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Author: Radhakamal Mukerjee
Publisher:
ISBN:
Category : Art, Buddhist
Languages : en
Pages : 328
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Book Description
Author: Radhakamal Mukerjee
Publisher:
ISBN:
Category : Art, Buddhist
Languages : en
Pages : 328
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Book Description
Author: Pratapaditya Pal
Publisher:
ISBN: 9780500278703
Category : Art, Jaina
Languages : en
Pages : 279
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Book Description
Jainism originates in India where it has been practised since the 6th century BC. The Jains have produced a diverse range of art that has been little known in the West. This volume is illustrated with examples from all ages, offering a comprehensive introduction to the art of the Jains and an insight into the practices, principles and beliefs of the religion. Pratapaditya Pal describes the different forms of art produced in each period: temples and shrines, wood, stone and bronze, illuminated manuscripts, monumental cloth paintings, architectural reliefs and votive tablets. The volume also includes an examination of Jain ritual and philosophical thought, an entertaining account of Jain pilgrimages and overviews of Jain cosmological painting and manuscript illustration.
Author: Ajit Mookerjee
Publisher: Inner Traditions / Bear & Co
ISBN: 9780892817214
Category : Art
Languages : en
Pages : 198
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Book Description
RITUAL ART OF INDIA shows the splendor and diversity of an art form that has enriched every stage of human life in India--and reveals the inward-seeking quality of relationship with the divine that exemplifies Indian ritual art. A stunning guide with over 100 color photos and 34 b&w photos.
Author: Chakravarthi Ram-Prasad
Publisher: The Rosen Publishing Group, Inc
ISBN: 1615311939
Category : Juvenile Nonfiction
Languages : en
Pages : 147
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Book Description
India is a country rich with religion, art, and culture. India: Life, Myth, and Art allows readers to explore and learn with vibrant photographs, art, and a detailed breakdown of all that India has to offer.
Author: Rambharos Jha
Publisher:
ISBN: 9789380340135
Category : Animals in art
Languages : en
Pages : 0
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Book Description
"Waterlife features Mithila art, a vibrant delicate art form of folk painting from Bihar in eastern India. The artist Rambharos Jha grew up on the banks of the legendary river Ganga and developed a fascination for water and water life. In this book he creates an unusual artist's journal, adapting the motifs of the Mithila style to express his own vision. He frames his art with a playful text that evokes both childhood memory and folk legend."--Back cover.
Author: Radhakamal Mukerjee
Publisher:
ISBN:
Category :
Languages : en
Pages : 502
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Book Description
Author: Swarajya Prakash Gupta
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 218
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Book Description
The Work Studies Basic Principles Of Ancient Indian Art And Architecture. It Deals With Hindu Thinking And Practice Of Art Including The Hindu View Of Godhead, Iconography And Iconometry And Symbols And Symbolism In Hindu Art. It Surveys Indian Art And Temple Architecture From The Ancient Times And Makes Comparative Studies Of Religious Art In India.
Author: Ilona Deak-Ebner Ellinger
Publisher: Trafford Publishing
ISBN: 1553698215
Category : Art
Languages : en
Pages : 132
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Book Description
This book is beautifully illustrated with drawings of Indian Art by the author. The text gives the reader a good understanding of the symbols and iconography of Hindu Art, which can be very confusing at times.
Author: Stephanie Schrader
Publisher: Getty Publications
ISBN: 1606065521
Category : Art
Languages : en
Pages : 162
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Book Description
This sumptuously illustrated volume examines the impact of Indian art and culture on Rembrandt (1606–1669) in the late 1650s. By pairing Rembrandt’s twenty-two extant drawings of Shah Jahan, Jahangir, Dara Shikoh, and other Mughal courtiers with Mughal paintings of similar compositions, the book critiques the prevailing notion that Rembrandt “brought life” to the static Mughal art. Written by scholars of both Dutch and Indian art, the essays in this volume instead demonstrate how Rembrandt’s contact with Mughal painting inspired him to draw in an entirely new, refined style on Asian paper—an approach that was shaped by the Dutch trade in Asia and prompted by the curiosity of a foreign culture. Seen in this light, Rembrandt’s engagement with India enriches our understanding of collecting in seventeenth-century Amsterdam, the Dutch global economy, and Rembrandt’s artistic self-fashioning. A close examination of the Mughal imperial workshop provides new insights into how Indian paintings came to Europe as well as how Dutch prints were incorporated into Mughal compositions.
Author: Kapila Vatsyayan
Publisher: Abhinav Publications
ISBN: 9788170173625
Category : Art
Languages : en
Pages : 210
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Book Description
The Square and the Circle of the Indian Arts is a major contribution in Indian art history. More than a book on the theories of arts, it has far-reaching implications for the way one thinks about the future of indology and art history. It provides a model to be emulated for inter-disciplinary research, not only between the arts but also the sciences and the arts. The book begins by re-examining the imagery of the Vedas and the Upanisads, highlighting some aspects of early speculative thought which influenced the enunciation of aesthetic theories, particularly of Bharata in the Natyasastra. The next chapter introduces a new methodology of analyzing the rituals (yajna) as laid down in the Yajurveda and the Satapatha Brahmana, the best way to focus the relationship between the text and the practice. Four chapters follow – one each on drama (natya), architecture (vastu), sculpture (silpa), and music (sangita). Each presents some fundamental concepts of speculative thought, concerned with each of the arts and purposefully correlates these with actual examples both of the past and the present. The afterward to this second edition remains an event not only because the book benefits from the works published since the first edition, but also because it presents the author’s integral vision and her unique adventure into the boundaries of several disciplines. It demonstrates the efficacy of her earlier approach of investigating the imagery and the metaphors as basic to the discourse of the Indian tradition. She proposes a multi-layered cluster of concepts and metaphors which enable one to uncode the complex multi-dimensional character of the Indian Arts. Also significantly she suggests a deeper comprehension of the relevance of the developments in the field of traditional mathematics and biology for the study of the language of form of the Indian Arts.
