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Author: Mary Kavanaugh Oldham Eagle
Publisher:
ISBN:
Category : Women
Languages : en
Pages : 228
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Book Description
Author: Mary Kavanaugh Oldham Eagle
Publisher:
ISBN:
Category : Women
Languages : en
Pages : 228
Get Book Here
Book Description
Author: Mary Kavanaugh Oldham Eagle
Publisher:
ISBN:
Category : Women
Languages : en
Pages : 458
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Book Description
Author: Mary Kavanaugh Oldham Eagle
Publisher:
ISBN:
Category : Women
Languages : en
Pages : 854
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Book Description
Author:
Publisher:
ISBN:
Category : Women
Languages : en
Pages : 418
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Book Description
Author:
Publisher:
ISBN:
Category : Women
Languages : en
Pages : 856
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Book Description
Author: Valerie Sherer Mathes
Publisher: UNM Press
ISBN: 0826355641
Category : Social Science
Languages : en
Pages : 352
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Book Description
The Women’s National Indian Association, formed in response to the chronic conflict and corruption that plagued relations between American Indians and the U.S. government, has been all but forgotten since it was disbanded in 1951. Mathes’s edited volume, the first book to address the history of the WNIA, comprises essays by eight authors on the work of this important reform group. The WNIA was formed in 1879 in reaction to the prospect of opening Oklahoma Indian Territory to white settlement. A powerful network of upper- and middle-class friends and associates, the group soon expanded its mission beyond prayer and philanthropy as the women participated in political protest and organized successful petition drives that focused on securing civil and political rights for American Indians. In addition to discussing the association’s history, the contributors to this book evaluate its legacies, both in the lives of Indian families and in the evolution of federal Indian policy. Their work reveals the complicated regional variations in reform and the complex nature of Anglo women’s relationships with indigenous people.
Author: Kristy Maddux
Publisher: Penn State Press
ISBN: 0271084456
Category : Language Arts & Disciplines
Languages : en
Pages : 257
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Book Description
By 1893, the Supreme Court had officially declared women to be citizens, but most did not have the legal right to vote. In Practicing Citizenship, Kristy Maddux provides a glimpse at an unprecedented alternative act of citizenship by women of the time: their deliberative participation in the Chicago World’s Fair of 1893. Hailing from the United States and abroad, the more than eight hundred women speakers at the World’s Fair included professionals, philanthropists, socialites, and reformers addressing issues such as suffrage, abolition, temperance, prison reform, and education. Maddux examines the planning of the event, the full program of women speakers, and dozens of speeches given in the fair’s daily congresses. In particular, she analyzes the ways in which these women shaped the discourse at the fair and modeled to the world practices of democratic citizenship, including deliberative democracy, racial uplift, organizing, and economic participation. In doing so, Maddux shows how these pioneering women claimed sociopolitical ground despite remaining disenfranchised. This carefully researched study makes significant contributions to the studies of rhetoric, American women’s history, political history, and the history of the World’s Fair itself. Most importantly, it sheds new light on women’s activism in the late nineteenth century; even amidst the suffrage movement, women innovated practices of citizenship beyond the ballot box.
Author: Rebecca Rogers
Publisher: Routledge
ISBN: 135176733X
Category : History
Languages : en
Pages : 275
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Book Description
This book argues for the importance of bringing women and gender more directly into the dynamic field of exposition studies. Reclaiming women for the history of world fairs (1876-1937), it also seeks to introduce new voices into these studies, dialoguing across disciplinary and national historiographies. From the outset, women participated not only as spectators, but also as artists, writers, educators, artisans and workers, without figuring among the organizers of international exhibitions until the 20th century. Their presence became more pointedly acknowledged as feminist movements developed within the Western World and specific spaces dedicated to women’s achievements emerged. International exhibitions emerged as showcases of "modernity" and "progress," but also as windows onto the foreign, the different, the unexpected and the spectacular. As public rituals of celebration, they transposed national ceremonies and protests onto an international stage. For spectators, exhibitions brought the world home; for organizers, the entire world was a fair. Women were actors and writers of the fair narrative, although acknowledgment of their contribution was uneven and often ephemeral. Uncovering such silence highlights how gendered the triumphant history of modernity was, and reveals the ways women as a category engaged with modern life within that quintessential modern space—the world fair.
Author: Wanda Corn
Publisher: Univ of California Press
ISBN: 0520947460
Category : Art
Languages : en
Pages : 289
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Book Description
This handsomely illustrated book is a welcome addition to the history of women during America’s Gilded Age. Wanda M. Corn takes as her topic the grand neo-classical Woman’s Building at the 1893 Columbian Exposition in Chicago, a structure celebrating modern woman’s progress in education, arts, and sciences. Looking closely at the paintings and sculptures women artists made to decorate the structure, including the murals by Mary Cassatt and Mary MacMonnies, Corn uncovers an unspoken but consensual program to visualize a history of the female sex and promote an expansion of modern woman’s opportunities. Beautifully written, with informative sidebars by Annelise K. Madsen and artist biographies by Charlene G. Garfinkle, this volume illuminates the originality of the public images female artists created in 1893 and inserts them into the complex discourse of fin de siècle woman’s politics. The Woman’s Building offered female artists an unprecedented opportunity to create public art and imagine an historical narrative that put women rather than men at its center.
Author: Ruth E. Iskin
Publisher: Univ of California Press
ISBN: 0520355466
Category : Art
Languages : en
Pages : 343
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Book Description
The first comprehensive study of Cassatt’s life, work, and legacy through the prism of a transatlantic framework. This book re-envisions Mary Cassatt in the context of her transatlantic network, friendships, exhibitions, politics, and legacy. Rather than defining her as either an American artist or a French impressionist, author Ruth E. Iskin argues that we can best understand Cassatt through the complexity of her multiple identifications as an American patriot, a committed French impressionist, and a suffragist. Contextualizing Cassatt’s feminist outlook within the intense pro- and anti-suffrage debates in the United States, Iskin shows how these impacted her artistic representations of motherhood, fatherhood, and older women. Mary Cassatt between Paris and New York also argues for the historical importance of her work as an advisor to American collectors, and demonstrates the role of museums in shaping her legacy, highlighting the combined impact of gender, national, and transnational dynamics.
