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Author: Cary Karp
Publisher: Getty Research Institute
ISBN:
Category : Art
Languages : en
Pages : 266
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Book Description
A bibliography on instrument technology and conservation, ethical issues, and musical performance practice as it relates to conservation.
Author: Cary Karp
Publisher: Getty Research Institute
ISBN:
Category : Art
Languages : en
Pages : 266
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Book Description
A bibliography on instrument technology and conservation, ethical issues, and musical performance practice as it relates to conservation.
Author: Stewart Pollens
Publisher: Cambridge University Press
ISBN: 1316299708
Category : Music
Languages : en
Pages : 1024
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Book Description
This is the first book to combine museum-based conservation techniques with practical instructions on the maintenance, repair, adjustment, and tuning of virtually every type of historical musical instrument. As one of the world's leading conservators of musical instruments, Stewart Pollens gives practical advice on the handling, storage, display and use of historic musical instruments in museums and other settings, and provides technical information on such wide-ranging subjects as acoustics, cleaning, climate control, corrosion, disinfestation, conservation ethics, historic stringing practice, measurement and historic metrology, retouching, tuning historic temperaments, varnish and writing reports. There are informative essays on the conservation of each of the major musical instrument groups, the treatment of paper, textiles, wood and metal, as well as historic techniques of wood and metalworking as they apply to musical instrument making and repair. This is a practical guide that includes equations, formulas, tables and step-by-step instructions.
Author: Murray Campbell
Publisher: Oxford University Press, USA
ISBN: 9780198165040
Category : Music
Languages : en
Pages : 532
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Book Description
A reference guide to musical instruments.
Author: Voichita Bucur
Publisher: Springer
ISBN: 3319320807
Category : Technology & Engineering
Languages : en
Pages : 975
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Book Description
This book addresses core questions about the role of materials in general and of wood in particular in the construction of string instruments used in the modern symphony orchestra – violins, violas, cellos and basses. Further attention is given to materials for classical guitars, harps, harpsichords and pianos. While some of the approaches discussed are traditional, most of them depend upon new scientific approaches to the study of the structure of materials, such as for example wood cell structure, which is visible only using modern high resolution microscopic techniques. Many examples of modern and classical instruments are examined, together with the relevance of classical techniques for the treatment of wood. Composite materials, especially designed for soundboards could be a good substitute for some traditional wood species. The body and soundboard of the instrument are of major importance for their acoustical properties, but the study also examines traditional and new wood species used for items such as bows, the instrument neck, string pegs, etc. Wood species’ properties for musical instruments and growth origins of woods used by great makers such as Antonio Stradivari are examined and compared with more recently grown woods available to current makers. The role of varnish in the appearance and acoustics of the final instrument is also discussed, since it has often been proposed as a ‘secret ingredient’ used by great makers. Aspects related to strings are commented.As well as discussing these subjects, with many illustrations from classical and contemporary instruments, the book gives attention to conservation and restoration of old instruments and the physical results of these techniques. There is also discussion of the current value of old instruments both for modern performances and as works of art having great monetary value.The book will be of interest and value to researchers, advanced students, music historians, and contemporary string instrument makers. Musicians in general, particularly those playing string instruments, will also find its revelations fascinating. It will also attract the attention of those using wood for a variety of other purposes, for its use in musical instruments uncovers many of its fundamental features. Professor Neville H. FletcherAustralian National University, Canberra
Author: Igor Kipnis
Publisher: Routledge
ISBN: 1135949778
Category : Music
Languages : en
Pages : 1323
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Book Description
The Harpsichord and Clavichord, An Encyclopedia includes articles on this family of instruments, including famous players, composers, instruments builders, the construction of the instruments, and related terminology. It is the first complete reference on this important family of keyboard instruments. The contributors include major scholars of music and musical instrument history from around the world. It completes the three-volume Encyclopedia of Keyboard Instruments.
Author: Canadian Conservation Institute
Publisher: Edinburgh : Museums & Galleries Commission ; Ottawa : Canadian Conservation Institute = Institut canadien de conservation
ISBN:
Category : Music
Languages : en
Pages : 160
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Book Description
Author: Emanuele Marconi
Publisher: Nardini Editore
ISBN:
Category : Music
Languages : en
Pages : 234
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Book Description
A musical instrument is a witness of the many human visual and aural sensibilities, beliefs and dreams. It is not just a technical object, but one with its own aesthetic properties, an object that makes a variety of characteristic sounds without necessarily the existence of a connection between its visual and sound aesthetic. Preserving an instrument means therefore preserving our culture, our history, our dreams. The conference, open to all museum professionals, was intended to present and critically discuss the latestresearch about diagnostic techniques applied to musical instruments as well as advanced conservation practices, use of materials, collections management, through the presentation of case studies. Its main objective was to be a forum for the exchange of information, seeking to promote the transfer of knowledge regarding the daily activities of preservation and to facilitate the exchange of scientific information and opportunities for collaboration among researchers from different backgrounds. The proceedings contain a selection of the papers presented in 2010 and 2011. Table of contentsForewordEmanuele Marconi, editor 1. TransformationsRobert L. Barclay – Restoration Consultant, Canada 2. DocumentationRobert L. Barclay – Restoration Consultant, Canada 3. On the field – universal measurementPatricia Lopez Bastos – ANIMUSIC – Associação Nacionalde Instrumentos Musicais 4. Investigating and Preventing the Deteriorationof Historic Brass Instruments in EUCHMIPanagiotis Poulopoulos – Deutsches Museum, Munich,Arnold Myers – The University of Edinburgh 5. Surface cleaning of musical instruments –towards a more conscious approachClaudio Canevari – Civica Scuola di Liuteria di Milano 6. Dendrochronology: Tool of Truth or DeceptionStewart Pollens – Violin Advisor LLC, New York 7. Piano’s forgery revealed by dendrochronologyDavid Houbrechts, Pascale Vandervellen – MusicalIntruments Museum, Bruxelles8. Structural, chemical and mechanical imaging appliedto the conservation of musical instrumentsJean-Philippe Echard, Sandie Le Conte, Stéphane Vaiedelich– Musée de la Musique, Paris9. Digital X-Radiography of Musical InstrumentsAna Sofia Silva – Conservator of Musical Instruments,Portugal10. Synchrotron radiation microtomography: a tool fornon-invasive analysis of historical musical instrumentsFranco Zanini – Sincrotrone Trieste11. Synchrotron radiation microtomography of bowedstringed instruments: the 1753 violinby G.B. GuadagniniNicola Sodini – Sincrotrone Trieste12. Stereomicroscope and SEM microanalysis study ofmusical instruments from Correr museum in VeniceStefania Bruni, Giuseppe Maino et alii, Enea Bologna13. X-ray and neutron imaging as complementarynon-destructive methods for investigations of historicalbrasswind instrumentsDavid Mannes, Adrian. von Steiger, Eberhard Lehmann,Rainer Egger – Neutron Imaging and Activation Group,Spallation neutron source SINQ, Paul Scherrer Institute (PSI),Villigen14. Looking over the Instrument Maker’s shoulders.Methods of material analysis of production technologyfor brasswind instrumentsAdrian von Steiger – Bern University of the Arts15. The emulation of non-linearity of musical instrumentsby means of Volterra seriesLamberto Tronchin – Università di Bologna Authors’ Biographies
Author: Stewart Pollens
Publisher: Cambridge University Press
ISBN: 9781107077805
Category : Music
Languages : en
Pages : 0
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Book Description
This is the first book to combine museum-based conservation techniques with practical instructions on the maintenance, repair, adjustment, and tuning of virtually every type of historical musical instrument. As one of the world's leading conservators of musical instruments, Stewart Pollens gives practical advice on the handling, storage, display and use of historic musical instruments in museums and other settings, and provides technical information on such wide-ranging subjects as acoustics, cleaning, climate control, corrosion, disinfestation, conservation ethics, historic stringing practice, measurement and historic metrology, retouching, tuning historic temperaments, varnish and writing reports. There are informative essays on the conservation of each of the major musical instrument groups, the treatment of paper, textiles, wood and metal, as well as historic techniques of wood and metalworking as they apply to musical instrument making and repair. This is a practical guide that includes equations, formulas, tables and step-by-step instructions.
Author: Richard W. Griscom
Publisher: Routledge
ISBN: 1135949921
Category : Music
Languages : en
Pages : 658
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Book Description
A Choice "Best Academic" book in its first edition, The Recorder remains an essential resource for anyone who wants to know about this instrument. This new edition is thoroughly redone, takes account of the publishing activity of the years since its first publication, and still follows the original organization.
Author: Great Britain. Museums and Galleries Commission
Publisher:
ISBN:
Category : Museum conservation methods
Languages : en
Pages : 76
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Book Description
