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Author: Suryanarayana Hegde
Publisher: Readworthy
ISBN: 9350181517
Category : Literary Criticism
Languages : en
Pages : 101
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Book Description
In the whole range of Sanskrit poetics, the term vakrokti took altogether a new significance and the highest position as the all pervading poetic concept in Kuntaka's Vakroktijivita. He revived the concept from more verbal poetic figure to the lessons of poetry. He not only explains but also explores the multi-dimensional aspects of Vakrokti. But unfortunately, no comprehensive study of Vakrokti has been done in a systematic way. This book is an effort in this direction. Presenting the major schools of Sanskrit poetics, the book gives general definition of vakrokti and its multi-dimensional implications. Further taking a close look at the views of different theorists on vakrokti, it exposes in detail kuntaka's theory of vakrokti and makes its critical analysis in relation to various literary concepts- alankara, svabhavokti, rasavadalankara, marga and rasa. Finally, it deals with the striking similarities between dhvani and vakrokti, and brings out the fundamental aspects of practical criticism as shown by kuntaka.
Author: Suryanarayana Hegde
Publisher: Readworthy
ISBN: 9350181517
Category : Literary Criticism
Languages : en
Pages : 101
Get Book Here
Book Description
In the whole range of Sanskrit poetics, the term vakrokti took altogether a new significance and the highest position as the all pervading poetic concept in Kuntaka's Vakroktijivita. He revived the concept from more verbal poetic figure to the lessons of poetry. He not only explains but also explores the multi-dimensional aspects of Vakrokti. But unfortunately, no comprehensive study of Vakrokti has been done in a systematic way. This book is an effort in this direction. Presenting the major schools of Sanskrit poetics, the book gives general definition of vakrokti and its multi-dimensional implications. Further taking a close look at the views of different theorists on vakrokti, it exposes in detail kuntaka's theory of vakrokti and makes its critical analysis in relation to various literary concepts- alankara, svabhavokti, rasavadalankara, marga and rasa. Finally, it deals with the striking similarities between dhvani and vakrokti, and brings out the fundamental aspects of practical criticism as shown by kuntaka.
Author: Suryanarayana Hegde
Publisher: Readworthy
ISBN: 9788189973933
Category : Poetics
Languages : en
Pages : 0
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Book Description
In the whole range of Sanskrit poetics, the term vakrokti took altogether a new significance and the highest position as the all pervading poetic concept in Kuntaka's Vakroktijivita. He revived the concept from more verbal poetic figure to the lessons of poetry. He not only explains but also explores the multi-dimensional aspects of Vakrokti. But unfortunately, no comprehensive study of Vakrokti has been done in a systematic way. This book is an effort in this direction. Presenting the major schools of Sanskrit poetics, the book gives general definition of vakrokti and its multi-dimensional implications. Further taking a close look at the views of different theorists on vakrokti, it exposes in detail kuntaka's theory of vakrokti and makes its critical analysis in relation to various literary concepts- alankara, svabhavokti, rasavadalankara, marga and rasa. Finally, it deals with the striking similarities between dhvani and vakrokti, and brings out the fundamental aspects of practical criticism as shown by kuntaka.
Author: Sreenath V.S.
Publisher: Bloomsbury Publishing
ISBN: 9356406952
Category : Literary Criticism
Languages : en
Pages : 177
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Book Description
The book positions Sanskrit poetics in a postcolonial context to understand its contemporary relevance and proposes a productive future direction for this system of knowledge. The fundamental argument against Sanskrit poetics in modern literary circles is that it is a system of knowledge that does not have any contemporary relevance, since the idea of literature conceptualised by Sanskrit poetics is incompatible with the modern notion of literature. The general argument is that Sanskrit poetics has only the archaic value of a museum piece. This book which resists such an extremist approach to Sanskrit poetics aims to provide a new direction for Sanskrit poetics to generate new knowledge about this epistemology. The new approach that the author proposes is explicated through three major theoretical positions in Sanskrit poetics, namely dhvani, aucitya and vakrokti.
Author: G. N. Devy
Publisher: Orient Blackswan
ISBN: 9788125020226
Category : Literary Criticism
Languages : en
Pages : 458
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Book Description
Literary criticism produced by Indian scholars from the earliest times to the present age is represented in this book. These include Bharatamuni, Tholkappiyar, Anandavardhana, Abhinavagupta, Jnaneshwara, Amir Khusrau, Mirza Ghalib, Rabindranath Tagore, Sri Aurobindo, B.S. Mardhekar, Ananda Coomaraswamy, and A.K. Ramanujam and Sudhir Kakar among others. Their statements have been translated into English by specialists from Sanskrit, Persian and other languages.
Author: Ganesh Tryambak Deshpande
Publisher: Popular Prakashan
ISBN: 9788179912850
Category : Literature
Languages : en
Pages : 296
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Book Description
Author: Prakas Chandra Lahiri
Publisher:
ISBN:
Category : Criticism
Languages : en
Pages : 332
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Book Description
Author: T. Nanjundaiya Sreekantaiya
Publisher: Sahitya Akademi
ISBN: 9788126008070
Category : Indic poetry
Languages : en
Pages : 440
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Book Description
Author: C. Panduranga Bhatta
Publisher:
ISBN: 9788187892779
Category :
Languages : en
Pages : 135
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Book Description
Author: Dr. Thiagarajan Rajagopal
Publisher: Rudra Publications
ISBN: 9393767270
Category : Juvenile Fiction
Languages : en
Pages : 194
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Book Description
This book is a primer to Understand the History and Development of Alankara Sastra. It will be an easy reading for Sanskrit and useful for students of other literature too! In Sanskrit there are several synonyms of ‘beauty’,—‘Saundarya’, ‘Caruta’, ‘Ramaniyata’,‘Saubhagya’, ‘Sobha’, ‘Lavanya’, ‘Kanti’, ‘Vicchitti’, and so forth. But the most frequently adopted key-term of aesthetics is Alankara. That is why Alankara-sastra should be translated as the science of beauty. Its widest meaning is adequately stressed by Vamana who aphoristically states — “Saundaryam alankarah.” Since ‘alankara’ can also mean a ‘means of beauty’, it can denote poetic and artistic devices also. In the Rgveda itself we have the use of the word aramkrti which is cognate with the later word alankara and which gives rise to the Indian name of aesthetics, namely, Alankarasastra. The Vedic term has a double connotation — one aesthetic and the other magical.
Author: Jī. Hemapāla Vijayavardhana
Publisher:
ISBN:
Category : Poetics
Languages : en
Pages : 192
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Book Description
