic illumination and romantic landscapes, and ultimately imbued a sensuality, languor and luxurious negligence into the traditions and continuity of Van Dyck's grand Baroque style of English portraiture. Subsequently, together later with Sir Godfrey Kneller (1646-1723), Sir Peter Lely completely dominated British portraiture from the death of Van Dyck in 1641 until William Hogarth (1697-1764) challenged his style in the first half of the eighteenth century. Due to large file size, some images within this ebook do not appear in high resolution.
Author:
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 608
Get Book Here
Book Description
Author:
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 596
Get Book Here
Book Description
Author: Karl Baedeker (Firm)
Publisher:
ISBN:
Category : London (England)
Languages : en
Pages : 464
Get Book Here
Book Description
Author: Ward, Lock and Company, ltd
Publisher:
ISBN:
Category : London (England)
Languages : en
Pages : 494
Get Book Here
Book Description
